Sabtu, 30 September 2017

Nocturnal Animals 2016 kostenlos filme anschauen -1440p-MP4

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Nocturnal Animals"




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Rechtsanspruch

Nocturnal Animals 2016

Dauer

129 Augenblick

Kinostart

2016-11-04

Güte

FLV 1080p
DVDScr

Gattung

Drama, Thriller

Sprachfähigkeit

English

castname

Muaz
J.
Ramsey, Adelle M. Harison, Ashlee D. Neev









Nocturnal Animals 2016 Nocturnal Animals ganzer film deutsch, Nocturnal Animals online stream - Ganzer film, Nocturnal Animals ganzer film online stream - Deutsch



We live in a country where our current presidential candidates fail to compare to our current president. We live in a country where minorities have been a subject to police brutality. We live in a country where you must enter debt by taking out a student loan and you are still not guaranteed a successful future. Are you uncomfortable yet? Comfortability won't be found here or in fashion designer turned director Tom Ford's second featured film Nocturnal Animals. The director forces you to become comfortable with being uncomfortable and the result is the most beautiful disturbingly gripping films of 2016.



> From writer/director Tom Ford comes a haunting romantic thriller of shocking intimacy and gripping tension that explores the thin lines between love and cruelty, and revenge and redemption. Academy Award nominees Amy Adams and Jake Gyllenhaal star as a divorced couple discovering dark truths about each other and themselves in NOCTURNAL ANIMALS.

Director Tom Ford starts the film with a close up of a handful of naked older white females dancing nakedly with bodies society would be disturbed by. Ford does not focuses on just one part of the body but every piece of fat, extra skin, crease, scar, and stretch mark to really push your comfortability. No, Ford is not going for shock value, especially not so early in the film because there will be plenty time for that, but he is being nice of enough to give the audience a disclaimer. A disclaimer that nothing will be more comfortable than the opening sequence and if you couldn't handle that then Nocturnal Animals is going to be one hell of a trip for you. Heck, regardless, Nocturnal Animals is one hell of a trip.

Nocturnal Animals itself contains a double narrative strand which consists of Susan's real life and her bringing the book of her ex-husband to life. Ford does not implement a voiceover to let you know that you are now in the world of the book yet he makes you feel that you are watching another film. Ford pulls off a difficult task in making the audience care about both narratives and you want to believe that both are fictional then the uncomfortability levels begin to raise once again as you are forced to remember that one is indeed reality. Tony & Susan, the 1993 novel that the films was adapted from, unfolds how intimate the act of reading could be as an author could tap into the reader's thoughts, feelings and experience. Tom Ford pulls this same feat but just with the act of watching a film.

With his first job being a fashion designer, one would only assume to be blown away by the visuals Tom Ford would create. This is true as various scenes of LA and west Texas are beyond stunning but no one would expect the clash of visuals Ford would create with LA and west Texas. The transition from super cool and grotesque LA to a brutal, violent and revengeful west Texas will once again raise your uncomfortability levels.

After all, this is a revenge film. We learn throughout the film that Susan, who comes from a wealthy family, falls in love with an inspiring author in Jake Gyllenhaal's Tony but would eventually go on to break his art in three different way. First, by telling him to take a step back from his dream of being an author. Secondly, aborting his child. Then, if the first two wasn't enough, she lives him for the handsome and dashing Armie Hammer's Hutton. Susan goes on to live the perfect life with Hutton and 20 years after her divorce with Tony, he decides to quietly place a novel about revenge in her mailbox. We feel Susan's chills as she reads the novel and without ever needing to say a word to her, Susan's perfect little world becomes to crumble

Jake Gyllenhaal and Amy Adams give us exactly what we expect from them. Aaron Taylor-Johnson offers a spine-chilling performance as Ray Marcus and Michael Shannon is fantastic as Bobby Andes. Tom Ford finally takes off his fashion designer hat and puts his fully-fledged director hat on as that was his approach with this film and two narratives. Tom Ford sustains the point that he is not a fashion designer turned director but a full-fledged director as a lesser director would have totally botched this film.
**RE
VEN
GE**

This was simply awesome. I meant the story, but the presentation was not my kind. I got the story and I enjoyed it. The performances can't be neglected either. Both the lead, Jake and Amy were the film's highlight. But I also happy for Michale Shannon's Oscars nominee. Based on the novel 'Tony and Susan', but for the film adaptation, the title got inspired by the book that appear in the story. From the director of 'A Single Man' which is his comeback film after a long gap. I would say a good attempt.

This is the story of a successful art gallery boss who got divorced and remarried to the man whom she was cheating with from her ex. Her decision was in particular influenced by her mother. Now she thinks she's happy, but one day her ex sends a copy of his latest novel that's dedicated in her name. Reading it, she realises the tough time he'd with their separation. Following the end of the book, she encounters an unexpected truth which could affect her life forever.

A dual layer story. One was fiction and the other one in the real world. But the fictional tale highly influences the main narration and that's what I call the genuine writing. So the credit must go to none other than the original author. I have seen lots of revenge films, even it can be compared to 'Three Colours: White', but the major difference is the sweet revenge. For that alone the film was awesome. The climax was even better. If you understand the narration, you will enjoy it for sure. The filmmaking should have been a bit better. Excluding that the film is not to be skipped.

_6/10_
A compelling thriller with an open-ended ending that feels far too easy for what it had going for it.

Nocturnal Animals starts out very strong. It feels reminiscent of Lynch's Lost Highway or Mulholland Dr. The main character lives a luxurious life surrounded by some very striking pieces of art (art pieces which, throughout the story, make things even more thrilling and surreal). She reads her ex-boyfriend's novel which quite honestly makes us feel like we're in a bad dream. The way the novel starts out feels like Michael Haneke's Funny Games. Its opening scene with Aaron Taylor-Johnson so brilliantly builds in tension with his character's mind games. The story however turns into a bit of a tame crime mystery held up with a sort of fun performance from Michael Shannon. The potential to be a very cryptic thriller is there, but decides instead to put all the pieces together for us. As a Lynch fan, this movie made me crave something stranger. I really wanted to be left mystified but instead I got an ending that was kind of obvious.
Only in a world where a Reality TV star becomes President could Tom Ford be one of the best directors of the year... I guess that'd be this world.

