Minggu, 04 Juni 2017

The Help 2011 kostenlos filme anschauen -720p-AAF

The Help 2011 Online Anschauen Kostenlos



The Help"




The Help-TVrip-2011-AVI-stream hd-AAF-DTS-FLA-englisch-AAF-online stream-MPEG-1-englisch.jpg




Titel

The Help 2011

Zeitdauer

134 peinlich genau

Erlösung

2011-08-09

Güte

SDDS 720p
Blu-ray

Genre

Drama

Sprache

English

castname

Thillet
K.
Emilee, Voisine J. Bacon, Tubeuf A. Evelien









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Great setting, cast, story and performances. A must to be seen.
I just watched The Help, almost immediately after finishing the book. Now, when comparing The Film to The Book it was based on (generally speaking), one major rule of thumb almost always applies: The Book is better. The Help is no exception.

Accordingly, with the novel still so fresh in the back of my mind, separating my mind from the book in order to enjoy the film was an almost impossible task. No matter how hard you try, you just can't quit comparing the two, nitpicking every detail and being frustrated with everything they changed. Nevertheless, I was still able to enjoy the film for what it was, though I am glad that I possessed full knowledge of the actual story.

The Help tells the story of black domestic servants in 1960's Jackson, Mississippi. It focuses on white Miss Eugenia 'Skeeter' Phelan, and her efforts to give a voice to black maids by writing their stories from their perspective and thus giving them an opportunity to be heard for the first time in their lives. Among the black women, Aibileen and Minny are the two key characters.

So let's just get the "bad" stuff out of the way. One of the elements in the novel that I enjoyed the most was the incredibly delicate bond of trust and understanding that builds up (over an extensive period of time) between Aibileen and Skeeter. It really does take Skeeter a long time before she finally wins Aibileen over and convinces her to share her deepest feelings with a white woman. In the film, this process felt rather rushed, like Aibileen just woke up the next morning and decided to do it. What bothers me about this is not just the fact that (oh, cliché) it was "better" in the book, but mostly because the film forgets to underline WHY it took so long. Not only is it much more clearly explained in writing that these black women face an incredible danger in divulging their true feelings about the white women they work for, the film also fails to capture the palpable tension and sense of urgency of the book. These women aren't just risking their jobs, they are risking their lives, AND the lives of their loved ones. They're in danger just for being seen talking to a white lady. I found this to be a rather big flaw of the film.

The film also lacks a lot of the character development I was hoping for. Quite a few character changes were made, so that in the film they all just kind of appear out of nowhere, and more or less seem to go about their business without – again – the big "why" of it all. One of the most underexposed characters was a woman named Celia Foote, who is a poor white trash girl who married way out of her league – and because of it, has to face the constant disgrace and condescension from the other stuck-up, "sophisticated" white ladies. Celia is just the sweetest, loveliest person in the entire story, and her relationship with her maid Minny is heart warming. The fact that they barely included this in the film is a real shame.

OK – if I keep comparing the film to the book, this review will never reach its end. Obviously, there is a lot more I could (and certainly want to) say, but it's not really relevant to the effectiveness of this review. So, moving on.

At least they got the actors right! Each and every one of them was cast spot-on to their character. Emma Stone is wonderful as Skeeter –capturing her youthful daring and naiveté perfectly. There's also something about her voice and attitude that make it clear that this girl is different from her snooty bridge club peers. Viola Davis is the perfect Aibileen – all I kept thinking was, damn, she should have gotten that Oscar. Her performance is very moving and heartfelt. Octavia Spencer did actually win an Oscar for her role as Minny, and it was well deserved. She is exactly as I imagined Minny to be – sassy, smart-mouthed and with an attitude that could render any white woman speechless, even if it means losing her job a dozen times. Celia Foote is played by Jessica Chastain, and I fear I'm at risk of doubling over in superlatives to describe how perfect she was, so I'll just leave it at this.

The Evil Witch in this story is Hilly Holbrook, played by Bryce Dallas Howard. I'm not sure how big of a compliment it is to say that she is very good at playing a snide, cunning racist – so let's just say she is a very good actress. Another actress worth mentioning is Allison Janney, who plays the role of Skeeter's mother. Though she is not quite like I imagined her the way she was in the book (there we go again...), I always enjoy her performances very much and this one's no exception. Oh, and Sissy Spacek plays Hilly's mother, and she is a delight to watch. I got the feeling that the director extended her role to a little more than what it was in the book, just to give her more screen time. I don't blame him.

Overall, the film is properly paced and reasonably well-constructed, though some creative liberties are taken here and there considering the timeline. In comparison to the book, it is a little disappointing, but I can't think of a single book-to-film adaptation where this wasn't the case.

I still rate The Help 8 out of 10, because I think it is an important story to be told and the performances are stellar, but if you have a little more patience, I strongly recommend reading the book instead.
_(March 2013)_

LP – Wikipedia ~ Dies ist eine Begriffsklärungsseite zur Unterscheidung mehrerer mit demselben Wort bezeichneter Begriffe

The Slim Shady LP – Wikipedia ~ The Slim Shady LP Slim Shady bezeichnet Eminems Alter Ego ist nach dem UntergrundAlbum Infinite das zweite Soloalbum des USamerikanischen Rappers erschien am 23 Februar 1999 über Dr Dres Label Aftermath Entertainment sowie Interscope Records und stellt den Beginn des kommerziellen Erfolgs von Eminem dar

The Marshall Mathers LP 2 – Wikipedia ~ Das Albumcover wurde am 20 September 2013 über Eminems TwitterAccount verö ist in SchwarzWeiß gehalten und zeigt ein Holzhaus das bereits für das Cover von The Marshall Mathers LP diente und in dem der Rapper einen Teil seiner Kindheit verbrachte Fenster und Türen des Hauses sind mit Brettern vernagelt und im Vordergrund befindet sich ein Nadelbaum

LpRaum – Wikipedia ~ Die Räume auch LebesgueRäume sind in der Mathematik spezielle Räume die aus allen pfach integrierbaren Funktionen bestehen Das L in der Bezeichnung geht auf den französischen Mathematiker Henri Léon Lebesgue zurück da diese Räume über das LebesgueIntegral definiert werden Im Fall Banachraumwertiger Funktionen wie im Folgenden für allgemeines dargestellt bezeichnet man sie

Lineare Optimierung – Wikipedia ~ Geschichte Die Methode der linearen Optimierung wurde 1939 von dem sowjetischen Mathematiker Leonid Witaljewitsch Kantorowitsch in seinem Aufsatz „Mathematische Methoden für die Organisation und Planung der Produktion“ eingeführt Kurz danach veröffentlichte der Amerikaner Frank L Hitchcock eine Arbeit zu einem erkannte man noch nicht die Bedeutung dieser Arbeiten

Limited Partnership – Wikipedia ~ Eine Limited Partnership abgekürzt LP oder englisch für Beschränkte Partnerschaft ist eine angelsächsische Unternehmensrechtsform die mit einer deutschen Kommanditgesellschaft vergleichbar ist und aus mindestens zwei Gesellschaftern besteht Die Limited Partnership ist eine Rechtsform unter der viele angelsächsische PrivateEquityund VentureCapitalGesellschaften geführt werden

