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Anrecht	Suicide Squad 2016
Zeitdauer	142 peinlich genau
Kinostart	2016-08-03
Beschaffenheit	MPEG 1080p VHSRip
Buchgattung	Action, Adventure, Crime, Fantasy, Science Fiction
Programmiersprache	English
castname	Jenita E. Gaelle, Tatsuya Y. Moïra, Chanel Y. Deiniol

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Summertime 2016 has not been very kind to DC Comics-based personalities looking to shine consistently like their big screen Marvel Comics counterparts. Following the super-sized dud that was _Batman v. Superman: Dawn of Justice_ released a few months ago must really put some major pressure on Warner Bros. to gamble on ensuring that the presence of **Suicide Squad** does not meet the same kind of indifferent reception. Well, it turns out that although the anticipation was high for writer-director David Ayer's supervillain saga involving high-powered imprisoned rogues recruited as U.S. governmental operatives out to stop other skillful baddies (as it was for Zack Ryder's aforementioned "Dawn of Justice") the concoction of **Suicide Squad** feels like a colorful mishmash of collective misfits laboriously taking up space in a disjointed eye candy-coated spectacle that never manages to match its intended sizzle.

One would think that the premise for **Suicide Squad** would tap into the intriguing naughtiness with more robust gumption given the collection of super-powered oddballs asked to be immediate anti-heroes in this toothless jamboree of renegade rejects. Strangely, the grim and brooding presentation of **Suicide Squad** is more of an erratic downer than a hyperactive high-wire act as intended at the creative hands of Ayer. There is no reason why this lively group of adventurous agitators should appear so flat and inconsequential in a boisterous blockbuster that sporadically limps.

Given the twisted members that comprise this elite team of terrorizing tools it is very disappointing to see how **Suicide Squad** struggles with its so-called subversive themes. Sadly, this splattered mess never firmly grasps its bid for distinctive irreverence or off-balance exploitation. Instead, **Squad** feels strained in its execution and we are never really invested in entirely watching these treasured troublemakers find redemption because the story is soggy and uninspired. Furthermore, not all of the **Squad** participants are fleshed out satisfyingly for us to get behind with thirsty cynicism. The headlining leads in Will Smith's Floyd Lawton/Deadshot, Oscar-winner Jared Leto's green-haired Joker and Australian beauty Margot Robbie's Harleen Quinzel/Harley Quinn get the meaty standout parts while the lesser known supporting cast get stuck with chewing on the thankless remaining bone while seemingly acting as background furniture to the bigger names.

Naturally, desperation has set in for the U.S. government as they need to safeguard national security against advanced sinister forces that threaten the fiber of American self-interests everywhere. What better way to hire gifted protection than to consider employing the world's most incarcerated corruptible, cutthroat cretins to perform the dirty work in unforgivable mission ops that require death-defying determination. Enter U.S. Intelligence agent Amanda Waller (Oscar nominee Viola Davis). Waller's duties are to assemble the ragtag team known as the Suicide Squad--ominous (yet talented) jailbirds tapped to step in and assume superhero status (especially when the real superheroes are tied up in other crime-stopping affairs) while helping out for the greater good of our vulnerable society. In exchange for the Suicide Squad's sacrifice in turning from hell-bent heels to reluctant heralded heroes they are promised commuted prison sentences should they effectively defend and destroy the deadly foes out to promote heavy-handed havoc across the board.

Conveniently, bureaucratic bigwig Waller (through voiceover) introduces the Suicide Squad and describes what beneficial assets they bring to the turbulent table. Among the naughty notables include the well-known ace sniper Floyd Lawton/Deadshot as well as legendary lethal joy-boy Joker and his better (or perhaps worst half) in girlfriend Harley Quinn. The other toxic tag-a-longs along for the thrill ride of becoming rebellious rescuers include George Harkness/Boomerang (Jai Courtney), Chato Santana/El Diablo (Jay Hernandez), Waylon Jones/Killer Croc (Adewale Akinnuoye-Agbaje), Tatsu Yamashiro/Katana, Enchantress (Cara Delevingne) and Rick Flag (Joel Kinnaman).

Overall, **Suicide Squad** is surprisingly depressing and goes through the proverbial motions without so much as taking advantage of its surrealistic makeup. The movie never realizes its excitable potential and drifts into yet another superhero yarn that is more patchy than pronounced. Smith's Deadshot is out in the forefront but for the most part feels restrained and not as spry and savvy as one would imagine. Leto's Joker obviously pales in comparison to the brilliant and mesmerizing psychotic take on the role that earned the late Heath Ledger his posthumous Oscar statuette. In all fairness, nobody could inhabit the Clown Prince of Crime as Ledger uncannily did with committed concentration. Still, Leto's Joker--although viciously off-balance--felt recycled and furiously empty at times. Robbie's turn as Joker's misguided main squeeze merely comes off as a bratty Barbie Doll with synthetic edginess. The other **Squad** participants settle for the back burner more or less which is a crying shame because they should have been more engaged than the tepid material allowed them to be initially.

Woefully sketchy and missing the fueled opulence that one would expect emerging from this cockeyed costume caper **Suicide Squad** is a detonating dud for the missing explosive DC Comics movie brand that needs to step up the pace if they expect to make a consistent and challenging impression on the devoted fanboys at the box office looking to move beyond the sardonic fantasy-based realm of another redundant serving of a _Batman/Superman_ entry.

**Suicide Squad** (2016)

Warner Bros.

2 hrs. 3 mins.

Starring: Will Smith, Jared Leto, Margo Robbie, Viola Davis, Joel Kinnaman, Jay Hernandez, Jai Courtney, Scott Eastwood, Adewale Akinnuoye-Agbaje, Ike Barinholtz, Common, Cara Delevinge, Karen Fukuhara, Adam Beach

Directed and Written by: David Ayer

MPPA Rating: PG-13

Genre: Superheroes Saga/Action & Adventure/Comic Book Fantasy

Critic's rating: ** stars (out of 4 stars)

(c) **Frank Ochieng** (2016)
Suicide Squad is the third and latest entry into the DCEU, and is about a bunch of bad guys that are rounded up to fight for someone else. And just like this year's BvS, this movie received overwhelmingly negative reviews by the critics and was divided among the fans. I was super curious to watch it because unlike many, I actually enjoyed the DCEU till this point. Enjoyed both Man of Steel and BvS. But unfortunately, this one's a mess.

The majority of the movie just feels choppy, editing was all over the place. Like they had a final product but because of disagreements, they took out a lot of scenes, shorten the runtime, and added others, making a giant choppy mess in the end. Scenes don't properly flow, including the flashbacks. Some scenes feel like they were added later (Probably the re-shoots) and they definitely didn't fit, particularly the elevator scene with Harley. The songs were all over the place as well. Some worked with their respective scenes, but most of them didn't, and again it felt like something added later, to give the movie a more jolly feel. And difference between development given to each member of the squad is astounding. Some were completely left in the dust, while some got a bit of line here and there, while some got a lot more development. Basically, to me it felt like that the movie reeked of studio involvement.

Also, the focus was just off. Movie is called Suicide Squad yet there is a whole lot of other stuff that gets way too much screentime. The whole end of the world plot was totally generic, uninteresting and unnecessary. The villain wasn't good, and the movements were weird, and not in a good way. Joker-Harley romance was also something padded on, and could have been removed in exchange for more screentime with the squad.

Speaking of the Joker, he and his whole weird mafia/gangster lord type vibe didn't work for me. Jared Leto felt like he was trying too hard at times. There were moments where I saw the Joker I wanted in him, but those moments were swiftly followed by over the top feel that he gave most of the time. And that laugh....Yeah NOPE!!

Even the action was mostly OK, apart from a couple of good scenes. There was no proper thrill, no proper buildup. Too many cuts. Say what you want about Snyder, but you have to admit that the dude can atleast direct amazing action sequences.

And all of that sucks because there is stuff in the movie that works, like the main squad. Will Smith as Deadshot was great. He played his usual cool self and it worked. Margot Robbie as Harley Quinn was sexy and mostly good, because there were few instances where her dialogues gave me cringe. These two had a good chemistry together too. Also liked other members like El Diablo, Killer Croc, and captain Boomerang, all of whom were likable, had some fun moments etc.

Plus, among all the mediocrity, there were glimpses of what the movie could have been like. Fun moments between the squad, some touchy moments, rare cool action sequences, full group scenes or rather a scene, the bar scene and such.

Ultimately, The movie is like a mediocre cake covered with a thin layer of good frosting. The overall taste isn't bad, but it isn't good either. You enjoy the good frosting for a short while, and then have to deal with a whole lot of mediocre tasting body of the cake. I was disappointed. I really REALLY wanted to like this film. Pushed back all the negative or positive criticism and went in with an open mind. I'm not too hopeful what the extended cut will improve as 13 mins of footage isn't much, and I'm guessing it is Joker footage mostly.

It's funny that after watching this, I respect MCU more now considering what they were able to do with the more risky project: Guardians of the Galaxy.