_Final rating:★★★★ - An all round good movie with a little something extra._

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Gone Girl 2014 kostenlos filme anschauen -720p-DAT

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Gone Girl"




Gone Girl-SDDS-2014-italienisch-download-SDDS-Bluray-film-TVrip-download-AVCHD-Sonics-DDP-Sonics-DDP.jpg




Bezeichnung

Gone Girl 2014

Zeitdauer

167 Sitzungsprotokoll

Freilassung

2014-10-01

Qualität

AVI 1080p
Blu-ray

Gattung

Mystery, Thriller, Drama

Programmiersprache

English

castname

Meriam
J.
Storms, Dieutre Y. Tully, Celyn U. Virilio









Gone Girl 2014 Gone Girl ganzer film deutsch, Gone Girl online stream - Ganzer film, Gone Girl ganzer film online stream - Deutsch



Good cast and decent story, although the end is not very convincing.

The cut of the movie is really good and Rosamund Pike is genuinely scary.

Not a master piece but quite good given the lack of passable movies lately.
Rosamund Pike is outstanding as the wronged wife and Ben Affleck is very good as the husband. It is convoluted, and you do start to think is this just going over the top, but the end just shows Pike's character to be a damaged high-functioning psychopath. So at the final sequence, even if it's a tad far fetched even if you feel that Affleck deserves everything coming to him, the look she gives to the camera is that of an pure evil. As my youngest daughter used to say when she was a kid, she's got scary eyes.

Schmelzsicherung – Wikipedia ~ Sicherungseinsätze werden meist in entsprechende Sockel eingesetzt Auf Leiterplatten wird teilweise auf Sockel verzichtet und die Sicherungen werden durch Löten befestigt In Einzelfällen dient ein Draht oder Leiterbahnabschnitt als Sicherung Auch Widerstände können als Sicherung spezifiziert sein sog Sicherungswiderstand

Liste der NATOLändercodes – Wikipedia ~ Die Ländercodes der NATO sind in der STANAG 1059 „List of NATOCountry Codes“ festgeschrieben Neben den Codes für real existierende Staaten wurden auch für die bei ÜbungenManövern gebräuchlichen Bezeichnungen fiktiver Staaten z B „Rotland“ sowie auch für die strategischen NATOHauptquartiere Codes festgelegt

Liste der Mitgliedsverbindungen des CV – Wikipedia ~ Die Verbände Verbände sind gelb hinterlegt Die Einzelverbindungen sind unter ihrem Verband aufgelistet Die Nummer besteht aus einem Buchstaben für den Verband und der Nummer der Mitgliedschaft entsprechend dem Eintritt in den jeweiligen Verband

ISO31661Kodierliste – Wikipedia ~ Die im Jahr 1974 erstmals eingeführte Ländercodeliste gliedert sich nach Ländern sortiert in drei Unterspalten für die ALPHA2 ALPHA3 und numerischen Codes die im ersten Teil der ISO 3166 aufgeführt sind und Spalten für die Top Level Domains TLD die Ländercodes des IOC Internationales Olympisches Komitee Codes für Staaten mit subnationalen Einheiten entsprechend der ISO


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The Help 2011 kostenlos filme anschauen -720p-MPEG-2

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The Help"




The Help-Sonics-DDP-2011-AVCHD-HDTV-MPEG-BDRip-TVrip-1440p-DVDScr-ASF-BRRip-stream.jpg




Rechtsanspruch

The Help 2011

Geltungsdauer

196 minutiös

Freigabe

2011-08-09

Beschaffenheit

M1V 720p
BDRip

Buchgattung

Drama

Ausdrucksweise

English

castname

Sehr
H.
Orva, Cain V. Necati, Aheed C. Magali









The Help 2011 The Help ganzer film deutsch, The Help online stream - Ganzer film, The Help ganzer film online stream - Deutsch



Great setting, cast, story and performances. A must to be seen.
I just watched The Help, almost immediately after finishing the book. Now, when comparing The Film to The Book it was based on (generally speaking), one major rule of thumb almost always applies: The Book is better. The Help is no exception.

Accordingly, with the novel still so fresh in the back of my mind, separating my mind from the book in order to enjoy the film was an almost impossible task. No matter how hard you try, you just can't quit comparing the two, nitpicking every detail and being frustrated with everything they changed. Nevertheless, I was still able to enjoy the film for what it was, though I am glad that I possessed full knowledge of the actual story.

The Help tells the story of black domestic servants in 1960's Jackson, Mississippi. It focuses on white Miss Eugenia 'Skeeter' Phelan, and her efforts to give a voice to black maids by writing their stories from their perspective and thus giving them an opportunity to be heard for the first time in their lives. Among the black women, Aibileen and Minny are the two key characters.

So let's just get the "bad" stuff out of the way. One of the elements in the novel that I enjoyed the most was the incredibly delicate bond of trust and understanding that builds up (over an extensive period of time) between Aibileen and Skeeter. It really does take Skeeter a long time before she finally wins Aibileen over and convinces her to share her deepest feelings with a white woman. In the film, this process felt rather rushed, like Aibileen just woke up the next morning and decided to do it. What bothers me about this is not just the fact that (oh, cliché) it was "better" in the book, but mostly because the film forgets to underline WHY it took so long. Not only is it much more clearly explained in writing that these black women face an incredible danger in divulging their true feelings about the white women they work for, the film also fails to capture the palpable tension and sense of urgency of the book. These women aren't just risking their jobs, they are risking their lives, AND the lives of their loved ones. They're in danger just for being seen talking to a white lady. I found this to be a rather big flaw of the film.

The film also lacks a lot of the character development I was hoping for. Quite a few character changes were made, so that in the film they all just kind of appear out of nowhere, and more or less seem to go about their business without – again – the big "why" of it all. One of the most underexposed characters was a woman named Celia Foote, who is a poor white trash girl who married way out of her league – and because of it, has to face the constant disgrace and condescension from the other stuck-up, "sophisticated" white ladies. Celia is just the sweetest, loveliest person in the entire story, and her relationship with her maid Minny is heart warming. The fact that they barely included this in the film is a real shame.

OK – if I keep comparing the film to the book, this review will never reach its end. Obviously, there is a lot more I could (and certainly want to) say, but it's not really relevant to the effectiveness of this review. So, moving on.

At least they got the actors right! Each and every one of them was cast spot-on to their character. Emma Stone is wonderful as Skeeter –capturing her youthful daring and naiveté perfectly. There's also something about her voice and attitude that make it clear that this girl is different from her snooty bridge club peers. Viola Davis is the perfect Aibileen – all I kept thinking was, damn, she should have gotten that Oscar. Her performance is very moving and heartfelt. Octavia Spencer did actually win an Oscar for her role as Minny, and it was well deserved. She is exactly as I imagined Minny to be – sassy, smart-mouthed and with an attitude that could render any white woman speechless, even if it means losing her job a dozen times. Celia Foote is played by Jessica Chastain, and I fear I'm at risk of doubling over in superlatives to describe how perfect she was, so I'll just leave it at this.

