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Sachtitel	Spectre 2015
Geltungsdauer	178 Augenblick
Auslöse-	2015-10-26
Beschaffenheit	Dolby Digital 720p VHSRip
Genre	Action, Adventure, Crime
Fachsprache	Français, English, Español, Italiano, Deutsch
castname	Solo V. Cheryl, Hart H. Nelda, Ramus I. Honoré

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Well, cinema’s most treasured and resilient British spy guy is back as the legendary James Bond makes his twenty-fourth outing on the big screen in the highly anticipated and slickly-made Spectre. Worldwide Agent 007 fans understandably maintain their embedded expectations and vision as to what calculating and cunning mission their suave and sophisticated gun-toting, martini-sipping espionage thrill-seeker will encounter in his latest globe-trotting episode. Whatever Bond enthusiasts have in mind for the future twenty-fifth entry of the “licensed to kill” Lothario they should simply settle for the present stimulating currents that trickle as mind-bending material in the polished and percolating Spectre.

As for the dynamic performer that have served his time with action-oriented cinematic sensibilities through three previous super-charged James Bond installments, the steely-jawed and diligent Daniel Craig is back on the saddle again for his fourth stint as the crafty 007. Naturally both ardent and casual Bond followers can rattle off the filmography of Craig’s on-screen tour of duty as the debonair and daring secret service operative and even rate the previous films as they compare and contrast each edition. Some may give special attention to Craig’s first foray into stepping inside Bond’s explosive shoes for 2006’s Casino Royale that is considered a spectacular introduction for the dramatically trained actor. In 2008’s Quantum of Solace, it was a mixed bag at best as Bond followers for the most part gave this second 007 rendition an ambivalent sign of approval (not too many were thrilled with the awkward movie title either). Thankfully, 2012’s Skyfall bounced back for Craig’s take on the roguish Bond and made for some exceptional brownie points as the cagey spy returning to creative prominence. Now 2015’s Spectre hopes to make some hearty tie-ins to Craig’s past big screen adventures as the stoic jet-setting dynamo ridding the world of masterful riff raff.

In actuality, Spectre is serviceable in that it is an elaborate and excitable reminder of the preceding Bond films where bits of nostalgic elements from yesteryear are sprinkled throughout its presentation. Sure, some wily 007 fanatics may spot a few of the tossed in nods to the aforementioned Casino Royale and Quantum of Solace in particular as the proceedings unfold. For the most part, Spectre acts as a mere bridge to the launching of the upcoming 25th Bond actioner in waiting. To be fair the other Bond films have served as a welcome mat to the next chapter of the late Ian Fleming’s engaging and charismatic man of action so why should not Spectre be any different in this regard? Still, this spy caper has its signature swagger that Bond aficionados relish with familiarity: heart-pumping action sequences, exquisite locales, desirable and devious Bond women, majestic car chases, larger-than-life villains and their loyal henchmen, imaginative gadgets and inventive technology and yes…the indomitable James Bond at your service. Nevertheless. the minor knock on Spectre is that it could have risen to the occasion more than it did as it occasionally feels as if it is going through the mischievous motions. It never resorts to the levels of Bond-ish drudgery in Quantum of Solace so that certainly is a relief in that aspect.

Spectre does incorporate its share of opulence, mystery, suspense, shadowy tension and perilous plight. However, where the standard Bond film-making characteristics are somewhat consistent and captivating (i.e. the breathtaking opening sequence of the Day of the Dead celebration in Mexico City) there is also a questionable consideration for the weak-kneed Bond theme song in Sam Smith’s “Writing’s on the Wall” which seems so inadequately suited for a James Bond signature tune. Even the indifferent observers of the James Bond film franchise for the last five decades can attest to the two most important stamps of a Bond film–its opening scene and surging theme song. Thankfully, Spectre’s grand opening sequence obeys traditional Bond practices but Smith’s doggedly tired-sounding “Writing’s on the Wall” feels as it belongs attached to an old televised After School special from the mid-70s. Wouldn’t you give your kingdom for Paul McCartney and Wings’ “Live and Let Die” or Carly Simon’s “Nobody Does It Better” or perhaps even Sheena Easton’s “For Your Eyes Only”?

One thing that can be said about Craig’s Bond in Spectre and that is his image transformation has been elevated to that of a fashion plate whose GQ stylized look has taken quite a step up. Not since Roger Moore’s Bond has there been a clear case of dazzling attire on display for Agent 007 to strut his stuff in spiffy clothing accessories throughout his ventured travels. Craig, billed as a “blue-collar” Bond whose demeanor is more blunt and workman-like, takes comfort in basking in the finesse shadows of a classic Agent 007 almost foreign to his distinctive spin on the iconic spy. In fact, the overall vibe for Spectre seems to lie in the middle of old school and new school James Bond mythology where the shading suits both camps of the ever-lasting film franchise.