Lloyd 300 – Wikipedia ~ Motor und Getriebe Angetrieben wurde der Lloyd von einem vor der Vorderachse quer eingebauten luftgekühlten ZweitaktZweizylinderMotor Twin mit einem Hubraum von 293 cm³ der 10 PS bei 4000min leistete Die Kraft wurde über ein nicht synchronisiertes DreigangSchieberadgetriebe auf die Vorderräder ü Höchstgeschwindigkeit betrug ca 70 kmh und der Verbrauch lag bei 55

Regenballade – Wikipedia ~ Mit geringfügigen Ausnahmen hat Reichel auf dieser Platte auch sämtliche Instrumente gespielt Bedeutung Seit seinem Erscheinen wird das Album als Unterrichtsmittel im bundesdeutschen muttersprachlichen Unterricht verwendet was viele Unterrichtsempfehlungen und Praxisberichte in pädagogischen Fachzeitschriften belegen

Finanzplan – Wikipedia ~ Unternehmen Kommt ein Schuldner seinen Zahlungsverpflichtungen nicht nach oder ist er nicht in der Lage die fälligen Zahlungspflichten zu erfüllen so liegt nach § 17 in Verbindung mit § 16 Insolvenzordnung der allgemeine Eröffnungsgrund für die Eröffnung des Insolvenzverfahrens vor Zur Vermeidung der Insolvenz sind von den Wirtschaftssubjekten somit die zukünftigen Einzahlungen

Rechtsfahrgebot – Wikipedia ~ Geschichte Seit römischer Zeit wurde in Europa links gefahren Erst Napoleon Bonaparte führte zunächst in Frankreich später in den von ihm besetzten Ländern das Rechtsfahrgebot ein welches sich dadurch im größten Teil Europas Österreich wurde das Rechtsfahrgebot 1938 mit dem Anschluss an Deutschland überall eingeführt Italien stellte 1924 und Schweden 1967 in der


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Sabtu, 03 Juni 2017

Shutter Island 2010 kostenlos filme anschauen -1080p-DTS

Shutter Island 2010 Ganzer Film



Shutter Island"




Shutter Island-HDTV-2010-online anschauen-BDRip-WEBrip-M4V-WMV-online anschauen-blu ray-mit untertitel-MPEG-1080p.jpg




Adelstitel

Shutter Island 2010

Zeitdauer

129 Notiz

Auslöse-

2010-02-14

Qualität

MPEG-1 1080p
WEBrip

Genre

Drama, Thriller, Mystery

Sprachfähigkeit

English, Deutsch

castname

Pizan
P.
Aliza, Horton H. Aydin, Mayara P. Beri









Shutter Island 2010 Shutter Island ganzer film deutsch, Shutter Island online stream - Ganzer film, Shutter Island ganzer film online stream - Deutsch



Nice movie
This was a random thing. We didn't even know the schedule and I was just wearing a random shirt and shorts. I just wanted to drink mango shake but then we randomly decided to go to eastwood and check the schedule. We were supposed to watch Diary of a Wimpy Kid but since Shutter Island's showing, then Shutter Island it is. But then wearing my "pambahay" outfit didn't really help since I saw 2 people from AC. grrrrrr. When I dress up, I don't see anyone I know but when I'm not properly dressed and I look like a mess, suddenly all these people come up to me and say hi. Note to self: always dress up.

I liked it. Watching Leonardo is not bad at all. I liked the twist of the story. Although you'll have some hints here and there, you'll think "oh I'll wait and see what it really is". And then the twist happens and you'll be like "I knew that all along". But that doesn't stop me from liking this movie. I'm so jealous of the girl playing his daughter. I mean first kiss...Leonardo Di Caprio???? Wow. I would take her place anytime. Michelle Williams...I'm not really a big fan of her. And after seeing this and being jealous also of her because of how she sat on the lap of Leo, I can say I don't like her at all. lol. Leonardo is awesome as always. It's amazing how good of an actor he is and he still hasn't won any Oscars. His time will come. I know he will win. And that flashback scene, he looked really good. Yum Yum Yum!


I rate this movie as A. Love the story. Love the actor.

3DBrille – Wikipedia ~ So genannte „PulfrichBrillen“ mit helldunklen Filtern z B „Nuoptix“ nutzen den „PulfrichEffekt“ für einen 3DEindruck bei seitlichen Kamerafahrten und wurden z B durch die RTLFernsehsendung Tutti Frutti Anfang der 1990erJahre sehr verbreitet Beim Pulfrichverfahren handelt es sich um keine echte stereoskopische Darstellung da das Bild nur mit einer einzigen Kamera

Rachael Taylor Schauspielerin – Wikipedia ~ Karriere Taylor begann ihre Schauspielkarriere 2004 mit dem Fernsehfilm The Mystery of Natalie gleichen Jahr hatte sie einen Auftritt in der Fernsehserie McLeods Töchter und eine Rolle in Man Thing Für ihre Hauptrolle in der australischen Serie headLand beendete Taylor ihr Studium an der University of Sydney 2006 war sie mit dem Horrorfilm See No Evil im Kino zu sehen

Patricia Clarkson – Wikipedia ~ Leben Patricia Clarkson betrachtete Ingrid Bergman als ihre Lieblingsschauspielerin und beschloss ihretwegen ebenfalls Schauspielerin zu werden Sie studierte Schauspiel im Yale School of Drama und hatte ihren ersten Auftritt als Filmschauspielerin in The Untouchables – Die Unbestechlichen 1987 Sie ist überwiegend in Independent und Ensemblefilmen zu sehen und stellt häufig starke

Michelle Williams Schauspielerin – Wikipedia ~ A Million Dreams mit Hugh Jackman Ziv Zaifman UK 22 22032018 29 Wo Michelle Ingrid Williams er 1980 in Kalispell Montana ist eine USamerikanische Mitte der 1990erJahre hat sie in über 40 Film und Fernsehproduktionen mitgewirkt

Bodyplethysmographie – Wikipedia ~ Die heute verwendete Methode der Bodyplethysmographie geht auf die Einführung der Methode durch DuBois im Jahr 1956 zurück Im klinischen Bereich und in Praxen niedergelassener Pneumologen gilt die Bodyplethysmographie als Diagnoseverfahren der ersten Wahl

Canon Ixus – Wikipedia ~ Den Namen IXUS führte das japanische Unternehmen Canon 1996 als Bezeichnung ihrer APSKompaktkameras ein Seit 2000 findet diese Bezeichnung als Canon Digital IXUS auch für eine Modellreihe von sehr kompakten Digitalkameras Verwendung In den USA und Kanada werden diese IXUSModelle unter den Bezeichnungen Elph APS ot Digital Elph digital in Japan unter dem Label Ixy vermarktet

Tobias Nath – Wikipedia ~ Leben 1990 zog Nath nach Berlin und begann 1994 seine Schauspielkarriere in dem Film Natalie – Endstation Babystrich in dem er den Max spielte Im gleichen Jahr hatte er eine Hauptrolle im Film Die brennende Schnecke 1997 konnte man ihn dann in der Fortsetzung des ersten NatalieFilms Natalie 2 – Die Hölle nach dem Babystrich sehen Im Jahr darauf war er in dem Drama Tod auf Amrum als