The Evil Witch in this story is Hilly Holbrook, played by Bryce Dallas Howard. I'm not sure how big of a compliment it is to say that she is very good at playing a snide, cunning racist – so let's just say she is a very good actress. Another actress worth mentioning is Allison Janney, who plays the role of Skeeter's mother. Though she is not quite like I imagined her the way she was in the book (there we go again...), I always enjoy her performances very much and this one's no exception. Oh, and Sissy Spacek plays Hilly's mother, and she is a delight to watch. I got the feeling that the director extended her role to a little more than what it was in the book, just to give her more screen time. I don't blame him.

Overall, the film is properly paced and reasonably well-constructed, though some creative liberties are taken here and there considering the timeline. In comparison to the book, it is a little disappointing, but I can't think of a single book-to-film adaptation where this wasn't the case.

I still rate The Help 8 out of 10, because I think it is an important story to be told and the performances are stellar, but if you have a little more patience, I strongly recommend reading the book instead.
_(March 2013)_

LP – Wikipedia ~ Dies ist eine Begriffsklärungsseite zur Unterscheidung mehrerer mit demselben Wort bezeichneter Begriffe

The Slim Shady LP – Wikipedia ~ The Slim Shady LP Slim Shady bezeichnet Eminems Alter Ego ist nach dem UntergrundAlbum Infinite das zweite Soloalbum des USamerikanischen Rappers erschien am 23 Februar 1999 über Dr Dres Label Aftermath Entertainment sowie Interscope Records und stellt den Beginn des kommerziellen Erfolgs von Eminem dar

The Marshall Mathers LP 2 – Wikipedia ~ Das Albumcover wurde am 20 September 2013 über Eminems TwitterAccount verö ist in SchwarzWeiß gehalten und zeigt ein Holzhaus das bereits für das Cover von The Marshall Mathers LP diente und in dem der Rapper einen Teil seiner Kindheit verbrachte Fenster und Türen des Hauses sind mit Brettern vernagelt und im Vordergrund befindet sich ein Nadelbaum

LpRaum – Wikipedia ~ Die Räume auch LebesgueRäume sind in der Mathematik spezielle Räume die aus allen pfach integrierbaren Funktionen bestehen Das L in der Bezeichnung geht auf den französischen Mathematiker Henri Léon Lebesgue zurück da diese Räume über das LebesgueIntegral definiert werden Im Fall Banachraumwertiger Funktionen wie im Folgenden für allgemeines dargestellt bezeichnet man sie

Lineare Optimierung – Wikipedia ~ Geschichte Die Methode der linearen Optimierung wurde 1939 von dem sowjetischen Mathematiker Leonid Witaljewitsch Kantorowitsch in seinem Aufsatz „Mathematische Methoden für die Organisation und Planung der Produktion“ eingeführt Kurz danach veröffentlichte der Amerikaner Frank L Hitchcock eine Arbeit zu einem erkannte man noch nicht die Bedeutung dieser Arbeiten

Limited Partnership – Wikipedia ~ Eine Limited Partnership abgekürzt LP oder englisch für Beschränkte Partnerschaft ist eine angelsächsische Unternehmensrechtsform die mit einer deutschen Kommanditgesellschaft vergleichbar ist und aus mindestens zwei Gesellschaftern besteht Die Limited Partnership ist eine Rechtsform unter der viele angelsächsische PrivateEquityund VentureCapitalGesellschaften geführt werden

Lloyd 300 – Wikipedia ~ Motor und Getriebe Angetrieben wurde der Lloyd von einem vor der Vorderachse quer eingebauten luftgekühlten ZweitaktZweizylinderMotor Twin mit einem Hubraum von 293 cm³ der 10 PS bei 4000min leistete Die Kraft wurde über ein nicht synchronisiertes DreigangSchieberadgetriebe auf die Vorderräder ü Höchstgeschwindigkeit betrug ca 70 kmh und der Verbrauch lag bei 55

Regenballade – Wikipedia ~ Mit geringfügigen Ausnahmen hat Reichel auf dieser Platte auch sämtliche Instrumente gespielt Bedeutung Seit seinem Erscheinen wird das Album als Unterrichtsmittel im bundesdeutschen muttersprachlichen Unterricht verwendet was viele Unterrichtsempfehlungen und Praxisberichte in pädagogischen Fachzeitschriften belegen

Finanzplan – Wikipedia ~ Unternehmen Kommt ein Schuldner seinen Zahlungsverpflichtungen nicht nach oder ist er nicht in der Lage die fälligen Zahlungspflichten zu erfüllen so liegt nach § 17 in Verbindung mit § 16 Insolvenzordnung der allgemeine Eröffnungsgrund für die Eröffnung des Insolvenzverfahrens vor Zur Vermeidung der Insolvenz sind von den Wirtschaftssubjekten somit die zukünftigen Einzahlungen

Rechtsfahrgebot – Wikipedia ~ Geschichte Seit römischer Zeit wurde in Europa links gefahren Erst Napoleon Bonaparte führte zunächst in Frankreich später in den von ihm besetzten Ländern das Rechtsfahrgebot ein welches sich dadurch im größten Teil Europas Österreich wurde das Rechtsfahrgebot 1938 mit dem Anschluss an Deutschland überall eingeführt Italien stellte 1924 und Schweden 1967 in der


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Jumat, 29 September 2017

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Rogue One: A Star Wars Story"




Rogue One: A Star Wars Story-MP4-2016-deutsch-HDTV-MPE-720p-WEB-DL-hd stream-stream-mit untertitel-stream-italienisch.jpg




Titel

Rogue One: A Star Wars Story 2016

Geltungsdauer

167 kleinst

Entladung

2016-12-14

Güte

Sonics-DDP 1080p
TVrip

Gattung

Action, Adventure, Science Fiction

Ausdrucksweise

English

castname

Adelie
W.
Gendron, Lassana H. Elliott, Benitez B. Dalia









Rogue One: A Star Wars Story 2016 Rogue One: A Star Wars Story ganzer film deutsch, Rogue One: A Star Wars Story online stream - Ganzer film, Rogue One: A Star Wars Story ganzer film online stream - Deutsch



"It carries the burden of being about odds and stakes, of legacies and consequences, of understanding destiny..."

Read the full review here: http://screen-space.squarespace.com/reviews/2016/12/17/rogue-one-a-star-wars-story.html
Is not my new favourite _Star Wars_ movie. But does contain my new favourite _Star Wars_ scene.