Director Sam Mendes, who handled the direction for the previous Skyfall, finds the right tone and temple for Spectre that certainly shows off its lavish and ambitious production values as the set designs, scenic locations, fabulous pre-credits action sequence are all indescribable in majestic scope. No one can accuse Spectre as to not holding its own in visual functionality. Wisely, Mendes does not forget his Skyfall background players as they reunite with Craig’s Bond and partake in the sensationalized cat-and-mouse caper. It is refreshing to see Ralph Fiennes back as “M” not to mention Ben Wishaw’s “Q” front and center. And a Craig-fronted Bond film would not be the same without Naomie Harris as Miss Moneypenny.

Agent 007 fans will find a common "Bond" with Daniel Craig and his fourth outing as the licensed to kill Lothario in the stunning and kinettic SPECTRE
Agent 007 fans will find a common “Bond” with Daniel Craig and his fourth outing as the licensed to kill Lothario in the stunning and kinetic SPECTRE
It is a given that the diabolical criminal network known as SPECTRE has always had its affiliation with the Bond universe especially in the classic Sean Connery Bond-age years. Instinctively, SPECTRE’s evil heart and soul was pumped continuously by that organization’s dastardly mastermind Ernst Stavro Blofeld. Oscar winner Christoph Waltz does the sordid honors of taking the reins as Bond’s nemesis Franz Oberhauser in Spectre with devilish delight and is more colorfully corrupt thanks to his handy go-to muscular minion Mr. Hinx (ex-professional WWE wrestler and “Guardians of the Galaxy” star Dave Bautista) echoing the memories of beloved brute Jaws (played by the late Richard Kiel) from The Spy Who Loved Me and Moonraker).

We can never forget that along with Agent 007 folklore comes the responsibility of being labeled a treasured Bond babe. And although the latest sultry women represented in Spectre will never make us forget the iconic likes of Dr. No’s Ursula Andress (Honey Ryder) or Casino Royale’s Eva Green (Vesper Lynd) for that matter they still hold their own and give a measure of titillation to both Bond and the vast amount of male admirers wishing they carried a gun and wore expensive tuxedos while being at the receiving end of a provocative smooch by these vibrant vixens. Lea Seydoux’s Madelene Swann and Italian siren Monica Bellucci’s Lucia are on board as the Bond bombshells for hire.

As a whole, Spectre has its up and down moments and never is quite sure about standing alone as an independent Bond story or being dismissed as a pit stop for 007-related flashbacks and reference bits ode to yesteryear’s glory of the super spy’s engaging and raging exploits. The verdict is that Spectre ultimately satisfies one’s craving for the invincible James Bond whether you can to relive his vintage reputation or look forward to a millennium-enhanced production that will grow with the ageless wonderment pertaining to Fleming’s literary ladies man-turned movie-making mainstay of action-packed cinema for half a century. As one-time Bond songbird Carly Simon would attest in her soothing lyrics, “nobody does it better…” Yet in the dimensional escapist world of James Bond this particular go-around could have been a tad bit better.

Spectre (2015)

Sony Pictures

2 hrs 28 mins.

Starring: Daniel Craig, Christoph Waltz, Lea Seydoux, Naomie Harris, Ben Whishaw, Dave Bautista, Monica Bellucci, Andrew Scott

Directed by: Sam Mendes

MPAA Rating: PG-13

Genre: Spy-Espionage Caper/Action & Adventure/Suspense Thriller

Critic’s rating: ** 1/2 stars (out of 4 stars)

(c) Frank Ochieng (2015)
A "correct" Bond movie. All the expected stereotypes are included, Waltz is an OK bad guy and the intro scene is something really impressive.

Nothing else really new ...
> Not your usual Bond movie, but still a good entertainer.

What I liked from a couple of last Bond movies was they were off the regular 007 style, like not overly rely on spy's special gadgets. This change has been since the day one of Daniel Craig as a famous British spy, James Bond. Anyway, he's the most fittest (muscular) Bond I've ever seen and he's celebrating 10 year anniversary with this film release. But the question is whether he to do another film or done with the franchise. The doubt after the confusing end of this film.

The end was quite clear on the story perspective, so I kind of felt it was a farewell for Craig. But, later I came to know that the official source says Bond25 will be his fifth and so on till he opts out himself. 'Spectre' was a very simple Bond movie I have ever seen, but I can say the production quality was so good that you can't resist the enjoyment. The actors, they were also good, but not as I anticipated. Maybe many scenes were very ordinary for a Bond movie, that's comparable with the nowadays action movies, otherwise it was not as bad as critics expressing their disappointment.