Leonardo DiCaprio – Wikipedia ~ Mit Shutter Island der im Februar 2010 in den deutschen Kinos anlief arbeitete der Schauspieler bereits zum vierten Mal unter der Regie von Martin Scorsese den er für den größten lebenden Regisseur hält DiCaprio übernahm in diesem auf dem gleichnamigen Roman von Dennis Lehane basierenden Psycho–Thriller die Rolle des zunehmend unter Paranoia leidenden USMarshals Edward „Teddy

Dissoziative Identitätsstörung – Wikipedia ~ Die dissoziative Identitätsstörung DIS nach DSM5 und ICD11 oder multiple Persönlichkeitsstörung MPS nach ICD10 ist eine dissoziative Störung bei der sich die Psyche der betroffenen Person in mehrere Teilpersönlichkeiten oder Teilidentitäten aufspaltet Diese übernehmen abwechselnd die Kontrolle über das Denken Fühlen und Handeln und wissen in der Regel nichts voneinander

Liste von Geisterfilmen – Wikipedia ~ Geschichte Seitdem der Film Topper – Das blonde Gespenst zum Hit wurde begann man sich in Hollywood mehr für Geisterfilme zu interessieren Über Jahrzehnte hinweg wurden Geisterfilme hauptsächlich in Spukhäusern gedreht Jedoch bestimmten auch die kulturellen und historischen Hintergründe aus denen die Menschen stammten den Erfolg eines Filmes


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The Hangover 2009 kostenlos filme anschauen -1440p-Dolby Digital

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The Hangover"




The Hangover-DVD-2009-HDTS-film-Dolby Digital-FLV-MPEG-1-hd stream-VHSRip-uncut-ganzer film-MPE.jpg




Sachtitel

The Hangover 2009

Geltungsdauer

136 Augenblick

Freisprechung

2009-06-02

Güte

FLA 720p
DVD

Buchgattung

Comedy

Programmiersprache

English

castname

Keitha
C.
Atlas, Méllina A. Auxence, Rahid W. Mindi









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Django Unchained 2012 kostenlos filme anschauen -1440p-AVI

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Django Unchained"




Django Unchained-download-2012-AVI-ganzer film-MPG-ASF-MPEG-DTS-auf italienisch-M2V-stream-DTS.jpg




Überschrift

Django Unchained 2012

Zeitdauer

178 kurzer Entwurf

Freigabe

2012-12-25

Beschaffenheit

Sonics-DDP 1440p
BRRip

Genre

Drama, Western

Sprache

English, Français, Deutsch

castname

Rebwar
C.
Ravalec, Chyanne C. Winter, Edgard V. Brochet









Django Unchained 2012 Django Unchained ganzer film deutsch, Django Unchained online stream - Ganzer film, Django Unchained ganzer film online stream - Deutsch



America, mid-nineteenth century, just prior to the Civil War. Winter. Two horsebacked slave-traders are leading half-a-dozen manacled negro slaves through a large, unspecified section of Texas. As they move one night through a wood, they cross paths with an affable, charming German fellow identified by the hokey model tooth affixed atop his carriage by a spring as a travelling dentist. He greets the traders cordially but he's struggling to be understood; not because English is his second language (although he deferentially concedes as much when instructed - more than once - to "Speak English!") but because his vocabulary is far wider than that of the simpler men here before him. It's not a chance passing, either; this German fellow, who identifies himself as Dr. King Schultz (played by Christoph Waltz with the same smiling, deadly menace that earned him an Oscar statue for his part as Col. Hans Landa in Inglourious Basterds) is looking for these traders. More specifically, their inventory of negro slaves. Even more specifically, one of those slaves in particular. Django (Jamie Foxx, Collateral, Ray). Attempting to buy Django, Schultz is met with short, suspicious shrift and ordered at gunpoint to be on his way. Within a second, one trader lies dead and the other lies incapacitated underneath the bulk of his dead horse. Schultz unchains Django, instructs Django to take the dead fellow's horse and coat, and pays the remaining trader for all that he's taken. He then tosses the manacle key to the other slaves and posits two choices to them, as he sees it: Carry their injured master thirty-plus miles to the nearest town for medical assistance, or unchain themselves, blow the injured slave-trader's head off with the gun Shultz has left them, bury the corpses and use the Pole Star to run for the Northern states, where slavery had been abolished, and for more than fifty years in some areas. Funnily enough, they take up the latter option.

So begins Django Unchained, an oater set in the slave states of the Deep South and the latest rollercoaster by Gen-X movieland wunderkind Quentin Tarantino. Always clearly a man heavily informed by the grindhouse subgenre of the Spaghetti Western, he's finally made one himself, and if Quentin's your thing it's a blast, though I doubt it'll convert many Tarantino sceptics; in fact it'll almost certainly reinforce those things that people dislike about him, about which more later.

It transpires that Dr. Schultz ISN'T a dentist ("I haven't practised dentistry in five years," he confides to Django over a beer) but a bounty hunter, and a lethal one at that. He's chasing down the Brittles, a murderous gang of brothers currently plying their trades as plantation overseers. He doesn't know what they look like but he knows they were recently employed at the Carrucan plantation, which is why he was searching for Django - a slave recently sold by that very plantation - in the first place; Django can point them out for him. Schultz is no fan of the South's backwards-thinking propensity for slavery though, and he offers Django a deal: help Schultz find and kill the Brittle Brothers, Schultz will treat Django like a free man, pay him $75 (a decent little wedge in 1858) and rubber-stamp his freedom. Along the way, he'll also teach Django a thing or two about the art of gunfighting and about the macabre trade of bounty-hunting (both in which Django proves to be a natural). On the trail of the Brittles, Schultz wonders aloud as to Django's plans once this endeavour is over and he's free. Well, as it happens, Django is a married man and his intention, once free, is to find his wife and buy her freedom. They'd tried to run from the Carrucan plantation together but they'd been caught, branded (both Django and his wife - played with all of her nerves exposed by Kerry Washington - sport R-For-Runaway scars on their cheeks) and sold on, separately. So he doesn't know where she is but that's what he's going to try to do. Schultz, feeling responsible for Django as the man granting him his freedom, proposes a further deal: If this Brittle bounty goes well, he'll honour Django's freedom but if Django stays with him through the winter as partners, taking on bounties and earning money, he'll help Django locate his wife.

What we have here is a large sequence of set-pieces - some funny, some tense, some action-packed - stretched across very-nearly three hours (though, like most QT films, it moves like a bullet train and those three hours just fly) strung together by a fairly simple revenge/rescue tale set against a geographically sprawling backdrop; a reasonably similar template to many of Quentin's movies and an almost identical template to that of previous outing Inglourious Basterds, to which Django Unchained could almost be considered a companion piece despite the wildly different global and historical settings. Like Inglourious Basterds, Django Unchained is quite a bit longer than the story need be, and like Inglourious Basterds that is because each scene is treated by Tarantino as a mini movie, a contained set-piece all of its own. Every scene is fleshed out and deepened for either heightened comic or dramatic effect by lengthened sequences of characters going about the mundane or by characters delivering enormous monologues - rambling shaggy-dog stories, usually - to one another, for context. Not every scene is entirely necessary, either. I wouldn't call that a flaw though, I'd call it a trait typical of Quentin Tarantino; whether it's a flaw or an outright treat depends entirely on whether that's an element of Tarantino's writing that the viewer appreciates. Personally, I love Tarantino's writer's voice and I could watch these scenes for hours (indeed, I watched Django Unchained three times over the course of yesterday), but I can fully undersand what those lamenting the decent 90-minute film that's lost somewhere within the sojourns and speeches of Django Unchained are saying.