_Final rating:★★★½ - I strongly recommend you make the time._
Fun Star Wars movie. Plenty of homages and nods to the original trilogy throughout the film, Andy plenty of cameos as well. Has amazing action sequences and enough thrills to keep any true Star Wars fan hooked right from the beginning. No opening crawl at the start for a change and a great score by Michael Giachinno, but still includes the original end credits with John Williams' original music. K-2SO is a show stealer and is very funny as a character. Overall the best Star Wars film since Empire Strikes Back in my opinion. The force is with this one.
On the surface, this is a well-made action movie set within the Star Wars universe filled with nods and homages to "A New Hope" that will make you tingle with warm nostalgia. The reappearance of sets, costumes and characters from our favorite childhood movies might make you say "Now, THIS is a Star Wars movie!"

However, nostalgia and making copious amounts of money on that nostalgia seemed to be Disney's primary strategy with this movie. It's mimicry, plain and simple. The CGI recreations of Peter Cushing and Carrie Fisher felt very dirty and a flagrant disrespect to the departed actors, not to mention jarring, for a first time viewer. The digital appearance of Grand Moff Tarkin disengaged me from the frail story and made me settle my stomach with a handful of antacid tablets.

The story, writing, characterization is on-par with what you'd expect from modern cinema and the movie serves it's primary purpose of being entertaining. But, as a long-time Star Wars fan, I just couldn't help but feeling pandered to while watching this movie.
Oups! I just realized that, for some reason, this movie had fallen between the cracks. It was quite some time since I watched it but I seem to have forgotten to write a post about it.

For me this was one of the best of the new (after the original trilogy) Star Wars movies. It was fun, entertaining with plenty of good, old-fashioned Star Wars action. I generally do not like prequels but this time I felt it was nice to get a bit of the background to the statement that “a number of spies died to get this information” in episode IV. We were even provided with a bit of an explanation as to why the Death Star had this silly weakness in the first place.

The actors were doing a decent enough job of it. The chatty android was fun without being totally silly. It was a nice roller coaster ride of action, improvisations, and gung ho ludicrous stunts inside and outside of various forms of transportation means.

As usual with Star Wars the science part of science fiction is somewhat lacking. What looks cool is what is put on the screen and screw science. When reading books I am more sensitive to such things but for a Star Wars movie it works well enough.

Some people seem to be dissecting the characters and dialogue, trying to put logic into it as well as wanting to have more emotions and “character development”. Come on! It is a Star Wars movie. It is supposed to be all action and visually stunning.

On that this movie delivers. Sure the plot is not really the most developed one and has plenty of faults. The movie is till a hugely fun Star Wars based science romp though.
**The episode III½.**

So this is like a bridge between the original trilogy and the next three prequels. A story where the main characters from the original tale are not involved. Being a big fan of this franchise, I loved it. I did not expect big, so got entertained well. But pity that this wonderful characters are not going to return. This is just a one-off film. For seeing its overwhelming success, there could be a prequel, which has a very very slim chance.

The story was like that had started in a half way. That's why I wanted a prequel to tell us the Galen Erso's point of view story. When he has been taken back to the base to work for the Empire, his daughter is the only one who escapes from there. After a few years later the grown- up daughter, Jyn, end up on the rebel's side. When she hints a plan for them to strike the Empire, nobody considers it. But a rogue gang forms where they all does according to her saying. That's the story, and how it all ends are the rest.

The story was simple, but the action-adventures were good. Like what a 'Star Wars' fans want to see. The main drawback was there's no familiar faces around. Even the original franchise style of title and credit presentation was off the beat. Though there were cameos. Darth Vade, Princess Leia, R2D2 and 3PO, including a small lightsabre fight at the end, just to satisfy the fanboys. Overall a worthy film, otherwise it would have not earned one billion at the box office, making one of the top 10 of all time.

_8/10_

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Split 2017 kostenlos filme anschauen -1440p-ASF

Split 2017 Ganzer Film



Split"




Split-DVDScr-2017-VHSRip-BDRip-DTS-download-italienisch-SDDS-M2V-MP4-DAT-FLV.jpg




Ehrentitel

Split 2017

Geltungsdauer

155 Memorandum

Befreiung,Entbindung

2017-01-19

Eigenschaft

FLV 1080p
Bluray

Genre

Horror, Thriller

Jargon

English

castname

Gareis
X.
Mandy, Amare R. Wassil, Wall Y. Junhao









Split 2017 Split ganzer film deutsch, Split online stream - Ganzer film, Split ganzer film online stream - Deutsch



There has been much discussion about whether or not it is socially acceptable to watch Split. I'm gonna skip right over all of that and talk purely about the movie itself.

Anya Taylor-Joy is good, but McAvoy is what makes Split worthwhile. The heavily touted twist/reveal was all but a non-event, even to a M. Night alum like myself. Though it is certainly (in my opinion) the best work The Shamhammer has brought out since at least Signs, it's hard to say that its successes rest on his shoulders. Again, it is for McAvoy that we really owe praise, who, with the exception of his role as the lead in Filth, gives his career best performance.

Final rating:★★★ - I personally recommend you give it a go.
Split was a movie that I was a bit weary to see, I had been bitten by M. Knight before and I wasn't sure if this movie would be worth while. But the trailers looked great and I had always thought James McAvoy was a seriously underrated actor.

Split surprised me. I loved this movie. Ann Taylor-Joy was decent in the film and the Dr was great, but McAvoy knocked it out of the park. Being able to portray all these different personalities with no props such as wigs or makeup shows his talent. It was amazing how one personality made you feel uneasy and perplexed and the next had you smiling and feeling like you were really staring at a strange child. Bravo McAvoy.

The twist at the end made me love this movie even more. Though I'm not sure if you can really cal it a twist. A "reveal" might be the better word for what the audience learns. Whatever you want to cal it, the reveal at the end made me excited to see what's next!

The only thing I didn't like about this film was the unresolved conflict between Ann Taylor-Joy's character at the end of the film.
Besides that, I loved it. Definitely worth watching.
**Didnt see the review section at first so,I posted on the forums**

Not a fan of The director since Unbreakable. It was slightly above average but no whee near the quality of The Sixth Sence. I don't know why I keep watching his movies, probably hoping one will be the same extraordinary quality. With all the pre-release buzz I thought this was finally that movie.

I was so disappointed. I rated it slightly lower than Unbreakable. I don't know exactly where it where it went off the rails, but it never held my attention (and I'm not ADHD- I sit though theee hours of a good bio pic.