6/10

Blog Post Link: http://reviewsreactor.blogspot.com/2016/10/suicide-squad-2016-movie-review.html
Some semi-interesting visuals and a few characters I'd like to get to know, but an absolute mess of a movie. The thing feels like a trailer, or a clipshow, or a music video or some other sort of two-hour long promotional material for the actual _Suicide Squad_ that comes out later.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**They are not superheroes, they are supervillains.**

It's nothing against DC, but overall I'm starting to think the todays cinema is getting crowded with the lots of superheroes. Just like any pollution or the over population on the earth's surface. It needs stability, but nobody cares about it other than money making agenda. I also think it's going to last for only a few more years, when this trend going to end like that happened in the 70s, 80s and the 90s. And the space travel era to begin which is already kick- started. So DC or Marvel and others, they should be careful, for far they could take their products.

Like the title say, it's not just about the film characters, the film itself a suicidal. I'm not saying the film was unnecessary, but the plot was dragged too much. There are too many pauses, or you can call time wasting moments. I could not take another blowing up city concept. And that swirling thing in the sky, I don't know how long they are going to use it in the superhero films. I did not like the supernatural concept which is supposed to be a pure science fiction action adventure. At least Thor was from another planet, more like he's an alien, but the witch in this film, ruined my appetite.

The actors were not bad and so the graphics, including the stunt sequences. The story was very familiar. It was more or less, same as the animated flick 'Monsters vs Aliens'. It can be watched for entertainment purpose, the majority won't say it's their favourite or one of the best of the year. But surely there are people who would love it. It was a massive box office hit and I don't see any hurdle for its sequel, but all I hope is it to get better in the follow-up. So finally, it's not a bad film or boring, but it just did not have the midas touch that all the superhero films had. That means a watchable film, only for once.

_5/10_
Aka NEEDLE DROP: THE MOVIE

SUICIDE SQUAD is a mess. But an entertaining, well-cast mess.
*** This review may contain spoilers ***

Suicide Squad has a horrible script. First, there was the story--such as it was--itself: A super villain with the power to end the world goes to work in a universe that has established Batman and Wonder Woman. So what do the authorities do? Call up Batman and Wonder Woman? Of course not! Hire a bunch of criminals to save the world.

It would be like if the U.S. was invaded by China, and we went and got the Taliban to protect us.

So, from the very bones of the story, the movie fails. Add in a tell-and-don't-show approach to characterization, and horrendous dialogue, and this film was doomed before it got off the printed page. I really wanted to like this film, but I just couldn't.

So, let's go back to the tell-and-don't-show approach to the characters. Instead of seeing and experiencing anything, we're told what such-and-such is all about. It's an incredibly boring and lazy style of writing. Look at he scene where the principal characters all sit around and tell stories while they have a drink. But that's the thing: They shouldn't be telling us anything. Everything that is told to us as if we're a classroom of elementary school students instead of adults who can put two and two together, should be revealed through each character's dialogue and actions. But that would require some actual writing. This movie seems like it simply filmed the first draft of the screenplay. And then there's the dialogue itself. "I've already killed one family; I won't kill another." Who wrote this? A high school kid who thought he was being deep? Flagg refers to the love of his life as the girl he "was sleeping with." Serious? You're risking your life to save some broad you're banging? And then after two hours of watching Harley pine for Joker and reject the rest of the members of her "squad", she's finally given the chance to be with the Joker and live happily ever after. Well, despite everything we've seen for the past two hours alluding to the fact that that is exactly what she wants, she rejects that for "her friends." She's never shown any sort of friendship so far in this movie. But, dialogue.

It's typical fill-in-the-blank writing. So, Harley didn't show any love for her "friends" but did for Joker. And then chose her "friends" over the Joker. So, I guess it's up to the audience to "fill in the blank" and decide what Harley's change of heart was all about? It shouldn't be the audience's responsibility to do the writer's job.

The characters themselves were boring and uninteresting. Despite wasting the first 20 or so minutes on the film trying to make us love the psychotic Harley Quinn and mass murdering Deadshot, I didn't care. I just couldn't care for anyone or anything happening. It was like there was an invisible barrier between me and the screen. I just couldn't get into the movie. And since no one other than Harley, Deadshot, and Flagg got a pointless backstory introduction, the audience feels, subconsciously, that these are the characters that will carry the story. They don't. The only character that was even remotely interesting was Katana. And despite a few flashes here and there of decent martial arts and kenjutsu action, the character is wasted.

And speaking of wasted characters, let's talk Joker. Jared Leto was upset how much of the Joker was cut from the film. If you can cut such a big name and charismatic character down to the point where the actor playing him complains, and still get away with a finished film, the problems with the script become apparent. Joker was wasted in this film. You cut him out entirely, the overall story doesn't change. So, why include him in the first place? Because shared universe...maybe? Or something? I don't know. And neither do the filmmakers.

And while I know almost everyone on the planet--including those who despise the movie--praise Margot Robbie's Harley, I found her shtick getting old rather quickly. And then to top that off, she reneges on her established motive, thus making her a totally pointless character.

And, before we move on from the topic of bad characterization, what was with Amanda Waller (a good guy...I guess?) executing FBI agents? I feel like I missed the most important scene in the movie--the one that shows something that makes the entire movie make sense. But then again, Amanda Waller doesn't make good choices. She has a folder, inside of which is a list of the upcoming DCEU characters: Aquaman, Flash, Cyborg, etc. She actually has dinner with Batman. But she puts the world's fate in the hands of Diablo, Boomerang, Harley Quinn and Deadshot. It's like calling the police because of a problem, and then scouring death row for the people who will actually solve this problem. Yeah, I'm confused too.

But let's go to the ending. Because the ending shows us one thing: That the Suicide Squad's involvement in all of this was totally pointless. Simple bombs end up saving the day. Bombs. Man made, average, everyday bombs. Satchel charges. Any idiot in a uniform can detonate a bomb. So, why let out a bunch of mass murderers to save the world, if saving the world only involves setting off satchel charges? I mean, why not call the Air Force in, have them drop a couple of bombs, and send a guaranteed-to-be-disappointed-audience-anyway home early? One phone call to the Pentagon, and the ENTIRE MOVIE is UNNECESSARY. But, DC.

In the end, this movie was a total disaster.

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Captain America: Civil War 2016 kostenlos filme anschauen -1440p-AAF

Captain America: Civil War 2016 Ganzer Film

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Name	Captain America: Civil War 2016
Zeitdauer	165 kleinst
Abgabe	2016-04-27
Qualität	MP4 720p HDTS
Buchgattung	Adventure, Action, Science Fiction
Fachsprache	Română, English, Deutsch, Pусский
castname	Shafiya A. Bruna, Omar S. Aissa, Shyla V. Thérèse

Captain America: Civil War 2016 Captain America: Civil War ganzer film deutsch, Captain America: Civil War online stream - Ganzer film, Captain America: Civil War ganzer film online stream - Deutsch

Well another super-sized Marvel Comics superhero saga hits the big screen with the selected savior Captain America taking the top billing on the marquee. Thus, the pulsating popcorn pleaser **Captain America: Civil War** arrives on the scene to giddy audiences that have been loyal and fixated on the successful spring of mighty Marvel heroes that have been paraded to viewers throughout the last few years. Thankfully, **Captain America: Civil War** carries on the tradition of spry superhero-studded spectacles that have been glorious and adventurous from the stable of Marvel-based movies guaranteed to win over the enthusiastic hearts of avid comic book fanboys everywhere. Joyously overstuffed and convincingly extensive with a super team armed with crime-fighting excess, **Civil War** seizes the moment to introduce a noteworthy twist: two factions of rescuing superpowers engaging in some explosive in-house fighting led by two of Marvel Comics main standouts in Chris Evans’s Captain America and Robert Downey Jr.’s Iron Man.

Co-directors Anthony Russo and Rene Russo were instinctively crafty to link the overly successful Iron Man film franchise to the **Captain America: Civil War** inner circle to ensure an even more treasured toxic atmosphere. Superhero fans will get a thrill of witnessing the extra add-ons concerning other dynamic titans to join the action-packed festivities involving Team Captain America versus Team Iron Man. True, **Civil War** has its share of flaws but that does not take away from this heroes-in-crisis flick demonstrating its ambitious overtones.

So what has caused the bad blood among the great and grand good guys known for protecting the world from evil dominance and destruction? Essentially the theme of collateral damage, the involvement regarding civilian-related deaths and injuries plus the world-wide backlash has created a controversy pitted against The Avengers. Specifically, Captain America (a.k.a. Steve Rogers) and Scarlet Witch/Wanda Maximoff (Elizabeth Olsen) are responsible for the boisterous battle that caused such negative sensation resulting in political turmoil. Avengers head honcho Iron Man (a.k.a. Tony Stark) is dealing with his own personal regrets in the ill-advised creation of the unpredictable Ultron. The political authority want to hold Iron Man, second-in-command Captain America and the rest of the Avengers accountable for the global devastation that have taking its toll when trying to oversee the potential harm wreaking havoc on humanity.