Performances throughout are utterly mesmerising, from stars Foxx and Waltz but also - in fact, maybe more so - from principle antagonists Leonardo DiCaprio as "Monsieur" Calvin Candie, the horrifying owner of the "Candyland" plantation currently holding the ownership deeds on Django's wife, and Samuel L. Jackson in an if-anything even more monstrous role as Stephen, Candie's elderly head house slave, a man who has utterly abndoned the culture and torment of his people in return for a few material trappings as the slave-in-chief. Playing to superb comedic effect is Don Johnson as Big Daddy, a strutting, peacock-like Tennessee dandy and owner of the plantation currently employing the Brittle Brothers, and delightful in cameo roles are (among many others) James Remar (The Warriors, Dexter), Jonah Hill (Superbad, The Watch), John Jarratt (Wolf Creek, Rogue) and Michael Parks (Red State, Kill Bill). Quentin himself makes a cameo as usual and, as usual, he's not as charming as he probably thinks he is, but he's also not as bad as many think he is, either. There's even a quick cameo (raising an involuntary cheer from me!) by Franco Nero, the original Django from the magnificent 1966 film of the same name by Sergio Corbucci (that's not the only nod back to the first Django movie; the opening credits to Django Unchained are presented in exactly the same way as the original, and the theme song to Quentin's film comes directly from the Corbucci film too).

Django Unchained is likely to come under fire on a couple of counts; possibly for it's incredible levels of bloodshed (one particular gunfight is the most blood-splattered scene I've seen in a movie since those elevator doors opened in The Shining), and much more probably for the liberal use of what guilty white folks like to refer to as "The 'N'-word", uttered literally hundreds of times from first scene to last. However, neither criticism is warranted in my humble opinion. The bloodshed is of the overexaggerated cartoon quality. Heads, arteries and extremities explode upon bullet impact like detonated watermelons to a gloopy, "BLAAAPP!" sound effect, the blood itself translucent, syrupy and intentionally unrealistic. And if a tale is set against the backdrop of slavery in the 19th century deep South, you're going to hear the word "Nigger" in that tale. Often. Be assured though that just as Inglourious Basterds was a revenge fantasy of the downtrodden Jewish war refugees over the stupidly evil Nazi Germans, this is a tale of empowerment of the enslaved black man over his sadistic, pig-ignorant white overseers.

If you like Tarantino, you'll probably like Django Unchained. If you like Westerns (and the blood-drenched Spaghetti Westerns of the late sixties in particular), you'll probably like Django Unchained. If, like me, you're an admirer of both Tarantino AND westerns, this is a no-brainer. Get and see it, it's a blast.

I'd like to have seen him pull a Gatling gun out of a coffin, though.
A highly entertaining yet disturbing film with superb cast and performances for an audience who would likely never consider watching a film fundamentally about slavery, where Tarantino is masterfully and emphatically navigating and exposing the complex layers of the violent and dehumanizing system of slavery.
**ENTERTAINING from start to finish !!**

Given I am a big fan of **Quentin's** works i knew this movie would be a treat to watch.But what i didn't know was violence can be so **COOL**... The movie is a treat to watch(including the blood and gore) from starting to end.The acting is superb.And the cinematography is just too good! The whole cast played their parts to perfection...Especially **Samuel L. Jackson** and **Jamie Foxx**..**Leo and Christopher Waltz** were superb too..And as Christopher said in the movie - "It was hard to RESIST".A must watch for everyone who likes QUALITY cinema..Even the ones who cant stand BOOMs and BANGs, you wouldn't regret spending about 3 hours watching this well written, well directed and well acted GREAT movie !!
This is one of the best movies I have watched in a long time. It is a pure Tarantino blast. The somewhat unexpected and quite hilarious start of the movie catches your attention from the start and from then on it is 3 hours (almost) of pure enjoyment.

The main actors are playing their roles very well. The Dr. King Schultz character (Christop Walz) is incredibly funny without being ridiculous, Jamie Foxx is excellent as Django and Leonardo DiCaprio is doing his role well as a plantation owner and slave trader. None of the rest of the crew stood out as particularly bad. Well with the possible exception of Tarantino himself then when he made his usual in-movie appearance a’ la Hitchcock. Not that he was particularly bad but he is no actor either.

The movie starts of by Dr. Schulz liberating Django and proceeding to a small town showing Django what he is in the business of doing. Those first minutes of the movie are somewhat unexpected and very funny to watch. After that the movie gets more serious as Django gets to learn to be a bounty hunter and finally gets on with his quest to rescue his “Damsel in distress”. It still has quite a bit of “Tarantino humour” sprinkled around in it though.

During the movie we are treated to a long series of stereotypical people with, let us say, an “attitude” towards African people. It is tempting to say “nigger haters” but that would not be true since a lot of these people did not exactly hate them. They just did not consider African people to be people but more than live stock for them to use as they wished. Unlike a lot of movies portraying these events this one never comes across as boringly finger pointing or overly morally lecturing. Nor does it in any way support or glorify the way things were at this time. It is a movie made to entertain set in a period where bad shit happened and using it for the story. Nothing more and nothing less.

As usual with a Tarantino movie there are some violent parts, some more violent parts and some bloody violent parts in it. The ending fights are a glorious show of destruction and blood splatter. I am sure some people are complaining about the “unnecessary violence”. I am not one of those people. Without these parts it would not be a real Tarantino movie. As always it is made with the usual exaggeration that Tarantino is so good and which reminds you that it is “only a movie”.
This is one of the few movies that I have given 10 out of 10 stars in a very long time. I enjoyed it immensely.
When Django is unchained (pronounced JANG-oh, not Duh-JANG-oh)

Released in 2012 and directed & written by Quentin Tarantino, "Django Unchained" stars Christoph Waltz as an ex-dentist who befriends an ex-slave, Django (Jamie Foxx) in West Texas a couple of years before the Civil War; they team-up as bounty hunters once they realize how good they jell. The second half focuses on their attempt to infiltrate a Mississippi plantation owned by pompous Southerner "Monsieur" Candie (Leonardo DiCaprio) in order to rescue Django's wife (Kerry Washington). Samuel L. Jackson plays Candie's overly loyal house slave.

This is an excellent American Western with Spaghetti Western elements featuring Tarantino's typical artistic flourishes. It takes place in the West AND in the South, which is reminiscent of the underrated "Nevada Smith" (1966), one of my favorite Westerns. Waltz is magnetic as the nonchalant protagonist and he & Foxx have good chemistry. There's a nice mix of interesting dialogues, amusing moments and over-the-top action. Unfortunately, but to be expected, Tarantino goes overboard with the 'n' word and the blood-letting, the latter to the point of cartoonish-ness.