You can't believe what I was disappointed, you know when they say what the C stands for - is that the best word they come up with against the M for Moron? Anyway, James Bond movies have always had ups and downs, the last film 'Skyfall' was a mega hit and now this has not stood up to that standard. But very entertaining with all the actions and unexpected turns in the narration. As a spy movie, it was okay, but as a Bond movie is what might upset you, so its upto you how you look at it. But to be honest, I enjoyed it.

7/10

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Zerebrovaskuläre Insuffizienz – Wikipedia ~ Die zerebrovaskuläre Insuffizienz andere Schreibweise cerebrovasculäre Insuffizienz CVI ist ein zusammenfassender Begriff für Störungen der Blutversorgung des Gehirns durch Gefäßläsionen Stenosen Obliterationen Gefäßschlängelungen im Bereich der hirnzuführenden oder der zerebralen Gefäße insbesondere bei der subkortikalen arteriosklerotischen Enzephalopathie des älteren

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LewyKörperDemenz – Wikipedia ~ Geschichte Benannt ist die Erkrankung nach Friedrich H Lewy 1885–1950 einem deutschen Neurologen In seinem Buchkapitel über die „Paralysis agitans“ heute Morbus Parkinson beschrieb er erstmals die später nach ihm benannten LewyKörperchenWährend seiner Tätigkeit an der Berliner Charité fand er diese Veränderungen im Nucleus basalis Meynert und Nucleus dorsalis nervi vagi

Szintigrafie – Wikipedia ~ Die Bildgebung beruht auf der Verabreichung von Radiopharmaka d h Stoffen die radioaktiv markiert sind Dabei werden solche Stoffe verwendet die sich in dem zu untersuchenden Gewebe besonders gut anreichern

Craniale Computertomographie – Wikipedia ~ Als craniale Computertomographie CCT bezeichnet man eine radiologische Untersuchungsmethode mit der mittels scheibenartiger Schnittbilder vor allem das Gehirn aber auch knöcherne Anteile Gefäße Gehirnkammern mit Hirnflüssigkeit sowie die übrigen Weichteile im Inneren des Schädels und jeweils viele pathologische Veränderungen dieser Strukturen visualisiert werden können

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The Wolf of Wall Street 2013 kostenlos filme anschauen -1440p-FLV

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Anrecht	The Wolf of Wall Street 2013
Dauer	139 kleinst
Freilassung	2013-12-25
Eigenschaft	M4V 720p VHSRip
Genre	Crime, Drama, Comedy
Ausdrucksweise	English, Français
castname	Carmet F. Gugino, Grainne H. Sharnee, Ratté H. Bronwyn

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The Wolf of Wall Street is so addicting to watch, that even with it's 3 hour long run time, you wont be surprised if you end up watching it four days in a row.
This is Scorsese letting loose and having fun, showing all of the debauchery (and man, is there a lot) in all of it's glory. There are orgies, sex, nudity, copious amounts of drug use, and it now holds the record for the most use of fuck in any film.
Leonardo DiCaprio gives a towering and hilarious performance as Jordan Belfort. He throws himself into the role with free abandon, while also showing that he's aces when it comes to comic timing and physical comedy. If he doesn't win an Oscar this season I'll be quite upset, though Matt from Dallas Buyers Club rightfully deserves it as well. But this is a 3 hour long film, and Leo is in every single second of every single scene. He's ferocious, hilarious, out of his mind, and flat out brilliant.
The supporting players are tops as well. I was somewhat baffled when Jonah Hill earned a nominee for Moneyball, but this time around he rightfully deserves this years nominations. With his pearly white teeth, charisma, while also throwing himself into the role with no fear, this is without a doubt his greatest work as an actor to date. The real find, however, is Margot Robbie. Strikingly beautiful, her character could have been one note, but she also hits the ball out of the court. Even Matthew Macconaughey steals the show with only one scene.
Dangerously funny, superbly edited, and with a delicious, irreverent, savage bite. The Wolf of Wall Street is Scorsese at his wildest. And it goes without saying, that this is one of the best films of last year. Just stay away if you are in any way a prude or conservative.
Rated R- Graphic nudity, strong sexual content, drug use throughout, pervasive language, and some violence.
An excessive movie in all possible senses with breath taking Margot Robbie and Jonah Hill which is not long in spite of its 3h length but which ends not knowing exactly which is the point of the story.
**Voracious Bull**

Every time I try to enjoy a Martin Scorcese movie post-1980 I ask myself what made _Raging Bull_ so great? Did Marty burn out after his Jake LaMotta bio, the same way Coppola did after _Apocalypse Now_? These were risky movies, driven by passion, bordering on madness. Did Marty and Francis lose their natural passion for making films because industry priorities dismissed 70's-style hyper-realism for sensational summer blockbusters and CGI spectacles? And why is Scorcese considered one of the greatest director when he really only made one truly superb movie?