Leading the charge in putting a watchful eye on the labeled reckless Avengers is Secretary of State Thaddeus Ross (William Hurt) that suggests the super group be monitored by the United Nations. Naturally friction develops between the superheroes that either agree with Ross’s UN restriction policies or disagree with being placed under a microscope that threatens to handcuff their free-wheeling heroic duties. All these contrasting beliefs eventually turn into epic back-and-forth confrontations where the raging Avengers are at odds with each other.

For Stark/Iron Man’s stance, he is willing to toe the line and ultimately agree that his crew needs to tone down their tenacious tactics as crime-stoppers. Iron Man’s consciousness, particularly in the case of a disillusioned mother (Alfre Woodward) making him feel guilt-ridden over her son’s death during an intense Battle of Sokovia, is probably the main factor behind his decision to have his team reigned in a bit from the political watchdogs. Siding with Iron Man’s viewpoint are the likes of Black Widow (Scarlett Johansson), Vision (Paul Bettany) and War Machine (Don Cheadle). As for Rogers/Captain America, he is not too thrilled being put in check by the intrusive governmental pencil-pushers that want to scrutinize the team’s every move. Standing with Captain America firmly are Falcon (Anthony Mackie) and the aforementioned Scarlet Witch.

On top of Captain America’s current Avengers-oriented strife in his contentious mingling with Iron Man and his ardent backers, he now finds himself trying to defend his old buddy-turned-wanted man Winter Soldier (Sebastian Stan) who is accused of killing civilians. Iron Man believes in Winter Soldier’s innocence and goes so far as to help him escape. Yes…Winter Soldier does come with more baggage attached to him–mainly in the form of the menacing Zemo (Daniel Bruhl).

The Russos and screenwriters Christopher Marckus and Stephen McFeely (all attached to the previous “Captain America: Winter Soldier”) provide the eyeful visual effects that predictably stimulate and effectively add to the overload of frenzied frolicking in this boisterous blockbuster. Certainly the deepened angst among this bombastic bunch works far more solidly than what was displayed in the stiffened and problematic Batman v. Superman. The notion that the entire globe and its leaders are weary of all the collective chaos at the hands of the Avengers trying to save their hides is a bit ridiculous. Besides, why are not the foes of the Avengers put on the hot coals for the societal ruination? It seems rather counterproductive to chastise the noble superpowers offering the safety of mankind yet the detractors not being grateful for the services that the Avengers bring to the table. It is somewhat convoluted to think that the global community are sour on our heralded heroes or that the heat generated within the walls will completely destroy the Avengers and their colorful, capable colleagues.

The movie’s aptly entitled **Civil War** does invite more punch to the proceedings especially when a who’s who of superhero showstoppers join the feisty fray at hand. The noted inclusion of defiant do-gooders are packed with the likes of Spider-Man (Tom Holland), the retired returnee Hawkeye (Jeremy Renner), Ant-Man (Paul Rudd), and nifty newcomer Black Panther (Chadwick Boseman). No doubt Captain America: Civil War is the impish and energizing launch pad for upcoming Marvel-induced movies waiting to make their future distinctive arrival on the big screen. Although Evans’s steady and charismatic Captain America more than holds his own as the solo act billed in the film’s title one cannot overlook Downey’s compelling Iron Man as the reliable source that lifts the profile of Evans’s Masked Wonder. This is indeed a collaborative big score for the glorified costumed cast but special kudos are reserved for Stan’s killing culprit as well as Boseman’s African president assuming the slick and resourceful Black Panther.

Yeah, **Captain America: Civil War** is true to its frenetic form as revved up entertainment preparing moviegoers for the upcoming summertime sizzle at the box office. After all, the on-screen Marvel Comics gravy train keeps moving merrily along so stay tuned.

**Captain America: Civil War (2016)**

Walt Disney Pictures

2 hrs 26 mins.

Starring: Chris Evans, Robert Downey, Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Paul Rudd, Daniel Bruhl, Alfre Woodward, William Hurt

Directed by: Anthony Russo and Joe Russo

MPAA Rating: PG-13

Genre: Superheroes Saga/Action and Adventure/Science Fiction/Fantasy

Critic’s Rating: *** stars (out of 4 stars)

**(c) Frank Ochieng**
The Russo Brother's and Marvel did it again! Read my full review here!

http://www.hweird1reviews.com/allreviews/captain-america-civil-war-review
**The heroes're divided and so the fans!**

Before watching this I thought what the Avengers are doing here. I believed they got the title wrong. Once I watched it, I'm still the same. Because it did not look like the Captain America's film, he never was dominated, so calling it as his film totally inappropriate. Technically, it is a third Avengers film and well done. I liked it, it was entertaining. But the Civil War means it's nothing a nation's war within, just these super-guys fight for themselves against what kind of administration they want to come under.

I think they have heard that people's complaint about blowing up the buildings during reviewing other films by bringing up this one. So they finger pointed those events in this narration and that is one of the reasons for the Civil War to take place. Particularly disturbing the public and loss of many lives when these powerful men fighting the bad guys. The fun part is they are off the street and had a most important confrontation of the film in a deserted airfield. So does it make people who were whining about that be happy?

I don't know, but as an entertaining film, it did everything it can give the best for the viewers. Like the title and posters reveal, the heroes are divided here and probably you're going to take a side. Like usual, I'm with the Stark. So if you're like me, then you would feel the annoyance with the opposite team, particularly like Antman and obviously Captain America's rebellious decision. It was like the world versus United States, because only Americans are behind Captain America. Anyway, I did not like dividing the fans and what this film has been a serious damage. I hope the fans won't take it seriously.

_8/10_
Recently I have quite liked the Marvel movies that I have watched. Sadly I did not like this movie at all. The only reason that it does not get a zero or one star rating is cool special effects and a few laughs.

I want my heroes to be just that, heroes. Unfortunately this movie gets off on the wrong foot right away by not only “incriminating” the Avengers in the eyes of dimwit politicians and putting them on surveillance of a political body but to make matters worse it is the useless black hole of taxpayers money, the United Nations, that are supposed to surveil them. That pretty much ruined the movie right away for me.

When I though that it could not get any worse it actually does. In true Hollywood fashion the Avengers start to bicker and fight among themselves.

The few redeeming qualities of this movie is great special effects and a few fun comments that made me laugh from time to time. Even the ending is pretty crappy with the Avengers remaining divided and the main bad guy feeling that he achieved what he wanted.

Technically there is not really anything wrong with the movie. The actors are good, the filming is good and, as I wrote, the special effects are great. The story however is not my cup of tea to put it mildly. I cannot express how much I despised the story in this movie.
Good movie, love Captain American.
A long form review originally posted in 2016

It’s commonplace for me to need more than one viewing to really nail down my feelings on a movie, that’s particularly true of MCU, and even more so of this particular film. That all said, here is my initial reaction to _Captain America: Civil War_.

As is often the case, it’s hard to write down too comprehensive a post about a film this early on while remaining totally spoiler-free, so for starters, I’ll just go ahead and ask the thing that was on my mind from about five minutes in to _Civil War_: I want to know how it is that two guys who have a filmography so firmly rooted in sitcoms of all things, manage to direct action this spectacularly? Honestly. It’s insane.

_Winter Soldier_ is one of the strongest MCU films in my opinion, and just like that felt mostly like a follow up to both the prior _Captain America_ film and the prior _Avengers_ film, _Civil War_ feels the same, but for the sequels to said films (_Winter Soldier_ and _Age of Ultron_). That said, it might lean a little too far on to the side of _Avengers_-sequel, and a little too light on the _Cap_-sequel. If you had to pick a lead here, it would be Steve Rogers, no mistake, but this does feel like a film painted with a very broad brush of characterisation to be solely a “_Captain America_” movie.

Considering the sheer scope of the piece, it’s amazing that the Russo brothers managed to get the ball rolling on _Civil War_ as well as they did. Even so, there are a couple of roles I felt could have been cut altogether without really impacting the story, and that time could perhaps have been used to serve some underrepresented puzzle pieces. Perhaps both the inclusion in places and lack of inclusion in others is because of plans for future MCU films (though certainly not all instances can use that excuse) but either way, if I’m hunting for flaws, that to some degree is one.

I will say, that for all of _Civil War’s_ ups and downs (mostly ups), it is both a worthy entrant into Marvel’s franchise, and perhaps even more importantly, it actually even addresses some of the problems left in _Age of Ultron_. Of course the acting is all above board, the primary action set-piece is just dumbfoundingly fun, and the evolution of the mythology meshes with the universe at large.

_Civil War_ may not be my favourite superhero movie, or even my favourite MCU movie (I mean it also might be, I think I need to give it at least another two watches to be sure) but it might just be the best comic book adaptation movie. By that, I don’t mean it accurately portrayed the events of the Marvel “Civil War” event from back 2006, because that’s not even close to true. What I mean is, there are so many instances that manage capture the spirit of what the comics are. And you almost feel like you are watching one unfold before you on the screen. A glorious, squillion dollar, two and a half hour comic book.