Nevertheless, this is an original Western that is vibrant with creativity, including stunning locations, cinematography and a great amalgamated soundtrack/score, which includes cuts by Ennio Morricone, like the excellent "Hornets' Nest," the imaginative "The Braying Mule" and the moving "Ancora Qui." It's all-around superior to "The Hateful Eight" (2015) because it's not limited by a one-room whodunit plot (although "Hateful" has its unique points of interest).

The movie runs 165 minutes and was shot in Jackson Hole, Wyoming; Evergreen Plantation & New Orleans, Louisiana; and several locations in California (Lone Pine, Alabama Hills, Semi Valley, Melody Ranch, Santa Clarita, Independence & Los Angeles). The cast includes numerous peripheral notables, e.g. Ato Essandohs, Don Stroud, James Remar, Bruce Dern, Ato Essandoh, Franco Nero, Don Johnson, Amber Tamblyn and several others.

GRADE: A

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12 Years a Slave 2013 kostenlos filme anschauen -1080p-AVI

12 Years a Slave 2013 Online Anschauen



12 Years a Slave"




12 Years a Slave-MP4-2013-AVI-1080p-TVrip-DVD-M4V-BRRip-ganzer film-Sonics-DDP-HDRip-italienisch.jpg




Anrecht

12 Years a Slave 2013

Geltungsdauer

175 winzig

Kinostart

2013-10-18

Beschaffenheit

Dolby Digital 720p
WEBrip

Buchgattung

Drama, History

Jargon

English

castname

Lilah
L.
Umara, Kandra Y. Ehlana, Minhaj S. Shawn









12 Years a Slave 2013 12 Years a Slave ganzer film deutsch, 12 Years a Slave online stream - Ganzer film, 12 Years a Slave ganzer film online stream - Deutsch



Sometimes, I just have to stop my brain in the middle of a film and just admire its exceptional craftsmanship. I found myself doing that time and time again during this film. Perhaps I was more open to admiring the shot compositions and acting choices because, as I cynically told myself before the film, it's not like I needed much convincing that slavery was bad. Or perhaps it was because I was shielding myself from the honest brutalities the film convincingly portrayed. Nonetheless, I was reminded of the film "Children of Men," because when I watched that, I was struck by how easily I could imagine a less engaging, more dumbed-down version of the same film. I haven't seen enough films about slavery to know this for certain, but I suspect that because many of this film's principals are British, telling a story about a free man who was forced into slavery, as opposed to one born into it, they were able to be gain some valuable distance from the subject and craft something that's both beautiful and feels true to life. And even though I thought I could not have been made to feel worse than I already did about slavery, the post-scripts on the lack of justice Solomon received for his kidnapping and the unknown causes of his death, helped keep the film from lapsing into a kind of "triumph of the spirit" happy ending others might have imposed.
This movie is very, very well done. Well, edited and with the proper long shots at the proper moments bringing you to the life of Solomon without remedy.

All the cast performs exceptionally well and Ejiofor is to be remembered for this film.

A must to be seen.
Not in a long time have I seen a movie that brings out real emotions from my cold hearted soul. This movie brought them out in floods of tears.

the acting was superb, especially from the lead Chiwetel Ejiofor, he acted from his little toe right up to his eyes.

The style was also filmed beautifully with some (extremely) painful long shots which pulled you into Solomons nightmare.

Im not sure if its a film I could watch again, purely for the emotion but I would recommend this film to everyone.
**Dreaded at the thought that human kind ACTUALLY had this kind of livelihood at some point of time..**

Could not gather my thoughts to write this review at the end of the movie.Feeling really bogged down by some heaviness on my chest. Thinking about the times in history when we actually used to do these atrocities on other human beings makes me cringe.To imagine waking up one day and find me in chains just because I'm a colored man and living my life like an unwanted child of god makes me question humanity altogether. Just sitting through a little over than 2 hours and watching this movie made my heart bleed, I can't even begin to think of the people who lived their entire lives as SLAVES... 12 years a slave heart breakingly makes you feel the pain and suffering of almost the entire human kind at one point of time or other. Direction by Steve McQueen is brilliant.Chiwetel Ejiofor plays a helpless slave in Solomon Northup to the hilt and also the small but impactive role played by Brad Pitt as a man with conscience is superb.Lupita Nyong'o's Patsey too was depicted heart warmingly. You can't help but question yourself that how could MAN stoop such low and do these cruel acts and that too over such a prolonged period of time without even a single ounce of doubt in his mind for what he would have to pay for his actions.. All in all a GEM of a movie showing one of the lowest point in human history !

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Jumat, 02 Juni 2017

Doctor Strange 2016 kostenlos filme anschauen -1440p-M1V

Doctor Strange 2016 Stream Hd



Doctor Strange"




Doctor Strange-MPEG-1-2016-Dolby Digital-DVD-blu ray-stream hd-online stream-AVI-MPEG-2-englisch-italienisch-online schauen.jpg




Titel

Doctor Strange 2016

Dauer

129 Konzept

Entlassung

2016-10-25

Güte

MPG 720p
WEB-DL

Gattung

Action, Adventure, Fantasy, Science Fiction

Ausdrucksweise

English

castname

Auberon
Y.
Dorris, Jatin C. Akram, Morales L. Hugueny









Doctor Strange 2016 Doctor Strange ganzer film deutsch, Doctor Strange online stream - Ganzer film, Doctor Strange ganzer film online stream - Deutsch



With each new Marvel film one could expect the studio to push the limits of what a superhero film should consist of. Films such as Captain America: Winter Solider, Guardians of the Galaxy and Ant-Man all consisted of elements that we have never seen within a superhero film before. Now, Marvel Studios attempts to push the envelop once more by leaving the world of high tech armors and super soldiers and entering the mystical world of magic. Leading this charge is Benedict Cumberbatch's Doctor Stephen Strange and hopefully he could answer why there is this strange mystical feeling that we have seen this all before.



> From Marvel comes “Doctor Strange,” the story of world-famous neurosurgeon Dr. Stephen Strange whose life changes forever after a horrific car accident robs him of the use of his hands. When traditional medicine fails him, he is forced to look for healing, and hope, in an unlikely place—a mysterious enclave known as Kamar-Taj. He quickly learns that this is not just a center for healing but also the front line of a battle against unseen dark forces bent on destroying our reality. Before long Strange—armed with newly acquired magical powers—is forced to choose whether to return to his life of fortune and status or leave it all behind to defend the world as the most powerful sorcerer in existence.

I am going to start off the review by discussing the only strong positive thing that came out of Doctor Strange and its by far the visuals. Beautiful vibrant colors pop at you throughout the film, the costume design is beyond extravagant and the framing is spot on. Doctor Strange and his fellow Sorcerers Supremes powers aren't fully on display until they enter the Mirror Dimension and my god, Tony Stark and Bruce Banner would hate this place. As they are men of science, they would hate that all rules of physics are thrown out the window as our Sorcerers Supremes are capable of breaking buildings apart and reforming to however they please. It is hard to not reference Inception but no one here is dreaming, these visuals are being created by the hand of mystical men and they use it to their power.