A good part of this was the girls trying asinine ways to escape; at other time we see McAvoy play several personalities half heartily. After all the award talk I expected a much better and diverse McAvoy. Sadly, just like the majority of Night's films he has his actors perform methodically. It actually felt McAlvoy was pushing his talents against the brick wall of what the director wanted.

He wasn't the only actor who underplayed the role. So did the doctor and the three teenage girls. First, after all these late night calls for extra appointment why didn't she get upset earlier or pull a personality up (which she has stated she can do) to discover the emergency instead of A casual bye--you-leave when another dominant personality shows up to the appointment.

I rate this in the same category of Nights's films except the quality Sisth Sense and Devil, which he did not direct and only wrote the original story,

As for,the ending, I felt it was a cheap shot. If the point was they are in the same time, the message came across far too,strong. If it is a hitnt to an Unbreakable 2 I'll pass and see another big screen feature.
I read some reviews and gave this movie a shot. I was very disappointed.

M. Night Shyamalan's last good movie, in my opinion of course, was The Village, where he had control over his style.

In Split he tries to use the same formula, but it doesn't work. There was no build up in reveling the plot, and then when we get to the end the feeling I got was : "Is that it ?".

Sure all the actors were good, but that didn't make the experience for me any better.
**The 24th's about to explode!**

The much needed break for the director Shyamalan. It has been over a decade since the last time he was lauded like this for his work. On the paper, it was a simple split personality disaster theme, but cinematically clicked so well. Firstly the performance of James McAvoy made this film a very success. I have seen his lots of films, but if I had to choose only one of his great, that's would be easily this one. A straightforward story, no complication to understand, or needed to explain everything it revolves. Then suddenly the final act turned into a different mode. With a twist, all comes to end.

The three teenage girls have been kidnapped at the beginning. Following that, the victims do not know the situation, but makes a couple of bad moves, except one girl. As the film progress, many secrets revealed to us, particularly about the kidnapper. It all developed to lead in one direction where an unimaginable thing going to happen. How and what result it brings told in the following parts.

The perspective of the story was not really a thing in this. That means it does not take sides, but gives you the option to choose. And most of the viewers would root for the weird girl. It was Anya, and she's having a wonderful career in early stage. Could becomes one of the best if she contributed all her performances in the same pace and intensity. The music was equally awesome. Created the perfect atmosphere along with the visuals. I could have not asked the better one. Best thriller of the year. You will be stupid to miss it out if you love films.

_8/10_
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

James McAvoy plays Kevin, a man with a genetic disease which allows him to have multiple personalities. His trusted psychiatrist, Dr. Karen Fletcher (Betty Buckley), knows 23 of them, but there's one hidden from everyone who desires to dominate over all the others. Compelled by one of his personalities, Kevin abducts three girls, where Casey Cooke (Anya Taylor-Joy) becomes their leader to try and escape the "crazy" man.

Is this the return to form by M. Night Shyamalan, who has been struggling for more than a decade to release a major success? Is Split the movie that brings him back to the spotlight?

Once again, Shyamalan's storytelling is very original, unconventional and ultimately mind-blowing. Instead of establishing everything the audience needs to know about the characters right at the beginning, he gradually develops them, giving them haunting backstories and spreading parts of it throughout the runtime. That said, this film isn't for everyone. The audience needs to trust Shyamalan and be patient. Really patient. Don't start taking notes about something that you think it's negative because once you reach the third act, everything changes and suddenly it all makes sense. The screenplay is not as twisty as Unbreakable, for example, but it demands absolute attention in order to catch up on all the things that matter (and the ones that don't, as well).

The production and editing team have to be congratulated due to their seamless work. From the camera work to the extended one-take sequences, as well as the environment surrounding the characters, everything feels real and looks amazing. The soundtrack ... Let me just say that this element is so, but so much relevant to the conclusion of this movie. I can't really say anything else without spoiling the ending, so I'll leave a note after my rating at the end of the review with a MAJOR SPOILER.

As for the cast, I'll start with the man that I honestly think should have received an Oscar nomination: James McAvoy. You know, there's a big difference in portraying a non-fiction character instead of a fiction one: concerning the former, you can't really escape the true nature of the person you are playing, but with the latter, as an actor/actress, you have to deliver yourself 100% to the role for it to be believable ... And God, does McAvoy deliver! He gives 200% in what could be his best performance to date. Do you think Andy Serkis had problems portraying both Gollum and Sméagol at the same time? Well, imagine 7 ... or 8 characters. I lost the count. All in all, James McAvoy, sir, congratulations! You are superb!

Anya Taylor-Joy is also incredible as Casey! Her character has the most intriguing story of the three girls, and she's the one who assumes the leadership of the group once the kidnap occurs. Her initially unknown past helps her through the traumatic situation, but it's really her rather captivating backstory that grabbed my attention. It's fundamental to the understanding of the ending and Anya does a terrific job. I also want to give a small praise to Betty Buckley for a beautiful and necessary interpretation of Dr. Fletcher, a character that offers the audience some knowledge of Kevin's disease.

As for the other two kidnapped girls, well ... They're my main issue with the film since they don’t have a good reason to be there. Claire (Haley Lu Richardson) and Marcia (Jessica Sula) aren't the main characters, and they don't have that much screen time, but their dialogue still feels extremely forced and filled with a lot of nonsense. The ending of the story might not be as twisty as in other Shyamalan's installments, but I hope that people don't give up to false expectations. The classic Shyamalan's twisty ending isn't a necessary attribute of his movies, but the truth is that the twist is not the one you think it is. Once again, the note at the end of my review will clarify this.

In the end, Split is Shyamalan's return to his old early 2000's self. Brilliantly unconventional storytelling, a lot of suspense, some very captivating subplots and a fantastic editing and production team behind him. The soundtrack plays a huge role in this film, as well as James McAvoy, who delivers his career-best performance. Anya Taylor-Joy is also pretty extraordinary, something that can't be said about her fellow friends who portrayed two bland characters. The ending brings the classic twist that makes everything more understandable, and I gotta say ... I love this film, and it is one of 2017's best!

MAJOR SPOILER BELOW

As I said above, the soundtrack plays a huge role in the ending twist. That's because the soundtrack that plays right before the title of the movie appears on the screen, is the same one as in the third act of Unbreakable.