Oh yeah. And the new superheroes introduced in _Civil War_? They’ve got me pretty bloody excited.

79%

-_Gimly_
The Captain America movies have managed to ground the MCU by exploring the political and social climate created by the Avengers' existence. Actions have consequences and consequences influence more action.

Civil War isn't as focused as The Winter Soldier. It's also overstuffed with characters and fan service. However, the movie works by always being intriguing. Both sides of the conflict are portrayed as equally valid. The exploration of superhero accountability isn't anything new (explored in Watchmen and The Dark Knight), but it's nice to see it incorporated into a grand cinematic universe. Also, Captain Zemo is a better than average villain because while underdeveloped, his motive is interesting and not just "destroy the world."

Also, SPIDER-MAN IS FINALLY IN THE MCU!!!! 😁😁😁

Liste der IATACodesC – Wikipedia ~ Diese Teilliste führt alle IATAFlughafenCodes auf die mit „C“ beginnen und enthält Informationen zu den bezeichneten Verkehrsknotenpunkten

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Nocturnal Animals 2016 kostenlos filme anschauen -720p-MPEG-2

Nocturnal Animals 2016 Online Stream

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Nocturnal Animals-online schauen-2016-online stream-ganzer film-WEBrip-Dolby Digital-mit untertitel-WEB-DL-DVDScr-untertitel-auf italienisch-online anschauen.jpg

Buchtitel	Nocturnal Animals 2016
Zeitdauer	184 Besprechungsprotokoll
Aussetzung	2016-11-04
Beschaffenheit	AVI 720p TVrip
Gattung	Drama, Thriller
Fachsprache	English
castname	Jair G. Dean, Mays K. Ugochi, Kadidia C. Huerta

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We live in a country where our current presidential candidates fail to compare to our current president. We live in a country where minorities have been a subject to police brutality. We live in a country where you must enter debt by taking out a student loan and you are still not guaranteed a successful future. Are you uncomfortable yet? Comfortability won't be found here or in fashion designer turned director Tom Ford's second featured film Nocturnal Animals. The director forces you to become comfortable with being uncomfortable and the result is the most beautiful disturbingly gripping films of 2016.



> From writer/director Tom Ford comes a haunting romantic thriller of shocking intimacy and gripping tension that explores the thin lines between love and cruelty, and revenge and redemption. Academy Award nominees Amy Adams and Jake Gyllenhaal star as a divorced couple discovering dark truths about each other and themselves in NOCTURNAL ANIMALS.

Director Tom Ford starts the film with a close up of a handful of naked older white females dancing nakedly with bodies society would be disturbed by. Ford does not focuses on just one part of the body but every piece of fat, extra skin, crease, scar, and stretch mark to really push your comfortability. No, Ford is not going for shock value, especially not so early in the film because there will be plenty time for that, but he is being nice of enough to give the audience a disclaimer. A disclaimer that nothing will be more comfortable than the opening sequence and if you couldn't handle that then Nocturnal Animals is going to be one hell of a trip for you. Heck, regardless, Nocturnal Animals is one hell of a trip.

Nocturnal Animals itself contains a double narrative strand which consists of Susan's real life and her bringing the book of her ex-husband to life. Ford does not implement a voiceover to let you know that you are now in the world of the book yet he makes you feel that you are watching another film. Ford pulls off a difficult task in making the audience care about both narratives and you want to believe that both are fictional then the uncomfortability levels begin to raise once again as you are forced to remember that one is indeed reality. Tony & Susan, the 1993 novel that the films was adapted from, unfolds how intimate the act of reading could be as an author could tap into the reader's thoughts, feelings and experience. Tom Ford pulls this same feat but just with the act of watching a film.

With his first job being a fashion designer, one would only assume to be blown away by the visuals Tom Ford would create. This is true as various scenes of LA and west Texas are beyond stunning but no one would expect the clash of visuals Ford would create with LA and west Texas. The transition from super cool and grotesque LA to a brutal, violent and revengeful west Texas will once again raise your uncomfortability levels.

After all, this is a revenge film. We learn throughout the film that Susan, who comes from a wealthy family, falls in love with an inspiring author in Jake Gyllenhaal's Tony but would eventually go on to break his art in three different way. First, by telling him to take a step back from his dream of being an author. Secondly, aborting his child. Then, if the first two wasn't enough, she lives him for the handsome and dashing Armie Hammer's Hutton. Susan goes on to live the perfect life with Hutton and 20 years after her divorce with Tony, he decides to quietly place a novel about revenge in her mailbox. We feel Susan's chills as she reads the novel and without ever needing to say a word to her, Susan's perfect little world becomes to crumble

Jake Gyllenhaal and Amy Adams give us exactly what we expect from them. Aaron Taylor-Johnson offers a spine-chilling performance as Ray Marcus and Michael Shannon is fantastic as Bobby Andes. Tom Ford finally takes off his fashion designer hat and puts his fully-fledged director hat on as that was his approach with this film and two narratives. Tom Ford sustains the point that he is not a fashion designer turned director but a full-fledged director as a lesser director would have totally botched this film.
**RE
VEN
GE**

This was simply awesome. I meant the story, but the presentation was not my kind. I got the story and I enjoyed it. The performances can't be neglected either. Both the lead, Jake and Amy were the film's highlight. But I also happy for Michale Shannon's Oscars nominee. Based on the novel 'Tony and Susan', but for the film adaptation, the title got inspired by the book that appear in the story. From the director of 'A Single Man' which is his comeback film after a long gap. I would say a good attempt.

This is the story of a successful art gallery boss who got divorced and remarried to the man whom she was cheating with from her ex. Her decision was in particular influenced by her mother. Now she thinks she's happy, but one day her ex sends a copy of his latest novel that's dedicated in her name. Reading it, she realises the tough time he'd with their separation. Following the end of the book, she encounters an unexpected truth which could affect her life forever.

A dual layer story. One was fiction and the other one in the real world. But the fictional tale highly influences the main narration and that's what I call the genuine writing. So the credit must go to none other than the original author. I have seen lots of revenge films, even it can be compared to 'Three Colours: White', but the major difference is the sweet revenge. For that alone the film was awesome. The climax was even better. If you understand the narration, you will enjoy it for sure. The filmmaking should have been a bit better. Excluding that the film is not to be skipped.

_6/10_
A compelling thriller with an open-ended ending that feels far too easy for what it had going for it.

Nocturnal Animals starts out very strong. It feels reminiscent of Lynch's Lost Highway or Mulholland Dr. The main character lives a luxurious life surrounded by some very striking pieces of art (art pieces which, throughout the story, make things even more thrilling and surreal). She reads her ex-boyfriend's novel which quite honestly makes us feel like we're in a bad dream. The way the novel starts out feels like Michael Haneke's Funny Games. Its opening scene with Aaron Taylor-Johnson so brilliantly builds in tension with his character's mind games. The story however turns into a bit of a tame crime mystery held up with a sort of fun performance from Michael Shannon. The potential to be a very cryptic thriller is there, but decides instead to put all the pieces together for us. As a Lynch fan, this movie made me crave something stranger. I really wanted to be left mystified but instead I got an ending that was kind of obvious.
Only in a world where a Reality TV star becomes President could Tom Ford be one of the best directors of the year... I guess that'd be this world.

_Final rating:★★★★ - An all round good movie with a little something extra._

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Django Unchained 2012 kostenlos filme anschauen -720p-M4V

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Django Unchained-mit untertitel-2012-TVrip-Bluray-mit untertitel-BRRip-HDTS-1440p-Bluray-HDTV-online anschauen-hd stream.jpg

Name	Django Unchained 2012
Dauer	187 sehr klein
Befreiung,Entbindung	2012-12-25
Güte	MPE 720p HDTV
Genre	Drama, Western
Sprache	English, Français, Deutsch
castname	Piketty M. Howe, Ducasse B. Vidal, Kennith E. Rajot

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America, mid-nineteenth century, just prior to the Civil War. Winter. Two horsebacked slave-traders are leading half-a-dozen manacled negro slaves through a large, unspecified section of Texas. As they move one night through a wood, they cross paths with an affable, charming German fellow identified by the hokey model tooth affixed atop his carriage by a spring as a travelling dentist. He greets the traders cordially but he's struggling to be understood; not because English is his second language (although he deferentially concedes as much when instructed - more than once - to "Speak English!") but because his vocabulary is far wider than that of the simpler men here before him. It's not a chance passing, either; this German fellow, who identifies himself as Dr. King Schultz (played by Christoph Waltz with the same smiling, deadly menace that earned him an Oscar statue for his part as Col. Hans Landa in Inglourious Basterds) is looking for these traders. More specifically, their inventory of negro slaves. Even more specifically, one of those slaves in particular. Django (Jamie Foxx, Collateral, Ray). Attempting to buy Django, Schultz is met with short, suspicious shrift and ordered at gunpoint to be on his way. Within a second, one trader lies dead and the other lies incapacitated underneath the bulk of his dead horse. Schultz unchains Django, instructs Django to take the dead fellow's horse and coat, and pays the remaining trader for all that he's taken. He then tosses the manacle key to the other slaves and posits two choices to them, as he sees it: Carry their injured master thirty-plus miles to the nearest town for medical assistance, or unchain themselves, blow the injured slave-trader's head off with the gun Shultz has left them, bury the corpses and use the Pole Star to run for the Northern states, where slavery had been abolished, and for more than fifty years in some areas. Funnily enough, they take up the latter option.