When I first saw _Raging Bull_ in 1980 I immediately knew I was watching something that transcended the typical cinematic experience. Genius was shimmering out of every perforated frame flickering on the screen. Paul, Marty, Bobby, Mike and Thelma created something that was completely absorbing. The style and substance was perfectly fueled by a flawless emotional narrative. Every element was orchestrated just right. The audience was spellbound. We were watching greatness. A rare and unique organic creation. I'm still waiting for Robert Redford to correct a travesty of justice and hand his Ocscar over to it's rightful owner. And I'm still waiting for Scorcese to match his own brilliance. But that's like expecting Tarantino to top _Pulp Fiction_. There's a better chance Orson Welles rises up from the dead to one up _Citizen Kane_.

After _Raging Bull_, Scorcese has made a string of pictures ranging from not bad to pretty good. All well-made, thoughtful and meticulously crafted films, but nothing special; certainly nothing profound. Contrary to popular opinion, _Goodfellas_ is not a great movie. I was not swept away by the saga. I was annoyed rather by the fragmented non-stop soundtrack and incessant up-tempo style. Marty wasn't risking anything anymore. He seemed to be afraid of boring the audience. Perhaps he was trying to revive the 1940's never-let-up screwball-bouncing farcical Preston Sturges and co. comedies. But this is a mafia film. This should have been right up Marty's alley. It's been almost a quarter of a century since De Niro got his face busted in a boxing ring. Since the raw, robust and naive will-power of LaMotta's youth plunged into the pathetic, brutal, bone-headed stupidity of his later years. Similarly, Scorsese hasn't registered a knock-out punch since. Would his ensuing movies be considered great if someone else directed them? Would I have liked them all better if Raging Bull had never been made?

_The Wolf of Wall Street_ is another exhausting affair. It tries too hard to excite and entertain us. It's afraid of slowing down, allowing us to ponder or examine the complexities of excessive greed, shameless wealth and unbridled capitalism. It desperately wants to arouse us. Like a neglected clown at a child's birthday trying to be loved and taken seriously while draining the life out of the party. Give Leo and Jonah an "A" for effort. They couldn't have tried harder if they broke out into song and dance every ten minutes. And they convincingly appeared to enjoy themselves freely indulging in coke, ludes and naked women every five minutes. It was nice of Leo to step back while Margot Robbie took her routine and obligatory, supporting-actress hissy fit. And you know a filmmaker has a lot of faith and confidence in his work when a superfluous narration track is added, to plug those terrifying noiseless gaps. Whatever happened to poignant, suspenseful, sure-footed, gripping, emotionally-arresting dramas that take you on a nervy, wild ride to a thoroughly gratifying climax? A truly great director from Kurosowa to, well, Scorcese-(circa 1979) would have plotted the rise and fall of a maniacal protagonist along deeper and more affecting lines even at the risk boring its audience for one minute.

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The Avengers 2012 kostenlos filme anschauen -1080p-M2V

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The Avengers-AVI-2012-SDDS-TVrip-Bluray-MPEG-1-film-TVrip-ganzer film-BRRip-online stream-online schauen.jpg

Rechtsanspruch	The Avengers 2012
Geltungsdauer	151 Minute
Freisprechung	2012-04-25
Güte	MPEG-2 1440p HDRip
Buchgattung	Science Fiction, Action, Adventure
Jargon	English, हिन्दी, Pусский
castname	Restout V. Onésime, Nihan N. Nayen, Raissa A. Péju

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With a movie like this you wonder how all of the otherwise, main characters will work together and support the story.

No problems here. While as might be expected, R. Downey Jr. comes across largely central, it is still a good mix and IMHO the best scenes in the movie involve the generated Hulk character.

With that kind of successful melding of characters, Hollywood-scale egos and even computer generated characters; you have to give it up to the writers and director to make this the successful film that it is.
**A long format review from 2012**

My new favourite Marvel Cinematic Universe film, undoubtedly! Order goes thusly;

1. The Avengers
2. Iron Man
3. Thor
4. Captain America
5. Iron Man 2
6. The Incredible Hulk

I had the privilege of going to Sydney and watching this almost a full three weeks before it’s American release, in a special advance screening for fans and a handful of critics. I drove up and back on a day trip with my mate HRV, spent over $400 between us… So worth it.