In all honestly, pushing the envelope when it comes to visuals was not a difficult task at all. Heck, if they didn't I would have been extremely disappointed as it was an obvious opportunity to take advantage of since we are dealing with magic. I am still extremely disappointed regardless as director Scott Derrickson completely missed another obvious opportunity to push the envelope this time in regards of character development.

Doctor Stephen Strange is very much like a Tony Stark and other superheroes we have seen in films before as he is arrogant, egoistical and full of it. After Strange's accident in which he suffered extreme nerve damage to both hands, he dishes out every penny to his name to repair his hands in hopes he could continue his career as neurosurgeon. Every attempt fails and Strange becomes desperate enough to head to Nepal and finds himself under the guidance of Tilda Swinton's The Ancient One. Learning a whole new concept in the mystic arts forces Strange to reshape his way of thinking but Scott Derrickson does not let this have Strange reshape who he is as a person as well.

Doctor Strange should have found himself being more like a Steve Rogers towards the end of the film as learning the mystic arts and his accident alone should have broken his ego. But instead everything still comes easy to him as he masters magic with ease with very little tension. He has a couple hiccups in the beginning but once The Ancient One puts him under her wing it is smooth sailing and Strange is stealing texts, wielding powerful weapons and defeating Supremes with decades of training with ease.

You cannot say that Strange was destined for the mystic arts and that is why everything came so easy for him. Strange is only learning the mystic arts due to circumstance. If he doesn't get into an accident, which happened to him due to being careless, he doesn't find himself in Nepal. Harry Potter was destined for magic, not Strange. Strange fails to grow as a character because he continues to be proven right and no consequences seem to happen due to his actions.

It is hard to get into the character development of our supporting characters Benedict Wong's Wong and Chiwetel Ejiofor's Mordo as I would utterly spoil the film for you. All I would say though is that they were both mishandled and deserved better developments. It is a shame too because Wong and Ejiofor are superb actors but wasting talent is something Marvel Studios is used to.

When will Marvel Studios get a villain right? With Mads Mikkelsen playing our lead villain, Kaecilius, I thought we might finally get a cinematic Marvel villain that is on par to Killgrave and Kingpin over at Marvel's television department. Ultimately, Kaecilius and Doctor Strange end up fighting due to the most silliest cliche: being at the wrong place at the wrong time. The two individuals meet at the New York Sanctum Sanctorum in which Strange accidentally gets blown in to. Kaecilius is there to kill the protector and Sanctum Sanctorum itself and has no knowledge of who Strange is. In fact, he honestly believes Strange's name is in fact "Mister Doctor." Still learning his craft, Strange is capable of putting up a better fight than the protector who should be a matter. I mean, he is a protector after all. There are no stakes for Strange, strange.

Visually appealing could only get you so far as Doctor Strange fails to focus on the development of their characters that they made so appealing to the eye. Doctor Strange will become a huge asset to the Marvel Cinematic Universe and lets hope we see the rest of Strange's development when he casts his next spell. There is so much untapped potential in Strange's character, we just haven't seen the best of him yet.
All continues to be well in the Marvel Comics Universe as the film adaptation of another mischievous and majestic superhero from Stan Lee’s printed page empire emerges and reigns supreme on the big screen. The latest cure from the Marvel movie bag of explosive tricks is the entry of the dazzling and decorative **Doctor Strange**. Armed with a collection of notable performers, a convincing colorful scope of visual vibrancy and a hearty touch of spiritual and reflective potency the spellbinding **Doctor Strange** is an engaging and oddly sophisticated action-oriented comic book fantasy adding imaginative flavor to the typical escapist gem from the Marvel stable of powered personalities.

Some may argue that **Doctor Strange** is merely another conveyor belt cinematic comics confection that follows a safe and similar makeup that constitutes the obligatory Marvel Comics movie foundation–excitable weirdness, overly splashes of wayward whimsy, copious characterizations attached to their brand of eccentric grandeur and larger-than-life gestures of dark and devious exploits grounded in the basic landscape of good versus evil. Listen, sometimes traveling down the conventional path of constructed and adventurous Marvel-made spectacles is not necessarily a bad thing to consider. After all, the well-known and more popular superhero icons such as _Spider-Man_, _The Incredible Hulk_, _Iron Man_, _The Avengers_, and _The X-Men_ for instance seem to benefit nicely from the anticipated formula that routinely delivers the entertaining goods for its avid core of fanboys. So why not wipe off the seemingly obscure and underrated **Doctor Strange** and provide the same kind of popcorn-pulsating mystique for blockbuster cinema?

**Doctor Strange** started out as a comic book creation in 1963 by Steve Ditko and Stan Lee. Director Scott Derrickson (“Paradise Lost”, “The Exorcism of Emily Rose”, “Sinister”, “Deliver Us From Evil”) does an admirable job in giving shades of bizarre brilliance and magical manipulation to an unconventional Marvel comic book character hardly known for his capacity to translate his mystical mastery to celluloid with compelling curiosity. Derrickson, known primarily for his creative juices in the realm of horror fantasies, confidently serves up the off-kilter and hypnotic appeal of Dr. Stephen Strange as embodied by accomplished English actor Benedict Cumberbatch (“Black Mass”, “The Imitation Game”, “12 Years a Slave”). Interestingly, Derrickson and his handful of screenwriters craft **Doctor Strange** with a mind-blowing measurement of restraint and inquisitiveness. Indeed, **Doctor Strange** echoes its contemporary Marvel-established movies with predictable pluckiness to a certain extent but what is appreciated more is the uniqueness of the film’s ability to emphasize a cerebral superhero that is cut out of a different kind of creative cloth which feels quite distinctive from other brooding Marvel mavericks. Cumberbatch–mastering a rather effective American-accented sorcerer with skill–has injected a degree of inventive nobility and refinement that uplifts this calculating comic-book fantasy.

Cumberbatch’s egotistical Stephen Strange is an incredibly gifted neurosurgeon. His hands are truly miraculous tools of his medical trade and he takes pride in his abilities to treat the critical patients that have tremendous hope courtesy of his therapeutic capabilities. In a nutshell, Strange outshines his other surgical competitors because he is able to give to his patients on the operating table something other doctors cannot instantly muster up. However, cruel fate strikes its ugly head when Strange suffers the usage of his precious hands as a result of a horrific car wreck. The nerves in his hands are destroyed and the non-functioning of his limbs is an awful reminder that his surgical talents are something of the immediate past.

As Strange delves into self-pity and surfacing depression he cannot see just how supportive his fellow physician Christine Palmer (Rachel McAdam) is toward him. Clearly, Christine is in love with the alienating medical moper but Strange simply does not realize the extent of her affections because he is too busy sulking about his misfortune. The only factor that gets a promising rise out of Strange is his recent acknowledgement of the Tibetan community where there is a Kamar-Taj temple rumored to restore ailing body parts destined to make an individual “whole” and “complete” once again. Naturally, Strange wants to bypass the tedious and lengthy therapy sessions for a chance to experience the miracle of his once-amazing operating digits now ravaged by severe nerve damage.