So begins Django Unchained, an oater set in the slave states of the Deep South and the latest rollercoaster by Gen-X movieland wunderkind Quentin Tarantino. Always clearly a man heavily informed by the grindhouse subgenre of the Spaghetti Western, he's finally made one himself, and if Quentin's your thing it's a blast, though I doubt it'll convert many Tarantino sceptics; in fact it'll almost certainly reinforce those things that people dislike about him, about which more later.

It transpires that Dr. Schultz ISN'T a dentist ("I haven't practised dentistry in five years," he confides to Django over a beer) but a bounty hunter, and a lethal one at that. He's chasing down the Brittles, a murderous gang of brothers currently plying their trades as plantation overseers. He doesn't know what they look like but he knows they were recently employed at the Carrucan plantation, which is why he was searching for Django - a slave recently sold by that very plantation - in the first place; Django can point them out for him. Schultz is no fan of the South's backwards-thinking propensity for slavery though, and he offers Django a deal: help Schultz find and kill the Brittle Brothers, Schultz will treat Django like a free man, pay him $75 (a decent little wedge in 1858) and rubber-stamp his freedom. Along the way, he'll also teach Django a thing or two about the art of gunfighting and about the macabre trade of bounty-hunting (both in which Django proves to be a natural). On the trail of the Brittles, Schultz wonders aloud as to Django's plans once this endeavour is over and he's free. Well, as it happens, Django is a married man and his intention, once free, is to find his wife and buy her freedom. They'd tried to run from the Carrucan plantation together but they'd been caught, branded (both Django and his wife - played with all of her nerves exposed by Kerry Washington - sport R-For-Runaway scars on their cheeks) and sold on, separately. So he doesn't know where she is but that's what he's going to try to do. Schultz, feeling responsible for Django as the man granting him his freedom, proposes a further deal: If this Brittle bounty goes well, he'll honour Django's freedom but if Django stays with him through the winter as partners, taking on bounties and earning money, he'll help Django locate his wife.

What we have here is a large sequence of set-pieces - some funny, some tense, some action-packed - stretched across very-nearly three hours (though, like most QT films, it moves like a bullet train and those three hours just fly) strung together by a fairly simple revenge/rescue tale set against a geographically sprawling backdrop; a reasonably similar template to many of Quentin's movies and an almost identical template to that of previous outing Inglourious Basterds, to which Django Unchained could almost be considered a companion piece despite the wildly different global and historical settings. Like Inglourious Basterds, Django Unchained is quite a bit longer than the story need be, and like Inglourious Basterds that is because each scene is treated by Tarantino as a mini movie, a contained set-piece all of its own. Every scene is fleshed out and deepened for either heightened comic or dramatic effect by lengthened sequences of characters going about the mundane or by characters delivering enormous monologues - rambling shaggy-dog stories, usually - to one another, for context. Not every scene is entirely necessary, either. I wouldn't call that a flaw though, I'd call it a trait typical of Quentin Tarantino; whether it's a flaw or an outright treat depends entirely on whether that's an element of Tarantino's writing that the viewer appreciates. Personally, I love Tarantino's writer's voice and I could watch these scenes for hours (indeed, I watched Django Unchained three times over the course of yesterday), but I can fully undersand what those lamenting the decent 90-minute film that's lost somewhere within the sojourns and speeches of Django Unchained are saying.

Performances throughout are utterly mesmerising, from stars Foxx and Waltz but also - in fact, maybe more so - from principle antagonists Leonardo DiCaprio as "Monsieur" Calvin Candie, the horrifying owner of the "Candyland" plantation currently holding the ownership deeds on Django's wife, and Samuel L. Jackson in an if-anything even more monstrous role as Stephen, Candie's elderly head house slave, a man who has utterly abndoned the culture and torment of his people in return for a few material trappings as the slave-in-chief. Playing to superb comedic effect is Don Johnson as Big Daddy, a strutting, peacock-like Tennessee dandy and owner of the plantation currently employing the Brittle Brothers, and delightful in cameo roles are (among many others) James Remar (The Warriors, Dexter), Jonah Hill (Superbad, The Watch), John Jarratt (Wolf Creek, Rogue) and Michael Parks (Red State, Kill Bill). Quentin himself makes a cameo as usual and, as usual, he's not as charming as he probably thinks he is, but he's also not as bad as many think he is, either. There's even a quick cameo (raising an involuntary cheer from me!) by Franco Nero, the original Django from the magnificent 1966 film of the same name by Sergio Corbucci (that's not the only nod back to the first Django movie; the opening credits to Django Unchained are presented in exactly the same way as the original, and the theme song to Quentin's film comes directly from the Corbucci film too).

Django Unchained is likely to come under fire on a couple of counts; possibly for it's incredible levels of bloodshed (one particular gunfight is the most blood-splattered scene I've seen in a movie since those elevator doors opened in The Shining), and much more probably for the liberal use of what guilty white folks like to refer to as "The 'N'-word", uttered literally hundreds of times from first scene to last. However, neither criticism is warranted in my humble opinion. The bloodshed is of the overexaggerated cartoon quality. Heads, arteries and extremities explode upon bullet impact like detonated watermelons to a gloopy, "BLAAAPP!" sound effect, the blood itself translucent, syrupy and intentionally unrealistic. And if a tale is set against the backdrop of slavery in the 19th century deep South, you're going to hear the word "Nigger" in that tale. Often. Be assured though that just as Inglourious Basterds was a revenge fantasy of the downtrodden Jewish war refugees over the stupidly evil Nazi Germans, this is a tale of empowerment of the enslaved black man over his sadistic, pig-ignorant white overseers.

If you like Tarantino, you'll probably like Django Unchained. If you like Westerns (and the blood-drenched Spaghetti Westerns of the late sixties in particular), you'll probably like Django Unchained. If, like me, you're an admirer of both Tarantino AND westerns, this is a no-brainer. Get and see it, it's a blast.

I'd like to have seen him pull a Gatling gun out of a coffin, though.
A highly entertaining yet disturbing film with superb cast and performances for an audience who would likely never consider watching a film fundamentally about slavery, where Tarantino is masterfully and emphatically navigating and exposing the complex layers of the violent and dehumanizing system of slavery.
**ENTERTAINING from start to finish !!**

Given I am a big fan of **Quentin's** works i knew this movie would be a treat to watch.But what i didn't know was violence can be so **COOL**... The movie is a treat to watch(including the blood and gore) from starting to end.The acting is superb.And the cinematography is just too good! The whole cast played their parts to perfection...Especially **Samuel L. Jackson** and **Jamie Foxx**..**Leo and Christopher Waltz** were superb too..And as Christopher said in the movie - "It was hard to RESIST".A must watch for everyone who likes QUALITY cinema..Even the ones who cant stand BOOMs and BANGs, you wouldn't regret spending about 3 hours watching this well written, well directed and well acted GREAT movie !!
This is one of the best movies I have watched in a long time. It is a pure Tarantino blast. The somewhat unexpected and quite hilarious start of the movie catches your attention from the start and from then on it is 3 hours (almost) of pure enjoyment.

The main actors are playing their roles very well. The Dr. King Schultz character (Christop Walz) is incredibly funny without being ridiculous, Jamie Foxx is excellent as Django and Leonardo DiCaprio is doing his role well as a plantation owner and slave trader. None of the rest of the crew stood out as particularly bad. Well with the possible exception of Tarantino himself then when he made his usual in-movie appearance a’ la Hitchcock. Not that he was particularly bad but he is no actor either.

The movie starts of by Dr. Schulz liberating Django and proceeding to a small town showing Django what he is in the business of doing. Those first minutes of the movie are somewhat unexpected and very funny to watch. After that the movie gets more serious as Django gets to learn to be a bounty hunter and finally gets on with his quest to rescue his “Damsel in distress”. It still has quite a bit of “Tarantino humour” sprinkled around in it though.

During the movie we are treated to a long series of stereotypical people with, let us say, an “attitude” towards African people. It is tempting to say “nigger haters” but that would not be true since a lot of these people did not exactly hate them. They just did not consider African people to be people but more than live stock for them to use as they wished. Unlike a lot of movies portraying these events this one never comes across as boringly finger pointing or overly morally lecturing. Nor does it in any way support or glorify the way things were at this time. It is a movie made to entertain set in a period where bad shit happened and using it for the story. Nothing more and nothing less.