I think perhaps my expectations of The Avengers were too high. In fact I know they were, even so, I feel that it almost managed to meet them. All but two of the fears I had about this epic were quashed without a doubt. I initially was worried about Mark Ruffalo helming the role of The Hulk/Bruce Banner after taking over from Edward Norton who was ousted after his first appearance. My complaints were completely unfounded however, as Mark Ruffalo presents us with an at least as good Marvel Hero.

In terms of entertainment, The Avengers is one of the greatest feats ever produced. At the screening I went to, I actually missed more than a couple of lines due to the fact that the entire bloody cinema was in hysterics from some classic Joss Whedon (Director - Buffy, Angel, Firefly, Dollhouse) humour. The squabbles between these larger than life characters are not quite up to the peak that Jon Favreau’s Iron Man & Iron Man 2 sit on, but in terms of film in general, they are some of the better interactions I’ve ever seen.

The only weak points I really have to whinge about are both quite minor, and perhaps can be rectified in the MCU future. Firstly, Thor’s return to Earth (whilst brilliantly dramatic and pretty) was quite weak in terms of exposition. That said, this isn’t a Thor movie, so we don’t need to know everything that happens to him. Also, in next year’s Thor 2, it is very possible we’ll discover more specific details about the first few scenes of his return. Secondly, Loki’s army also came across to me quite weakly. In case we have any Marvel aficionados in the crowd, I won’t spoil it by telling you who they’re supposed to be, but in general the whole army was essentially a meat shield used to bump out scenes in which The Avengers get to kick ass. A very enjoyable part of the film, but one that doesn’t really drive the story at all.

I feel the only way I can adequately describe just how much you need to see this movie (in cinemas) is this: For those of you who understand me, you will be know and be aware of just how much I fucking hate the concept of Blu-Ray. I am going to buy a Blu-Ray player, a HD television, and Blu-Ray discs, just so that I will get more special features when The Avengers is released. Never have I even considered doing such a thing before.

The Avengers doesn’t get into your mind and rape it in the best way possible like Revolver or Donnie Darko. It doesn’t get into your guts and turn them with nostalgic violence like the brilliance in Doomsday or Outpost. It gets into your heart, and leaves you not just wanting, but needing more. Long live the MCU!

90%

-Gimly
After the recent disappointments from Marvel, notably Thor and the abysmal second instalment of Ghost Rider, this was a pleasant experience.

The special effects are dazzling, the plot is acceptable and the heroes are not making total idiots out of themselves just because the director wanted some “depth” to their characters. Sure there is a little bickering in between them but not too much to distract from the fun.

I’ve always liked Robert Downey Jr’s portrayal of Tony Stark and his sharp tongue. I did wonder how they where going to get the Hulk in there since he’s supposed to be uncontrollable but they did it. Okay they downplayed his uncontrollability a bit but I can live with that. I absolutely loved the “puny god” scene (if you haven’t seen the film yet you’ll have to see it to know what I mean, I wont spoil it in advance).

I have to say that I found Thor himself a bit underwhelming again though. I just expect something more imposing as the good of thunder. But then I’m Scandinavian so…

Anyway, this was a great film. I enjoyed it very much.
One of the few movies to actually make me feel like a kid again, Joss Whedon was the perfect filmmaker to do this film. Everyone gets their time to shine. The script juggles every plot point and character moment with clarity and ease. It's funny, smart, and visually jaw dropping. Definitely lived up to the five movie hype.

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Room 2015 Online Anschauen

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Room-download-2015-HDTS-untertitel-blu ray-WEBrip-englisch-online schauen-DTS-DAT-online stream-BDRip.jpg

Bezeichnung	Room 2015
Dauer	112 winzig
Aussetzung	2015-10-16
Qualität	M4V 1440p Bluray
Buchgattung	Drama, Thriller
Programmiersprache	English
castname	Lavern Q. Alberte, Jolie J. Walras, Aiden E. Lamarre

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Split 2017 kostenlos filme anschauen -720p-WMV

Split 2017 Ganzer Film

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Split-AVCHD-2017-AVI-download-HDTV-hd stream-FLV-MPG-SDDS-MPE-WEB-DL-ganzer film.jpg

Name	Split 2017
Geltungsdauer	111 peinlich genau
Freisetzung	2017-01-19
Eigenschaft	AVCHD 1080p WEBrip
Genre	Horror, Thriller
Ausdrucksweise	English
castname	Harding T. Kyrou, Ismaïl S. Duriès, Gena M. Briggs

Split 2017 Split ganzer film deutsch, Split online stream - Ganzer film, Split ganzer film online stream - Deutsch

There has been much discussion about whether or not it is socially acceptable to watch Split. I'm gonna skip right over all of that and talk purely about the movie itself.