The main source behind the Kamar-Taj temple’s heralded existence is The Ancient One (played by Tilda Swinton). She is instrumental in teaching the fundamentals of a selected Eastern mysticism that teaches the special concentration of healing the wounded and wasting human body when scientific medical practices fail to do so. Soon, Strange’s affiliation with The Ancient One and her mystical minions has more than a transfixing effect on gaining control of his ailing hands as he gains indescribable powers through the inner strength of mind and soul. Now, Dr. Strange can generate his own alternating state of philosophical wizardry that dictates shaping time and space dimensions. Strange’s out-of-body experiences supersede all his previous physical impairments as a force to be reckoned with at large. Whether observing Strange’s Cloak of Levitation methods or witnessing his supernatural prowess on the mean streets against wickedness Doctor Strange spins a wild and weird web of action-packed surrealism that is a welcomed addition to Marvel Comics’ showcasing of super-heroic protective cads feisty in flaws and frivolity.

Cumberbatch is mesmerizing as the self-absorbed genius Strange who perhaps is the best complex Marvel-related protagonist since Robert Downey Jr.’s flippant Tony Stark/Iron Man. The combination of heightened arrogance and high-brow self-doubt and vulnerability tactically works as Cumberbatch sells this portrayal solidly. Although Swinton’s The Ancient One is an intriguing enigma in her own right one must question why the absence of an Asian actor not considered for this particular role may have some scratching their heads in indignation? McAdam’s love interest Christine amounts to only being an afterthought not just in the eyes of her object of affection Strange but to the audience as well.

Thankfully, the other supporting players contribute marvelously to the festivities. Oscar nominee Chiwetel Ejiofor (Cumberbatch’s co-star from the Academy Award-winning “12 Years a Slave”) plays fellow sorcerer Mordo while Benedict Wong assumes the duty as another one of The Ancient One’s followers who guards the school’s sacred scriptures. Mads Mikkelsen is devilishly received as Kaecilius, the former disciple of The Ancient One gone rogue whose agenda in releasing an ominous demon Dormammu to the world will test the will of Doc Strange’s newfound mystical techniques and tactics.

No doubt that **Doctor Strange** is an impeccably surging superhero fable laced with stunning aesthetics and a richly robust score by Michael Giachinno. The high caliber of talent associated with this spry comic book actioner definitely ensures another superhero film franchise-in-the-making as Cumberbatch’s introspective doc administers his **Strange** dosage of Marvel movie-making medicine for the ages.

**Doctor Strange** (2016)

Walt Disney Pictures

2 hrs. 10 mins.

Starring: Benedict Cumberbatch, Tilda Swinton, Chiwetel Ejiofor, Mads Mikkelsen, Rachel McAdam, Benedict Wong, Benjamin Bratt

Directed by: Scott Derrickson

MPAA Rating: PG-13

Genre: Science Fiction & Fantasy/Action & Adventures/Comic Book Fable

Critic’s rating: *** 1/2 (out of 4 stars)

(c) **Frank Ochieng** 2016
Though the core events may not be anything new for the MCU, particularly in so far as its origin stories go (Stephen Strange's A-to-B is virtually identical to Tony Stark's in the first _Iron Man_ film) the psychedelic filter through which we experience these events is entirely fresh!

Not all of the humour lands, and in fact sometimes actually detracts from the story. While the effects are very impressive from a conceptual angle, the graphical end-products do sometimes fall short. Benedict Cumberbatch is a fantastic actor, and does a fine job as Doctor Strange, virtually the whole cast are proven actors, but none are really given the chance to flex those acting muscles to any sort of a newly impressive degree.

Those minor nitpicks aside, _Doctor Strange_ is another very successful entry to the MCU, just further proving that Marvel really know what they're doing in this latest form the film industry has taken.

_Final rating:★★★½ - I strongly recommend you make the time._
I will begin this by saying I was hyped about this film since it was announced because I was always attracted to magic and the supernatural and Doctor Strange is one of my favorite Marvel superheroes.
PLOT:A simple enough story,a brilliant surgeon's journey from the peak of his career to a ruined man,incapacitated due to an accident.Losing all his money in an attempt to heal his hands,he finds out about a mysterious healer in a place called Kamar-Taj.With his last dollars, he gets a one-way ticket to Nepal to find this place and is introduced like so into a whole new world.He has an affinity for what he discovers to be called "The Mystic Arts".He learns and develops quickly but is thrown into a fight with the one who would become his first nemesis, Kaelcilius,too soon.He is almost killed but with the help of his ex-fiancée,Dr. Christine Palmer(who operates on him) he is saved and returns to the Sanctum Sanctorum.He tries to stop Kaelcilius but needs to be rescued again by his teacher,who is killed and leaves him with a valuable lesson.To finally defeated the Zealots he bargains with their boss,catching him into a time loop for all eternity if he does not call his servants off and sets everything right.In the end his ex-friend and mentor,Mordo goes on a quest of finding himself and ends up becoming a sorcerer murderer.
Characters:
1)Dr.Stephen Strange:Benedict portrays him amazingly and is always on point with the character.I liked his journey and how he changed and grew to see that he is just a tiny bit of an infinite multiverse.He was pretty good using magic and I hope he will develop quicker to the Sorcerer Supreme.
2)The Ancient One:My favorite character in the movie.She is a wise teacher,has the best quotes,best battle scenes,best entrances and an amazing battle costume.I loved how even she was aware that for higher goals she needed to cross the line and do things she teaches against and also isn't proud of.
3)Kaelcilius:A tragedy of love brought him to Kamar-Taj where he ascended to the rank of master.Tired of following The Ancient One and still haunted by the death of his loved he seeks to stop time,to give his new teacher,Dormammu our world.Mads was amazing in the role,his whole ideology of time as the enemy of humans and them longing for eternity is interesting and really on point.He briefly achieved his goal,a shame he became a mindless one.
4)Karl Mordo:Another prominent student,who doesn't ask questions,doesn't contradict and is pretty adamant about trust and has lots of issues with bending the rules.He was very disappointing and boring and his only interesting feat was that he became a villain.
5)Wong:Decent but underused character,he will surely be seen a lot in the later movies as Strange's right hand.
Magic:We are introduced to magic as an energy harnessed from various dimensions to create things of need,to conjure spells.An interesting take on such a vague but intriguing subject.
Post-Credit Scenes:
1)Thor scene:takes place in 2017 with Thor asking our Doctor(has gloves,seems more powerful,informed) for help to find his father,trapped on Earth.He accepts with the condition that they would leave our realm as soon as they are reunited.
2)Mordo scene:He went on a quest of getting rid of all the sorcerers of Earth.
Overall:A very decent movie with amazing special effects and super acting.A must see.
**When a science person was the chosen one in the spiritual world!**

You would have not expected it from this director if you had seen his previous films. This was based on the Marvel comics that I haven't touched. So basically I had high expectation to witness another side of Marvel universe with another set of (super)heroes. And surprisingly, it was very entertaining, nothing like other Marvel's heroes/story, except the possession of superpower to fight evil forces.

Firstly, Benedict Cumberbatch in the lead in a Marvel film, I did not think it would work. All I knew is he was a great sidekick, but that image has changed here. He was wonderful, definitely I'll be looking forward to its sequel as they had confirmed at the end. The theme wise, it is similar to most of the superhero tales, but some new concepts were added to it, I mean the superpower and that's what made it so unique.