As usual with a Tarantino movie there are some violent parts, some more violent parts and some bloody violent parts in it. The ending fights are a glorious show of destruction and blood splatter. I am sure some people are complaining about the “unnecessary violence”. I am not one of those people. Without these parts it would not be a real Tarantino movie. As always it is made with the usual exaggeration that Tarantino is so good and which reminds you that it is “only a movie”.
This is one of the few movies that I have given 10 out of 10 stars in a very long time. I enjoyed it immensely.
When Django is unchained (pronounced JANG-oh, not Duh-JANG-oh)

Released in 2012 and directed & written by Quentin Tarantino, "Django Unchained" stars Christoph Waltz as an ex-dentist who befriends an ex-slave, Django (Jamie Foxx) in West Texas a couple of years before the Civil War; they team-up as bounty hunters once they realize how good they jell. The second half focuses on their attempt to infiltrate a Mississippi plantation owned by pompous Southerner "Monsieur" Candie (Leonardo DiCaprio) in order to rescue Django's wife (Kerry Washington). Samuel L. Jackson plays Candie's overly loyal house slave.

This is an excellent American Western with Spaghetti Western elements featuring Tarantino's typical artistic flourishes. It takes place in the West AND in the South, which is reminiscent of the underrated "Nevada Smith" (1966), one of my favorite Westerns. Waltz is magnetic as the nonchalant protagonist and he & Foxx have good chemistry. There's a nice mix of interesting dialogues, amusing moments and over-the-top action. Unfortunately, but to be expected, Tarantino goes overboard with the 'n' word and the blood-letting, the latter to the point of cartoonish-ness.

Nevertheless, this is an original Western that is vibrant with creativity, including stunning locations, cinematography and a great amalgamated soundtrack/score, which includes cuts by Ennio Morricone, like the excellent "Hornets' Nest," the imaginative "The Braying Mule" and the moving "Ancora Qui." It's all-around superior to "The Hateful Eight" (2015) because it's not limited by a one-room whodunit plot (although "Hateful" has its unique points of interest).

The movie runs 165 minutes and was shot in Jackson Hole, Wyoming; Evergreen Plantation & New Orleans, Louisiana; and several locations in California (Lone Pine, Alabama Hills, Semi Valley, Melody Ranch, Santa Clarita, Independence & Los Angeles). The cast includes numerous peripheral notables, e.g. Ato Essandohs, Don Stroud, James Remar, Bruce Dern, Ato Essandoh, Franco Nero, Don Johnson, Amber Tamblyn and several others.

GRADE: A

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La La Land 2016 kostenlos filme anschauen -720p-DTS

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Überschrift	La La Land 2016
Geltungsdauer	175 Minute
Entladung	2016-11-29
Qualität	MPG 720p HDTV
Gattung	Comedy, Drama, Romance
Sprachfähigkeit	English
castname	Alden B. Umara, Voletta Z. Mejia, Naome C. Bella

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"To me, _La La Land_ is like religion. I see the appeal, and I would never take it away from anyone. But I would also never stand in line for it."
- Jeff WInger, probably.

_Final rating:★★½ - Not quite for me, but I definitely get the appeal._
A very special, memorable film that will be iconic in the years to come.
This is definitely not a movie that I would have chosen to watch all by myself which perhaps explain why I thought it was just surprisingly okay to watch. However my girlfriend absolutely wanted to watch it so I got it. As it turned out my girlfriend had only gone by the number of Oscars and not really looked up what kind of movie it actually was so in the end I was enjoying the movie a lot more than she did.

This movie is pretty much a quite classical Hollywood musical with a non too original story, nice music and dancing. In addition the cinematography is simply excellent. This is the strong point of this movie. The rest of the movie is of lesser interest to me but the cinematography is really, really good. The scene, pictured on the movie poster, were Mia and Sebastian dances and everything in the scene are dark blue tones except Mia’s bright yellow dress is so simple and yet so beautiful.

Everything else about this movie is…okay. Okay acting, okay story etc. As I wrote before this is really not my kind of movie so forgive me for not being overly enthusiastic. I am sure those into these kind of movies cannot understand how anyone can give it less than a full set of stars but hey, different tastes and all that.

I cannot make up my mind about ending. On one hand I am a sucker for happy endings which this one falls a wee bit short on. On the other hand I have to commend the writer/director for not taking the path of least resistance and instead putting together something a wee bit different.

I did feel that a part of the movie was missing though. I would have liked to see the parts where Mia and Sebastian actually fulfilled their respective dreams. Jumping fast forward to the ending like the movie did felt a bit like they either ran out of money or they manage to misplace half the story!

Anyway, I enjoyed the movie more than I thought I would.
**They'd crossed each others life while chasing their dreams.**

I am not a big fan of modern musical films. So I was not expecting it to be a great or worst. The film opened with a song that I was not happy, because I did not like the verse or the music. And again to say, the modern timeline does not suit for the musical theme, unless it is a fantasy or an Indian film.

The best part of the film was, those song fades away as the film progresses. But I kind of liked the drama/story part and the climax track with the quick flashback (kind of). Till that scene I was considering it an average film, but that one scene changed my stance. So, now I think it is a good film, but winning 6 Oscars, I don't know it deserved that.

Yes, the director is known for making music and musical film, but he has not made many. He's young and so his career. Yep, I loved 'Whiplash'. One of my all time favourite. If that film had won 10 Oscars, I would have not surprised at all. After that flick, the people were anticipating, to exceed that success in this film. As it was received, no doubt for those people it was a different flick, but not for me. Especially if you watch lots of Indian films. By the way the film characters were nice, and so the story, but not the songs.

Gosling and Stone were performed well. The chemistry between them was great. The narration was going decently until the end, which reminded me 'Vinnaithaandi Varuvaaya' ending that I was not happy about, yet something different than usual. Sometimes I am okay with cliché than this kind of conclusion, just to bring a change in storytelling. Overall an enjoyable film, most people would love it. Some like me would say it is a decent flick, but there's always a few who would never favour it. Yet worth a watch.

_7/10_

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Doctor Strange 2016 kostenlos filme anschauen -1440p-MPEG

Doctor Strange 2016 Online Anschauen

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Titulierung	Doctor Strange 2016
Zeitdauer	179 peinlich genau
Erlösung	2016-10-25
Beschaffenheit	WMV 1440p WEBrip
Buchgattung	Action, Adventure, Fantasy, Science Fiction
Fachsprache	English
castname	Abdiel S. Mélika, Penny U. Archit, Evette O. Maïwenn

Doctor Strange 2016 Doctor Strange ganzer film deutsch, Doctor Strange online stream - Ganzer film, Doctor Strange ganzer film online stream - Deutsch

With each new Marvel film one could expect the studio to push the limits of what a superhero film should consist of. Films such as Captain America: Winter Solider, Guardians of the Galaxy and Ant-Man all consisted of elements that we have never seen within a superhero film before. Now, Marvel Studios attempts to push the envelop once more by leaving the world of high tech armors and super soldiers and entering the mystical world of magic. Leading this charge is Benedict Cumberbatch's Doctor Stephen Strange and hopefully he could answer why there is this strange mystical feeling that we have seen this all before.



> From Marvel comes “Doctor Strange,” the story of world-famous neurosurgeon Dr. Stephen Strange whose life changes forever after a horrific car accident robs him of the use of his hands. When traditional medicine fails him, he is forced to look for healing, and hope, in an unlikely place—a mysterious enclave known as Kamar-Taj. He quickly learns that this is not just a center for healing but also the front line of a battle against unseen dark forces bent on destroying our reality. Before long Strange—armed with newly acquired magical powers—is forced to choose whether to return to his life of fortune and status or leave it all behind to defend the world as the most powerful sorcerer in existence.

I am going to start off the review by discussing the only strong positive thing that came out of Doctor Strange and its by far the visuals. Beautiful vibrant colors pop at you throughout the film, the costume design is beyond extravagant and the framing is spot on. Doctor Strange and his fellow Sorcerers Supremes powers aren't fully on display until they enter the Mirror Dimension and my god, Tony Stark and Bruce Banner would hate this place. As they are men of science, they would hate that all rules of physics are thrown out the window as our Sorcerers Supremes are capable of breaking buildings apart and reforming to however they please. It is hard to not reference Inception but no one here is dreaming, these visuals are being created by the hand of mystical men and they use it to their power.

In all honestly, pushing the envelope when it comes to visuals was not a difficult task at all. Heck, if they didn't I would have been extremely disappointed as it was an obvious opportunity to take advantage of since we are dealing with magic. I am still extremely disappointed regardless as director Scott Derrickson completely missed another obvious opportunity to push the envelope this time in regards of character development.

Doctor Stephen Strange is very much like a Tony Stark and other superheroes we have seen in films before as he is arrogant, egoistical and full of it. After Strange's accident in which he suffered extreme nerve damage to both hands, he dishes out every penny to his name to repair his hands in hopes he could continue his career as neurosurgeon. Every attempt fails and Strange becomes desperate enough to head to Nepal and finds himself under the guidance of Tilda Swinton's The Ancient One. Learning a whole new concept in the mystic arts forces Strange to reshape his way of thinking but Scott Derrickson does not let this have Strange reshape who he is as a person as well.