This is one of the many clues throughout the film that hint at the idea that Split belongs to Unbreakable's universe. Naturally, after the title shows up, there's a scene with David Dunn (Bruce Willis) that confirms this theory, but these are little details that make Shyamalan into a great director and screenwriter. Also, it's a pity that I've only watched these movies after Shyamalan stating that they were part of an eventual trilogy. Not that I was not surprised at the end of Split, but it did remove that first impact of pure shock in knowing that two films separated by 17 years (in real life) are part of the same universe.

Both movies end up falling into the "superhero" genre. Unbreakable is the story of our "hero" who spent his whole life sad because he wasn't doing "what he was supposed to do", and Split is an origin story of our "villain". If Glass delivers, this might be one of the best “superhero” trilogies ever.

Rating: A
You like to make fun of us, but we are more powerful than you think.

Split is written and directed by M. Night Shyamalan. It stars James McAvoy, Anya Taylor-Joy, Betty Buckley, Haley Lu-Richardson and Jessica Sula. Music is by West Dylan Thordson and cinematography by Mike Gioulakis.

Three girls are kidnapped by a man with a diagnosed 23 different personalities. They must try to escape before the apparent emergence of the 24th - known as The Beast...

We now know that Split is the second instalment of a trilogy by Shyamalan that began with Unbreakable and is ending with Glass (released 2019). Always proving to be a most divisive director/writer/actor, Shyamalan has returned to the sort of noticeable form that had him earmarked in his early days as a director to follow - with the proviso that inevitably this is going to still infuriate some for its handling of the subjects at hand.

The plot trajectory is simple enough, girls kidnapped by a patient suffering from multiple personality disorder, as the girls in fear try to escape, a number of his personalities put in an appearance. Which builds up to the finale, which explodes after following on from the suspense and dread atmospherics so beloved by the director. In the mix joining the mental health issue with our main protagonist is a good meaning doctor (naturally), and the spectre of child abuse rears its ugly head. So not a movie to be cheered up by then! While if looking for a detailed and attentive look at the mental health issues to hand you will be disappointed.

However, there is a style to the picture in how it draws you into the predicament of the main players, boosted no end by McAvoy on irresistible form. Given licence to chew every scene, he delivers his various characters with great relish and no little amount of skill. Props to for Taylor-Joy, who as the lead kidnappee has deftly blended youthful innocence with resourceful strength (aided by Shyamalan's writing of course). Conversely, Shyamalan is guilty of just making a pic for entertainment purpose, which works as it's a very good creepy thriller with its black humour moments, but the mental health plot devices ensure his gimmicks will not be welcomed by all. 7/10

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The Grand Budapest Hotel 2014 kostenlos filme anschauen -1440p-DAT

The Grand Budapest Hotel 2014 Online Anschauen



The Grand Budapest Hotel"




The Grand Budapest Hotel-SDDS-2014-MP4-Bluray-DAT-Bluray-Dolby Digital-DVDScr-WEBrip-720p-untertitel-Dolby Digital.jpg




Buchtitel

The Grand Budapest Hotel 2014

Geltungsdauer

197 minuziös

Freisprechung

2014-02-26

Beschaffenheit

MPEG 720p
VHSRip

Buchgattung

Comedy, Drama

Jargon

English, Français

castname

Bazin
H.
Élio, Noemi V. Mieka, Martine V. Nathan









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Yet another well crafter Wes Anderson's movie. Fiennes and Revolori perform well and the amount of well known actors and actresses is incredible but we have seen similar ways and scripts in his previous movies.

It's entertaining, though.
Wes Anderson's THE GRAND BUDAPEST HOTEL is the director's celebration of Central Europe culture and fashion in the years between the World Wars, and an elegy for what was lost with the rise of fascism and communism. Set in 1932 in a fictional country called Zubrowka, the streets, military regalia and (ersatz) German names we are shown could have come from anywhere between Germany and Estonia. Its protagonist Gustave H. (Ralph Fiennes) is a concierge at the eponymous luxury hotel, the splendour of which disappeared, we are told, with World War II. Gustave H. is known publicly as one of the best concierges in the business, able to dash around the hotel at lightning speed to satisfy the most varied guests of the elite clientele. Privately, he's a rake with a rather foul mouth, and fond of bedding the rich old women who patronize the establishment. When one of those old ladies, Madame Céline Villeneuve Desgoffe und Taxis (Tilda Swinton) dies and Gustave is framed for her murder, he must evade the law and unmask the true culprit, with the help of newly hired lobby boy Zero Mustafa (Tony Revolori).

The films of Wes Anderson are known for their immense visual detail, and THE GRAND BUDAPEST HOTEL is no exception. The elaborate framing of shots, the myriad cute items to look at on every set, and the architectural detail are like a diorama blown up to the big screen. Curiously, that visual detail is matched to a real slackness in the human characterization. Anderson has brought in a large number of actors he had worked with before, including Adrien Brody, Jeff Goldblum, Ed Norton, and Bill Murray, for roles that range from the main villain to little more than cameos. These characters are never fleshed out like Gustave H. or Zero Mustafa, and the actors don't even try to pass themselves off as Central Europeans from the entre deux guerres. Instead Adrien Brody plays Adrien Brody, etc.

There are two supporting roles that I felt were stronger. William Defoe plays a nearly mute henchman whose look is a nod to early vampire films (Transylvania was Central Europe, too). More remarkable is Harvey Keitel's turn as an old prisoner: when so many handsome leading men try to hide the effects of time after they enter their sunset years, 75-year-old Keitel was not afraid to show the ravages of old age here.

Unfortunately, I found the 21st-century Americans strutting about (and a few speaking in rough New York accents) in a historical drama to be jarring. I was also disappointed by the resort to Hollywood tropes here, when Anderson's earlier films managed to be very quirky and sui generis. For example, did we really need not just one scene where a character is hanging off a cliff's edge as the villain stands over him, but two? And the amount of plot details that are introduced but never really explained makes one feel that the work was subject to some heavy cuts to please a studio.

Still, if you liked Wes Anderson's earlier films, you'll find much to enjoy in his dollhouse approach, and it is amazing how every one of his films has a completely new and fresh visual theming even if his quasi-autistic obsession with prettiness never changes. Another thing I liked about the film is its "story within a story within a story". The entire plot of Gustave H. is, we are shown, taken from a fictionalized treatment by a writer who met a middle-aged Mustafa (F. Murray Abraham) in the 1960s. Befitting this novelistic layer -- and the work of Stefan Zweig that Anderson credits for inspiration -- this framing story is written in stilted, unrealistic dialogue like an old-time novel. And the aspect ratio changes for each layer of the film, a little treat for cinema anoraks.