Just like 'Thor', this film as well had taken the spiritual believes only for the basic platform. The rest of the developments are the clear mix of fantasy (illusion) and science. So it means the film is for theists and atheists. I am one of those who did not like 'Inception', which I think an ordinary action film with multiple layers. But this one was so awesome and it is for the people like me who think 'Inception' failed.

Visually spectacular. I regret missing it out in digital 3D. Its Academy Awards nominee in the category of Best VFX tells the story. There will be a tough contest, even I'm up for 'Jungle Book', but I won't be sad if this wins. The success story of Marvel continues. Not everybody reads comic books, but film goers are the majority. So adaptations like this are people like me. Let them keep coming, I love this format better. This film is not just for the youngsters, but old, families, as well as kids can enjoy, so I hope you won't miss it.

_8/10_
It is actually quite some time since I watched Doctor Strange but somehow the movie must have slipped between the cracks since I appear to have forgotten to review it. So I am about to remedy that now. To put it in simple terms: This is an excellent movie. It is a wonderful display of magical fireworks with a decent enough story to keep it together.

I have to confess that I have not really read many of the comics containing Doctor Strange so it is a bit difficult for me to comment on the aspect of the film versus the comics. From the little that I have read I got the impression that the comic book version of Doctor Strange was a wee bit more dark, serious and mature. This movie starts from the beginning of his career though so I guess there is some justification for the less mature Doctor Strange in the movie.

Doctor Strange is a skilled neurosurgeon but a bit of an asshole. Actually more than “a bit”. He gets involved in a accident, that he pretty much causes himself due to his arrogance. Fast forward to the interesting chapter were we get to see Doctor Strange being, reluctantly, admitted into a scruffy looking monastery on the other side of the planet. That is when the fun starts. Doctor Strange is in for a ride. Slowly Doctor Strange gets knocked into him that magic exists and he is expected to practice it.

The time at the monastery, or perhaps we should call it a school, leads to a few funny episodes and I do like the head monk’s bantering with Strange and the way she does things. Talk about getting thrown into the deep end of the swimmingpool first. Strange’s continued arrogance and immaturity is a bit annoying from time to time though. That has to be said.

What is the use of super heroes if there are no bad guys around. So after Strange having trained for a while, and mostly failed miserably, the bad guys starts to crash the party. So no more pretty living room magic for Strange. It is time to go head to head with some serious competition. Unfortunately, for a good chunk of the first fights Strange mostly falls on his arse. They are still cool and beautiful to watch though.

Slowly Strange starts to get to grip with this whole magic thing and he also starts to shed some of that arrogance of his and take some responsibility. About time since the despicable bad guy are, of course, working towards freeing the real BIG bad guy, father of all evil and mother of everything else bad you can think of. Time for a showdown.

As the fighting escalates so does the user of special effects and personally I though the special effects were both beautiful and spectacular. I really liked them.

I am not sure Cumberbatch would have been my first choice for Doctor Strange though. To me he do not really project the image of the wise and skilled Wizard I expected. He is not bad though. The only other person that stood out for me was the chief monk and The Ancient One which I also quite liked. The rest of the characters, well to me they mostly lived in the shadows of these two, even though they were in general likable and sometimes fun.

There were a few rather hilarious parts where Strange has to reveal the truth about what he stepped in to his former girlfriend. I have a soft spot for the surprise moments in both movies and books.

I rather not get started on time travel since I generally hate it as a story element since it almost always leads to paradoxes or is simply so poorly done that it is blatantly obvious that someone tried to cover up for a lazy and shoddy story. However I guess I have to mention that screwing around with time is an important part of the plot in this movie. Luckily it is done in such a way that it do not, in my opinion, negatively impact the movie. Actually, to my surprise, it is used in a rather cool way.

So, bottom line, a movie I liked quite a lot. 5 out 5 stars kind worth of liking.
I thought marvel was going to far with all the releases.I was right about this one,Dr Strange was like Inception on DMT.Far to much CGI!.And for the story it started off in the right direction then it just ended up going STRANGE.All in all worth a look.But nothing special.
It was only a matter of time before magic and time travel found their way into the MCU, but Doctor Strange is a really well put together origin story on a character that could have been a mess to adapt as a film. Chiwetel Ejiofor, Rachel McAdams, Mads Mikkelsen, along with the Benedicts give the film lots of charisma, but the real star here is the style that Scott Derrickson and his crew were able to create. This is such a cool looking movie, both beautiful to look at and impressively technical.

Like most Marvel movies, Doctor Strange has a mediocre generic villain, but the characters combined with the visuals still make for a uniquely entertaining experience.

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The Huntsman: Winter's War 2016 kostenlos filme anschauen -720p-ASF

The Huntsman: Winter's War 2016 Online Anschauen Kostenlos



The Huntsman: Winter's War"




The Huntsman: Winter's War-Bluray-2016-MPE-untertitel-ganzer film-1080p-blu ray-hd stream-FLA-FLA-MPEG-DTS.jpg




Rechtsanspruch

The Huntsman: Winter's War 2016

Dauer

199 winzig

Freisetzung

2016-04-06

Eigenschaft

Sonics-DDP 1080p
TVrip

Genre

Action, Adventure, Drama

Jargon

English

castname

Jérémie
I.
Clair, Goulue L. Sloan, Rylan C. Mandeep









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**The Huntsman and his romance caught between the two evil sisters.**

This is a sequel as well as a prequel to the 2012 film 'Snow White and Huntsman'. It opened with the earlier story where and how the Huntsman grew up, especially the journey of his innocent childhood to a great fighter that covers in the first half an hour. And then it skips for about 7 years where the original film takes place, but immediately begins where it had ended in the first half, as well as the first film. Actually, not a bad film as I have heard of it, but same as the previous film that stands just above the average and slightly loses some decibel rating.

The actors were good though. Emily Blunt, Jessica Chastain and Charlize Theron, wow, super hot women, but sadly they are in fairytale costume. Their performances were great, but the characters, particularly the two sisters resemble the 'Frozen's Anna and Elsa. You can feel how desperate was the filmmakers to avoid such comparisons by viewers, so they developed the story very far from any string attached to that famous animation. In the end these things are unavoidable, since the story is not fresh enough to claim its independent status.

Chris Hemsworth was okay, I hope he won't return for the third film. It is a decent watch, and I think it will remain as an duology, for right now it seems a good idea. The problem is it was being made a dark-fantasy to appeal the grown ups, particularly men. But it should have been a children's film where adults too can enjoy like the Disney's 'Maleficent'. Except the opening the rest of the story seemed very ordinary. Though the action sequences were enjoyable and so the film with a low expectation, or the purpose of the watch is the timepass.

_6/10_
This is kind of a prequel and a sequel to Snow White and The Huntsman. It is not as impressive as the first movie but quite good anyway. I would call it a nice family movie although probably not for the youngest members of the family.

The story is partly before and partly after the events in Snow White and The Huntsman. It is a good adventure with plenty of magic and special effects and a fair bit of action. It is a fairly straightforward story without much in terms of surprises.

There is a bit of comical relief in particular by the dwarfs, especially when the two dwarfs following the huntsman encounters the grumpy female one and her friend.

Apart from the classical Snow White setting, quite good special effects and quite decent action this is a fairly normal fantasy adventure movie. It is about two hours of good fun but does not really reach wow-status.

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