Doctor Strange should have found himself being more like a Steve Rogers towards the end of the film as learning the mystic arts and his accident alone should have broken his ego. But instead everything still comes easy to him as he masters magic with ease with very little tension. He has a couple hiccups in the beginning but once The Ancient One puts him under her wing it is smooth sailing and Strange is stealing texts, wielding powerful weapons and defeating Supremes with decades of training with ease.

You cannot say that Strange was destined for the mystic arts and that is why everything came so easy for him. Strange is only learning the mystic arts due to circumstance. If he doesn't get into an accident, which happened to him due to being careless, he doesn't find himself in Nepal. Harry Potter was destined for magic, not Strange. Strange fails to grow as a character because he continues to be proven right and no consequences seem to happen due to his actions.

It is hard to get into the character development of our supporting characters Benedict Wong's Wong and Chiwetel Ejiofor's Mordo as I would utterly spoil the film for you. All I would say though is that they were both mishandled and deserved better developments. It is a shame too because Wong and Ejiofor are superb actors but wasting talent is something Marvel Studios is used to.

When will Marvel Studios get a villain right? With Mads Mikkelsen playing our lead villain, Kaecilius, I thought we might finally get a cinematic Marvel villain that is on par to Killgrave and Kingpin over at Marvel's television department. Ultimately, Kaecilius and Doctor Strange end up fighting due to the most silliest cliche: being at the wrong place at the wrong time. The two individuals meet at the New York Sanctum Sanctorum in which Strange accidentally gets blown in to. Kaecilius is there to kill the protector and Sanctum Sanctorum itself and has no knowledge of who Strange is. In fact, he honestly believes Strange's name is in fact "Mister Doctor." Still learning his craft, Strange is capable of putting up a better fight than the protector who should be a matter. I mean, he is a protector after all. There are no stakes for Strange, strange.

Visually appealing could only get you so far as Doctor Strange fails to focus on the development of their characters that they made so appealing to the eye. Doctor Strange will become a huge asset to the Marvel Cinematic Universe and lets hope we see the rest of Strange's development when he casts his next spell. There is so much untapped potential in Strange's character, we just haven't seen the best of him yet.
All continues to be well in the Marvel Comics Universe as the film adaptation of another mischievous and majestic superhero from Stan Lee’s printed page empire emerges and reigns supreme on the big screen. The latest cure from the Marvel movie bag of explosive tricks is the entry of the dazzling and decorative **Doctor Strange**. Armed with a collection of notable performers, a convincing colorful scope of visual vibrancy and a hearty touch of spiritual and reflective potency the spellbinding **Doctor Strange** is an engaging and oddly sophisticated action-oriented comic book fantasy adding imaginative flavor to the typical escapist gem from the Marvel stable of powered personalities.

Some may argue that **Doctor Strange** is merely another conveyor belt cinematic comics confection that follows a safe and similar makeup that constitutes the obligatory Marvel Comics movie foundation–excitable weirdness, overly splashes of wayward whimsy, copious characterizations attached to their brand of eccentric grandeur and larger-than-life gestures of dark and devious exploits grounded in the basic landscape of good versus evil. Listen, sometimes traveling down the conventional path of constructed and adventurous Marvel-made spectacles is not necessarily a bad thing to consider. After all, the well-known and more popular superhero icons such as _Spider-Man_, _The Incredible Hulk_, _Iron Man_, _The Avengers_, and _The X-Men_ for instance seem to benefit nicely from the anticipated formula that routinely delivers the entertaining goods for its avid core of fanboys. So why not wipe off the seemingly obscure and underrated **Doctor Strange** and provide the same kind of popcorn-pulsating mystique for blockbuster cinema?

**Doctor Strange** started out as a comic book creation in 1963 by Steve Ditko and Stan Lee. Director Scott Derrickson (“Paradise Lost”, “The Exorcism of Emily Rose”, “Sinister”, “Deliver Us From Evil”) does an admirable job in giving shades of bizarre brilliance and magical manipulation to an unconventional Marvel comic book character hardly known for his capacity to translate his mystical mastery to celluloid with compelling curiosity. Derrickson, known primarily for his creative juices in the realm of horror fantasies, confidently serves up the off-kilter and hypnotic appeal of Dr. Stephen Strange as embodied by accomplished English actor Benedict Cumberbatch (“Black Mass”, “The Imitation Game”, “12 Years a Slave”). Interestingly, Derrickson and his handful of screenwriters craft **Doctor Strange** with a mind-blowing measurement of restraint and inquisitiveness. Indeed, **Doctor Strange** echoes its contemporary Marvel-established movies with predictable pluckiness to a certain extent but what is appreciated more is the uniqueness of the film’s ability to emphasize a cerebral superhero that is cut out of a different kind of creative cloth which feels quite distinctive from other brooding Marvel mavericks. Cumberbatch–mastering a rather effective American-accented sorcerer with skill–has injected a degree of inventive nobility and refinement that uplifts this calculating comic-book fantasy.

Cumberbatch’s egotistical Stephen Strange is an incredibly gifted neurosurgeon. His hands are truly miraculous tools of his medical trade and he takes pride in his abilities to treat the critical patients that have tremendous hope courtesy of his therapeutic capabilities. In a nutshell, Strange outshines his other surgical competitors because he is able to give to his patients on the operating table something other doctors cannot instantly muster up. However, cruel fate strikes its ugly head when Strange suffers the usage of his precious hands as a result of a horrific car wreck. The nerves in his hands are destroyed and the non-functioning of his limbs is an awful reminder that his surgical talents are something of the immediate past.

As Strange delves into self-pity and surfacing depression he cannot see just how supportive his fellow physician Christine Palmer (Rachel McAdam) is toward him. Clearly, Christine is in love with the alienating medical moper but Strange simply does not realize the extent of her affections because he is too busy sulking about his misfortune. The only factor that gets a promising rise out of Strange is his recent acknowledgement of the Tibetan community where there is a Kamar-Taj temple rumored to restore ailing body parts destined to make an individual “whole” and “complete” once again. Naturally, Strange wants to bypass the tedious and lengthy therapy sessions for a chance to experience the miracle of his once-amazing operating digits now ravaged by severe nerve damage.

The main source behind the Kamar-Taj temple’s heralded existence is The Ancient One (played by Tilda Swinton). She is instrumental in teaching the fundamentals of a selected Eastern mysticism that teaches the special concentration of healing the wounded and wasting human body when scientific medical practices fail to do so. Soon, Strange’s affiliation with The Ancient One and her mystical minions has more than a transfixing effect on gaining control of his ailing hands as he gains indescribable powers through the inner strength of mind and soul. Now, Dr. Strange can generate his own alternating state of philosophical wizardry that dictates shaping time and space dimensions. Strange’s out-of-body experiences supersede all his previous physical impairments as a force to be reckoned with at large. Whether observing Strange’s Cloak of Levitation methods or witnessing his supernatural prowess on the mean streets against wickedness Doctor Strange spins a wild and weird web of action-packed surrealism that is a welcomed addition to Marvel Comics’ showcasing of super-heroic protective cads feisty in flaws and frivolity.

Cumberbatch is mesmerizing as the self-absorbed genius Strange who perhaps is the best complex Marvel-related protagonist since Robert Downey Jr.’s flippant Tony Stark/Iron Man. The combination of heightened arrogance and high-brow self-doubt and vulnerability tactically works as Cumberbatch sells this portrayal solidly. Although Swinton’s The Ancient One is an intriguing enigma in her own right one must question why the absence of an Asian actor not considered for this particular role may have some scratching their heads in indignation? McAdam’s love interest Christine amounts to only being an afterthought not just in the eyes of her object of affection Strange but to the audience as well.

Thankfully, the other supporting players contribute marvelously to the festivities. Oscar nominee Chiwetel Ejiofor (Cumberbatch’s co-star from the Academy Award-winning “12 Years a Slave”) plays fellow sorcerer Mordo while Benedict Wong assumes the duty as another one of The Ancient One’s followers who guards the school’s sacred scriptures. Mads Mikkelsen is devilishly received as Kaecilius, the former disciple of The Ancient One gone rogue whose agenda in releasing an ominous demon Dormammu to the world will test the will of Doc Strange’s newfound mystical techniques and tactics.

No doubt that **Doctor Strange** is an impeccably surging superhero fable laced with stunning aesthetics and a richly robust score by Michael Giachinno. The high caliber of talent associated with this spry comic book actioner definitely ensures another superhero film franchise-in-the-making as Cumberbatch’s introspective doc administers his **Strange** dosage of Marvel movie-making medicine for the ages.

**Doctor Strange** (2016)

Walt Disney Pictures

2 hrs. 10 mins.

Starring: Benedict Cumberbatch, Tilda Swinton, Chiwetel Ejiofor, Mads Mikkelsen, Rachel McAdam, Benedict Wong, Benjamin Bratt

Directed by: Scott Derrickson

MPAA Rating: PG-13

Genre: Science Fiction & Fantasy/Action & Adventures/Comic Book Fable

Critic’s rating: *** 1/2 (out of 4 stars)

(c) **Frank Ochieng** 2016
Though the core events may not be anything new for the MCU, particularly in so far as its origin stories go (Stephen Strange's A-to-B is virtually identical to Tony Stark's in the first _Iron Man_ film) the psychedelic filter through which we experience these events is entirely fresh!