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Kamis, 28 September 2017

Pitch Perfect 2012 kostenlos filme anschauen -720p-MPEG-1

Pitch Perfect 2012 Stream Hd



Pitch Perfect"




Pitch Perfect-1440p-2012-BRRip-DVD-film-DTS-DVD-auf englisch-MPEG-2-HDTS-auf englisch-kostenlos.jpg




Anrecht

Pitch Perfect 2012

Zeitdauer

129 minutiös

Entladung

2012-09-28

Beschaffenheit

Sonics-DDP 1440p
Bluray

Buchgattung

Comedy, Music, Romance

Sprachfähigkeit

English

castname

Safyan
Y.
Irina, Hemen T. Gessica, Brahim I. Zion









Pitch Perfect 2012 Pitch Perfect ganzer film deutsch, Pitch Perfect online stream - Ganzer film, Pitch Perfect ganzer film online stream - Deutsch



A modern cult movie (in a good way, of course). It started a movement of sorts with people posting youtube videos with them singing and rearranging cups. Very powerful!
Not sure why this movie has become so famous.

It is not a really good comedy with the exception of the jokes by the competition commentators and the story as with any movie of this kind is weak and expectable.

Nothing very remarkable here but the fact that there are so many fans of it.
A quintessential crowd-pleaser. Exuberant musical numbers and great chemistry between the cast makes this a 'chick flick' everyone can enjoy.

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Harry Potter and the Deathly Hallows: Part 2 2011 kostenlos filme anschauen -720p-AVCHD

Harry Potter and the Deathly Hallows: Part 2 2011 Online Stream



Harry Potter and the Deathly Hallows: Part 2"




Harry Potter and the Deathly Hallows: Part 2-BDRip-2011-HDTV-HDTS-hd stream-Sonics-DDP-BDRip-AVCHD-film-blu ray-HDTS-SDDS.jpg




Sachtitel

Harry Potter and the Deathly Hallows: Part 2 2011

Geltungsdauer

172 kleinst

Freistellung

2011-07-07

Qualität

AAF 720p
BRRip

Gattung

Family, Fantasy, Adventure

Programmiersprache

English, Español

castname

About
Y.
Gladu, Marcene B. Justice, Shabir U. Mayo









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The Martian 2015 kostenlos filme anschauen -1440p-MP4

The Martian 2015 Ganzer Film



The Martian"




The Martian-online anschauen-2015-TVrip-AAF-ganzer film-1440p-blu ray-AAF-DVDScr-hd stream-DAT-WEB-DL.jpg




Überschrift

The Martian 2015

Dauer

165 Augenblick

Freilassung

2015-09-30

Qualität

AVCHD 1440p
WEBrip

Gattung

Drama, Adventure, Science Fiction

Ausdrucksweise

English, 普通话

castname

Peyton
I.
Leola, Faryal G. Syan, Szwarc H. Melodee









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'The Martian’ is definitely in the creative wheelhouse of filmmaker Ridley Scott whose Science Fiction sensibilities are grounded in colorful futuristic fantasies that tiptoe in grand whimsy. The veteran auteur responsible for such pop cultural high-minded spectacles in ‘Alien’, ‘Blade Runner’ and even the mixed bag reception of ‘Prometheus’ certainly brings a sophisticated and thought-provoking vibe to the probing aura of ‘The Martian’. As with other Scott-helmed productions, ‘The Martian’ settles nicely in its majestic scope that taps into visual wonderment, humanistic curiosities, technical impishness and the surreal spryness of the SF experience.

The exploratory nature of ‘The Martian’ is its own noteworthy mission. Scott arms his frothy planetary odyssey with a sense of thematic inquisitiveness and intelligence while meshing human consciousness and scientific forethought. Clearly, ‘The Martian’ is astutely meditative and one can thankfully block in their memory banks some of Scott’s mediocre misses (anyone care to recall the monumental mishaps in the form of the flimsy ‘The Counselor’ or the unintentional laughfest that was ‘Exodus: Gods And Kings’?). Rightfully so, ‘The Martian’ shares its crafty crater of similarities with other space-place spectacles that resonated with the imagination and innovation such as the Academy Award-winning ‘Gravity’ and the under-rated ‘Interstellar’.

Quite frankly, ‘The Martian’ is elegantly arresting in its sheer skin for both the character studies and the major plight involved (particularly anchored on the shoulders of star Matt Damon as the contemplative lead) as well as the trademark Scott-induced flourishes that incorporate crisp and cunning visual special effects and a sweeping musical score that invites a transfixing hold on one’s indelible spirit.

‘The Martian’ is the film adaptation of Andy Weir’s best-selling tome. Scott’s disciplined direction and screenwriter Drew Goddard’s ambitious vision of Weir’s compelling written material seemingly gels in convincing, cerebral fashion. The premise is not wildly original as it revisits the familiar foundation of a lost soul in survival mode trying to take on the treacherous surroundings with philosophical conviction. Nevertheless, this does not make ‘The Martian’ any less formidable in its soul-searching perspective. Scott’s narrative on individualism and isolation with a tremendous technological tilt truly registers with boisterous bounce. Amazingly, Scott has assembled a capable and committed cast that are dedicated to making ‘The Martian’ look resourcefully skillful in its masterful mischievousness. Sure, The Martian’s lengthy running time is staggering but it is compelling enough to invest in its meandering, adventurous narrative.

The ultimate nightmare (or perilous predicament…take your choice) has been realised for one stranded space traveler in Mark Watney (Matt Damon). You see…poor astronaut Watney had the misfortune of losing contact with his commander in Melissa Lewis (Jessica Chastain) and the rest of his crew when undergoing a scientific expedition to examine the terrain on Mars. Courtesy of an unexpected freakish storm Watney is separated from his comrades and believed to be dead as a result of the hazardous weather conditions on Mars. Lewis and her associates have no choice but to head back to Earth as searching for Watney may prove to be futile and endanger their lives as well.

Thus, Mark Watney is basically his own forced-upon version of ‘Robinson Crusoe On Mars’. There is no option for Watney but to allow his major survival instincts to kick in while striving for his jeopardised livelihood on the unpredictable and treacherous Red Planet’s jagged landscape. Despite being stuck in hostile territory, Watney must use his background skills as a trained botanist to cultivate the scarce food he must rely on for his unconventional nutrition. The only ‘companion’ that Watney has to relate to rests in the recorded device that captures his harried thoughts through video diaries (at least this is more practical than what Tom Hanks’s ‘Castaway’ character had in his possession with inanimate object best buddy, Wilson the volleyball).