Anya Taylor-Joy is good, but McAvoy is what makes Split worthwhile. The heavily touted twist/reveal was all but a non-event, even to a M. Night alum like myself. Though it is certainly (in my opinion) the best work The Shamhammer has brought out since at least Signs, it's hard to say that its successes rest on his shoulders. Again, it is for McAvoy that we really owe praise, who, with the exception of his role as the lead in Filth, gives his career best performance.

Final rating:★★★ - I personally recommend you give it a go.
Split was a movie that I was a bit weary to see, I had been bitten by M. Knight before and I wasn't sure if this movie would be worth while. But the trailers looked great and I had always thought James McAvoy was a seriously underrated actor.

Split surprised me. I loved this movie. Ann Taylor-Joy was decent in the film and the Dr was great, but McAvoy knocked it out of the park. Being able to portray all these different personalities with no props such as wigs or makeup shows his talent. It was amazing how one personality made you feel uneasy and perplexed and the next had you smiling and feeling like you were really staring at a strange child. Bravo McAvoy.

The twist at the end made me love this movie even more. Though I'm not sure if you can really cal it a twist. A "reveal" might be the better word for what the audience learns. Whatever you want to cal it, the reveal at the end made me excited to see what's next!

The only thing I didn't like about this film was the unresolved conflict between Ann Taylor-Joy's character at the end of the film.
Besides that, I loved it. Definitely worth watching.
**Didnt see the review section at first so,I posted on the forums**

Not a fan of The director since Unbreakable. It was slightly above average but no whee near the quality of The Sixth Sence. I don't know why I keep watching his movies, probably hoping one will be the same extraordinary quality. With all the pre-release buzz I thought this was finally that movie.

I was so disappointed. I rated it slightly lower than Unbreakable. I don't know exactly where it where it went off the rails, but it never held my attention (and I'm not ADHD- I sit though theee hours of a good bio pic.

A good part of this was the girls trying asinine ways to escape; at other time we see McAvoy play several personalities half heartily. After all the award talk I expected a much better and diverse McAvoy. Sadly, just like the majority of Night's films he has his actors perform methodically. It actually felt McAlvoy was pushing his talents against the brick wall of what the director wanted.

He wasn't the only actor who underplayed the role. So did the doctor and the three teenage girls. First, after all these late night calls for extra appointment why didn't she get upset earlier or pull a personality up (which she has stated she can do) to discover the emergency instead of A casual bye--you-leave when another dominant personality shows up to the appointment.

I rate this in the same category of Nights's films except the quality Sisth Sense and Devil, which he did not direct and only wrote the original story,

As for,the ending, I felt it was a cheap shot. If the point was they are in the same time, the message came across far too,strong. If it is a hitnt to an Unbreakable 2 I'll pass and see another big screen feature.
I read some reviews and gave this movie a shot. I was very disappointed.

M. Night Shyamalan's last good movie, in my opinion of course, was The Village, where he had control over his style.

In Split he tries to use the same formula, but it doesn't work. There was no build up in reveling the plot, and then when we get to the end the feeling I got was : "Is that it ?".

Sure all the actors were good, but that didn't make the experience for me any better.
**The 24th's about to explode!**

The much needed break for the director Shyamalan. It has been over a decade since the last time he was lauded like this for his work. On the paper, it was a simple split personality disaster theme, but cinematically clicked so well. Firstly the performance of James McAvoy made this film a very success. I have seen his lots of films, but if I had to choose only one of his great, that's would be easily this one. A straightforward story, no complication to understand, or needed to explain everything it revolves. Then suddenly the final act turned into a different mode. With a twist, all comes to end.

The three teenage girls have been kidnapped at the beginning. Following that, the victims do not know the situation, but makes a couple of bad moves, except one girl. As the film progress, many secrets revealed to us, particularly about the kidnapper. It all developed to lead in one direction where an unimaginable thing going to happen. How and what result it brings told in the following parts.

The perspective of the story was not really a thing in this. That means it does not take sides, but gives you the option to choose. And most of the viewers would root for the weird girl. It was Anya, and she's having a wonderful career in early stage. Could becomes one of the best if she contributed all her performances in the same pace and intensity. The music was equally awesome. Created the perfect atmosphere along with the visuals. I could have not asked the better one. Best thriller of the year. You will be stupid to miss it out if you love films.