Not all of the humour lands, and in fact sometimes actually detracts from the story. While the effects are very impressive from a conceptual angle, the graphical end-products do sometimes fall short. Benedict Cumberbatch is a fantastic actor, and does a fine job as Doctor Strange, virtually the whole cast are proven actors, but none are really given the chance to flex those acting muscles to any sort of a newly impressive degree.

Those minor nitpicks aside, _Doctor Strange_ is another very successful entry to the MCU, just further proving that Marvel really know what they're doing in this latest form the film industry has taken.

_Final rating:★★★½ - I strongly recommend you make the time._
I will begin this by saying I was hyped about this film since it was announced because I was always attracted to magic and the supernatural and Doctor Strange is one of my favorite Marvel superheroes.
PLOT:A simple enough story,a brilliant surgeon's journey from the peak of his career to a ruined man,incapacitated due to an accident.Losing all his money in an attempt to heal his hands,he finds out about a mysterious healer in a place called Kamar-Taj.With his last dollars, he gets a one-way ticket to Nepal to find this place and is introduced like so into a whole new world.He has an affinity for what he discovers to be called "The Mystic Arts".He learns and develops quickly but is thrown into a fight with the one who would become his first nemesis, Kaelcilius,too soon.He is almost killed but with the help of his ex-fiancée,Dr. Christine Palmer(who operates on him) he is saved and returns to the Sanctum Sanctorum.He tries to stop Kaelcilius but needs to be rescued again by his teacher,who is killed and leaves him with a valuable lesson.To finally defeated the Zealots he bargains with their boss,catching him into a time loop for all eternity if he does not call his servants off and sets everything right.In the end his ex-friend and mentor,Mordo goes on a quest of finding himself and ends up becoming a sorcerer murderer.
Characters:
1)Dr.Stephen Strange:Benedict portrays him amazingly and is always on point with the character.I liked his journey and how he changed and grew to see that he is just a tiny bit of an infinite multiverse.He was pretty good using magic and I hope he will develop quicker to the Sorcerer Supreme.
2)The Ancient One:My favorite character in the movie.She is a wise teacher,has the best quotes,best battle scenes,best entrances and an amazing battle costume.I loved how even she was aware that for higher goals she needed to cross the line and do things she teaches against and also isn't proud of.
3)Kaelcilius:A tragedy of love brought him to Kamar-Taj where he ascended to the rank of master.Tired of following The Ancient One and still haunted by the death of his loved he seeks to stop time,to give his new teacher,Dormammu our world.Mads was amazing in the role,his whole ideology of time as the enemy of humans and them longing for eternity is interesting and really on point.He briefly achieved his goal,a shame he became a mindless one.
4)Karl Mordo:Another prominent student,who doesn't ask questions,doesn't contradict and is pretty adamant about trust and has lots of issues with bending the rules.He was very disappointing and boring and his only interesting feat was that he became a villain.
5)Wong:Decent but underused character,he will surely be seen a lot in the later movies as Strange's right hand.
Magic:We are introduced to magic as an energy harnessed from various dimensions to create things of need,to conjure spells.An interesting take on such a vague but intriguing subject.
Post-Credit Scenes:
1)Thor scene:takes place in 2017 with Thor asking our Doctor(has gloves,seems more powerful,informed) for help to find his father,trapped on Earth.He accepts with the condition that they would leave our realm as soon as they are reunited.
2)Mordo scene:He went on a quest of getting rid of all the sorcerers of Earth.
Overall:A very decent movie with amazing special effects and super acting.A must see.
**When a science person was the chosen one in the spiritual world!**

You would have not expected it from this director if you had seen his previous films. This was based on the Marvel comics that I haven't touched. So basically I had high expectation to witness another side of Marvel universe with another set of (super)heroes. And surprisingly, it was very entertaining, nothing like other Marvel's heroes/story, except the possession of superpower to fight evil forces.

Firstly, Benedict Cumberbatch in the lead in a Marvel film, I did not think it would work. All I knew is he was a great sidekick, but that image has changed here. He was wonderful, definitely I'll be looking forward to its sequel as they had confirmed at the end. The theme wise, it is similar to most of the superhero tales, but some new concepts were added to it, I mean the superpower and that's what made it so unique.

Just like 'Thor', this film as well had taken the spiritual believes only for the basic platform. The rest of the developments are the clear mix of fantasy (illusion) and science. So it means the film is for theists and atheists. I am one of those who did not like 'Inception', which I think an ordinary action film with multiple layers. But this one was so awesome and it is for the people like me who think 'Inception' failed.

Visually spectacular. I regret missing it out in digital 3D. Its Academy Awards nominee in the category of Best VFX tells the story. There will be a tough contest, even I'm up for 'Jungle Book', but I won't be sad if this wins. The success story of Marvel continues. Not everybody reads comic books, but film goers are the majority. So adaptations like this are people like me. Let them keep coming, I love this format better. This film is not just for the youngsters, but old, families, as well as kids can enjoy, so I hope you won't miss it.

_8/10_
It is actually quite some time since I watched Doctor Strange but somehow the movie must have slipped between the cracks since I appear to have forgotten to review it. So I am about to remedy that now. To put it in simple terms: This is an excellent movie. It is a wonderful display of magical fireworks with a decent enough story to keep it together.

I have to confess that I have not really read many of the comics containing Doctor Strange so it is a bit difficult for me to comment on the aspect of the film versus the comics. From the little that I have read I got the impression that the comic book version of Doctor Strange was a wee bit more dark, serious and mature. This movie starts from the beginning of his career though so I guess there is some justification for the less mature Doctor Strange in the movie.

Doctor Strange is a skilled neurosurgeon but a bit of an asshole. Actually more than “a bit”. He gets involved in a accident, that he pretty much causes himself due to his arrogance. Fast forward to the interesting chapter were we get to see Doctor Strange being, reluctantly, admitted into a scruffy looking monastery on the other side of the planet. That is when the fun starts. Doctor Strange is in for a ride. Slowly Doctor Strange gets knocked into him that magic exists and he is expected to practice it.

The time at the monastery, or perhaps we should call it a school, leads to a few funny episodes and I do like the head monk’s bantering with Strange and the way she does things. Talk about getting thrown into the deep end of the swimmingpool first. Strange’s continued arrogance and immaturity is a bit annoying from time to time though. That has to be said.

What is the use of super heroes if there are no bad guys around. So after Strange having trained for a while, and mostly failed miserably, the bad guys starts to crash the party. So no more pretty living room magic for Strange. It is time to go head to head with some serious competition. Unfortunately, for a good chunk of the first fights Strange mostly falls on his arse. They are still cool and beautiful to watch though.

Slowly Strange starts to get to grip with this whole magic thing and he also starts to shed some of that arrogance of his and take some responsibility. About time since the despicable bad guy are, of course, working towards freeing the real BIG bad guy, father of all evil and mother of everything else bad you can think of. Time for a showdown.

As the fighting escalates so does the user of special effects and personally I though the special effects were both beautiful and spectacular. I really liked them.

I am not sure Cumberbatch would have been my first choice for Doctor Strange though. To me he do not really project the image of the wise and skilled Wizard I expected. He is not bad though. The only other person that stood out for me was the chief monk and The Ancient One which I also quite liked. The rest of the characters, well to me they mostly lived in the shadows of these two, even though they were in general likable and sometimes fun.

There were a few rather hilarious parts where Strange has to reveal the truth about what he stepped in to his former girlfriend. I have a soft spot for the surprise moments in both movies and books.

I rather not get started on time travel since I generally hate it as a story element since it almost always leads to paradoxes or is simply so poorly done that it is blatantly obvious that someone tried to cover up for a lazy and shoddy story. However I guess I have to mention that screwing around with time is an important part of the plot in this movie. Luckily it is done in such a way that it do not, in my opinion, negatively impact the movie. Actually, to my surprise, it is used in a rather cool way.

So, bottom line, a movie I liked quite a lot. 5 out 5 stars kind worth of liking.
I thought marvel was going to far with all the releases.I was right about this one,Dr Strange was like Inception on DMT.Far to much CGI!.And for the story it started off in the right direction then it just ended up going STRANGE.All in all worth a look.But nothing special.
It was only a matter of time before magic and time travel found their way into the MCU, but Doctor Strange is a really well put together origin story on a character that could have been a mess to adapt as a film. Chiwetel Ejiofor, Rachel McAdams, Mads Mikkelsen, along with the Benedicts give the film lots of charisma, but the real star here is the style that Scott Derrickson and his crew were able to create. This is such a cool looking movie, both beautiful to look at and impressively technical.

Like most Marvel movies, Doctor Strange has a mediocre generic villain, but the characters combined with the visuals still make for a uniquely entertaining experience.

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