In the meanwhile, the devastating news about Mark Watney’s possible death far beyond the reaches of home hits his colleagues understandably hard as tributes start to pour in remembrance of the seemingly dearly departed space pioneer. Soon, there is some measure of hope when NASA officials that include head honchos Teddy Sanders (Jeff Daniels from TV’s ‘The Newsroom’), Vincent Kapoor (the Oscar-nominated Chiwetel Ejiofor from ’12 Years A Slave’) and Mitch Henderson (Sean Bean) find evidence that Watney may be alive and ready to be rescued. Naturally, a sense of urgency is warranted to retrieve the weary astronaut without causing too many public relations waves. This puts press aide Annie Montrose (Kristen Wiig) into damage control mode in particular.

Okay...so it is not as scenic as Yellowstone National Park but the rocky region in THE MARTIAN still has some unassuming charm, right?
Okay…so it is not as scenic as Yellowstone National Park but the rocky region in THE MARTIAN still has some unassuming charm, right?
Importantly, ‘The Martian’ is clever and carefully conceived because it does not have to rely on the excess baggage to convey its entertainment value in a series of hyperactive and hedonistic happenings. Ridley Scott is soundly methodical in presenting a low-key terrifying tale of loneliness and resiliency and what it takes to handle the pressure of adversity when there is no glimmer of humanity around to reinforce or remind one of such psychological obstacles. The intriguing factor here is the science-friendly serving of intelligence and insight that builds up the audience’s appreciation for the underlying suspense. Interestingly, the conflict approached in ‘The Martian’ is not so much the back-and-forth high-scale struggles of man versus outlandish creature or an over-the-top diabolical deviant out to destroy the world in cartoonish fashion. No, the genuine combative and confrontational war of will is contained in one vulnerable man’s ability to face the unknown grounded in both doubt and determination. Hence, Scott has made a palpable thinking man’s Science Fiction exposition rooted in articulated forethought.

Damon more than holds his own as the disillusioned botanist/astronaut out on an ominous limb as his doomed odyssey of uncertainty is something that the common viewer can embrace and relate to without question. The perceived opulence in ‘The Martian’ is not contained in the film’s production values per se (Scott has made previous movies with more visual vitality and purpose) but subtly showcased in the concepts of knowledgeable tidbits concerning food rations, mathematical equations, crucial time tables, planetary probes, NASA-themed procedural techniques and aerodynamics considerations.

Hopefully, ‘The Martian’ is not dismissed as a foreign alien in the minds of ardent movie-going SF enthusiasts looking for a realistic and soulful space-age adventure with a refreshing backbone of scientific curiosity and candidness.

The Martian (2015)

20th Century Fox

2 hrs. 35 mins.

Starring: Matt Damon, Jessica Chastain, Jeff Daniels, Kristen Wiig, Michael Pena, Sean Bean, Chiwetel Ejiofor, Kate Mara, Sebastian Stan, Donald Glover and Benedict Wong

Directed by: Ridley Scott

MPAA Rating: PG-13

Genre: Science Fiction/Space Adventure/Science and Fantasy

Critic’s rating: *** 1/2 stars (out of 4 stars)
This is a movie that I have to say that I have a bit of a difficulty in rating. Quite honestly I was sorely tempted to remove a star, or even two stars. Why? Because it is full of Hollywood nonsense, scientific errors, it is rather predictable and it did feel a bit like a Apollo 13 rip-off. Why did I not remove those stars? Well, it is rather entertaining even if, at times, I squirmed in my seat.

The movie starts of with a somewhat implausible event where a unexpected storm hits the Mars camp which forces the ground crew of the Mars mission to hurry back to the launch vehicle before it tilts over. The launch vehicle gradually tilts a degree at the time. Is it just me finding this strange? Would storms on Mars defy the usual rules of weather dynamics that they would exert a constant pressure which would cause a slow but constant tilt of a construct like that. No gusts, no change in pressure? And why would it gradually tilt at all? Once the force would be enough for the landing struts on one side to leave the ground it would pretty much tilt right away. Okay, I am being picky so lets give that a benefit of a doubt for the time being.

Obviously one guy is lost during the dramatic events. This is equally obviously 100% predictable. The fact that the guy is still alive after the rest of the crew blasted off is obviously also 100% predictable but then, this you should have pretty figured out from the title of the move after all.

A lot of the rest of the movie is following this guys quest for survival on Mars using the left over equipment at his disposal and the NASA crew on Earth trying to rescue him. Yes the NASA crew on Earth does discover that he is alive which, again, is pretty much predictable. Of course this gave Hollywood the opportunity to add a utterly dislikable political bureaucrat that is pretty much in the movie for one reason and one reason alone…to be dislikable. Personally I just found him tiresome. But then, Americans seems to like these kind of people given the kind of trash that we see being pushed towards the upcoming presidential elections…from both sides!

There are a lot of good stuff in the movie. Even though it is rather predictable there are some suspense in it, there are a lot of good scenery, and even though you pretty much knows what is going to happen you do feel like cheering for the hero. Given the script I think a lot of the actors did a rather good job of their roles.

If the script writers would have brought on some decent scientific advisors I would say this would have been a great movie but it was frequently goofed up with issues that was just stupid. Like digging down a nuclear reactor a few feet in the ground. What the f… good was that supposed to do? And the constant use of simple plastic and duct tape to seal the environment. Yeah, right. Sure, Mars do have some atmosphere so it is not vacuum we are talking about but then in other scenes they seemed to assume almost zero atmosphere and made quite a bit use of explosive decompression effects.

Okay, okay I am probably nitpicking quite a bit here but, unlike many Science Fiction movies, this one tries to give an impression of being within the realms of realism and it is just too full of classical Hollywood mishaps for my taste.

As I wrote above I still think it is a movie worth watching. It has some suspense, it is well done from a photographic point of view and the actors are doing a decent job. I think 7 out of 10 stars is a fair rating but it should certainly not have more.
This is a movie following the lead started with Gravity with the human main character fighting for survival in space.

The plot has a good combination of suspense, action, humor and drama. Damon performs well and the rest of the cast does a good job and has been well chosen.

It is not a magnificent movie but it is good enough to fill a couple of hours of entertainment.
This movie is very entertaining and really imaginative. The narrative is well controlled so you don't feel bored or exhausted. The part that I like best is when the accident happened and Witney lost all his crops, the despair he had and the noisy scary sound of strong Mars winds blowing outside the base. The real loneliness.

However, this movie's plot was too straight-forward as I see. Nearly every action proposed by the sorts of parties and organization was execute, taking the story forward without stagnation. But this also made everything look too artificial. In comparison, Robinson Crusoe was much more twisted.
Liked it.

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