_8/10_
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

James McAvoy plays Kevin, a man with a genetic disease which allows him to have multiple personalities. His trusted psychiatrist, Dr. Karen Fletcher (Betty Buckley), knows 23 of them, but there's one hidden from everyone who desires to dominate over all the others. Compelled by one of his personalities, Kevin abducts three girls, where Casey Cooke (Anya Taylor-Joy) becomes their leader to try and escape the "crazy" man.

Is this the return to form by M. Night Shyamalan, who has been struggling for more than a decade to release a major success? Is Split the movie that brings him back to the spotlight?

Once again, Shyamalan's storytelling is very original, unconventional and ultimately mind-blowing. Instead of establishing everything the audience needs to know about the characters right at the beginning, he gradually develops them, giving them haunting backstories and spreading parts of it throughout the runtime. That said, this film isn't for everyone. The audience needs to trust Shyamalan and be patient. Really patient. Don't start taking notes about something that you think it's negative because once you reach the third act, everything changes and suddenly it all makes sense. The screenplay is not as twisty as Unbreakable, for example, but it demands absolute attention in order to catch up on all the things that matter (and the ones that don't, as well).

The production and editing team have to be congratulated due to their seamless work. From the camera work to the extended one-take sequences, as well as the environment surrounding the characters, everything feels real and looks amazing. The soundtrack ... Let me just say that this element is so, but so much relevant to the conclusion of this movie. I can't really say anything else without spoiling the ending, so I'll leave a note after my rating at the end of the review with a MAJOR SPOILER.

As for the cast, I'll start with the man that I honestly think should have received an Oscar nomination: James McAvoy. You know, there's a big difference in portraying a non-fiction character instead of a fiction one: concerning the former, you can't really escape the true nature of the person you are playing, but with the latter, as an actor/actress, you have to deliver yourself 100% to the role for it to be believable ... And God, does McAvoy deliver! He gives 200% in what could be his best performance to date. Do you think Andy Serkis had problems portraying both Gollum and Sméagol at the same time? Well, imagine 7 ... or 8 characters. I lost the count. All in all, James McAvoy, sir, congratulations! You are superb!

Anya Taylor-Joy is also incredible as Casey! Her character has the most intriguing story of the three girls, and she's the one who assumes the leadership of the group once the kidnap occurs. Her initially unknown past helps her through the traumatic situation, but it's really her rather captivating backstory that grabbed my attention. It's fundamental to the understanding of the ending and Anya does a terrific job. I also want to give a small praise to Betty Buckley for a beautiful and necessary interpretation of Dr. Fletcher, a character that offers the audience some knowledge of Kevin's disease.

As for the other two kidnapped girls, well ... They're my main issue with the film since they don’t have a good reason to be there. Claire (Haley Lu Richardson) and Marcia (Jessica Sula) aren't the main characters, and they don't have that much screen time, but their dialogue still feels extremely forced and filled with a lot of nonsense. The ending of the story might not be as twisty as in other Shyamalan's installments, but I hope that people don't give up to false expectations. The classic Shyamalan's twisty ending isn't a necessary attribute of his movies, but the truth is that the twist is not the one you think it is. Once again, the note at the end of my review will clarify this.

In the end, Split is Shyamalan's return to his old early 2000's self. Brilliantly unconventional storytelling, a lot of suspense, some very captivating subplots and a fantastic editing and production team behind him. The soundtrack plays a huge role in this film, as well as James McAvoy, who delivers his career-best performance. Anya Taylor-Joy is also pretty extraordinary, something that can't be said about her fellow friends who portrayed two bland characters. The ending brings the classic twist that makes everything more understandable, and I gotta say ... I love this film, and it is one of 2017's best!

MAJOR SPOILER BELOW

As I said above, the soundtrack plays a huge role in the ending twist. That's because the soundtrack that plays right before the title of the movie appears on the screen, is the same one as in the third act of Unbreakable.

This is one of the many clues throughout the film that hint at the idea that Split belongs to Unbreakable's universe. Naturally, after the title shows up, there's a scene with David Dunn (Bruce Willis) that confirms this theory, but these are little details that make Shyamalan into a great director and screenwriter. Also, it's a pity that I've only watched these movies after Shyamalan stating that they were part of an eventual trilogy. Not that I was not surprised at the end of Split, but it did remove that first impact of pure shock in knowing that two films separated by 17 years (in real life) are part of the same universe.

Both movies end up falling into the "superhero" genre. Unbreakable is the story of our "hero" who spent his whole life sad because he wasn't doing "what he was supposed to do", and Split is an origin story of our "villain". If Glass delivers, this might be one of the best “superhero” trilogies ever.

Rating: A
You like to make fun of us, but we are more powerful than you think.

Split is written and directed by M. Night Shyamalan. It stars James McAvoy, Anya Taylor-Joy, Betty Buckley, Haley Lu-Richardson and Jessica Sula. Music is by West Dylan Thordson and cinematography by Mike Gioulakis.

Three girls are kidnapped by a man with a diagnosed 23 different personalities. They must try to escape before the apparent emergence of the 24th - known as The Beast...

We now know that Split is the second instalment of a trilogy by Shyamalan that began with Unbreakable and is ending with Glass (released 2019). Always proving to be a most divisive director/writer/actor, Shyamalan has returned to the sort of noticeable form that had him earmarked in his early days as a director to follow - with the proviso that inevitably this is going to still infuriate some for its handling of the subjects at hand.

The plot trajectory is simple enough, girls kidnapped by a patient suffering from multiple personality disorder, as the girls in fear try to escape, a number of his personalities put in an appearance. Which builds up to the finale, which explodes after following on from the suspense and dread atmospherics so beloved by the director. In the mix joining the mental health issue with our main protagonist is a good meaning doctor (naturally), and the spectre of child abuse rears its ugly head. So not a movie to be cheered up by then! While if looking for a detailed and attentive look at the mental health issues to hand you will be disappointed.

However, there is a style to the picture in how it draws you into the predicament of the main players, boosted no end by McAvoy on irresistible form. Given licence to chew every scene, he delivers his various characters with great relish and no little amount of skill. Props to for Taylor-Joy, who as the lead kidnappee has deftly blended youthful innocence with resourceful strength (aided by Shyamalan's writing of course). Conversely, Shyamalan is guilty of just making a pic for entertainment purpose, which works as it's a very good creepy thriller with its black humour moments, but the mental health plot devices ensure his gimmicks will not be welcomed by all. 7/10

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The Magnificent Seven 2016 kostenlos filme anschauen -1080p-Dolby Digital

The Magnificent Seven 2016 Online Stream

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The Magnificent Seven-MPEG-2-2016-720p-blu ray-auf englisch-mit untertitel-VHSRip-Dolby Digital-BRRip-Bluray-auf italienisch-WEBrip.jpg

Bezeichnung	The Magnificent Seven 2016
Dauer	181 Minute
Ausgabe	2016-09-14
Eigenschaft	AAF 720p HDTV
Gattung	Adventure, Action, Western
Ausdrucksweise	English
castname	Moniqua I. Devarsh, Bélair B. Telma, Massa G. Malakey

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The western genre has gradually been making its way back into the cinematic fold. Recent dusty trail ditties such as David McKenzie's modern-day _Hell or High Water_ or Quentin Tarantino's _The Hateful Eight_ have proven to be recent saddle-tested gems that enthusiastically put cowpoke enthusiasts in movie theater seats. Furthermore, what would Hollywood do if it did not predictably invite yet another remake of a classic film into the moviegoers' mindset? Hence, director Antoine Fuqua takes a challenging stab at generating interest in his latest workman-like western shoot 'em up in the millennium-made version of **The Magnificent Seven**.

Naturally, Fuqua's chaotic and calculating gun-toting actioner is an updated remake of director John Sturges's 1960 film that starred late iconic box office big stars such as Yul Brynner, Steve McQueen, Charles Bronson and Eli Wallach. Of course in return Sturges's borrowed his artistic gun-for-hire gumption from legendary Japanese auteur Akiro Kurosawa's vintage and influential _Seven Samurai_. Fuqua, whose gritty urban police drama _Training Day_ secured a Best Actor Oscar for his **The Magnificent Seven** leading man in two-time Academy Award winner Denzel Washington, takes on the retelling of his particular _Seven_ with feisty fury. One would not necessary anoint Fuqua's outlaw tale as a superior successor to Sturges's borrowed blueprint from Kurosawa. However, Fuqua's array of blazing bullets from his bunch of rag tag bad boys has its own distinctive sense of decorative dare and destruction that feels authentic.

Screenwriters Nic Pizzolatto ("True Detective")and Richard Wenk deliver an unapologetic script that calls for high body counts, old-fashioned showdowns and a wild west waywardness that swaggers courtesy of Fuqua's corrosive crew. The popcorn entertainment in **The Magnificent Seven** is strictly in guilty pleasure territory so there is no need to tighten up your holsters for all you little buckaroos that are eager to wallow in Fuqua's cutthroat corral of gunslingers.

Mustached bounty hunter Sam Chisolm (Washington) is the all-dressed-in-black avenger whose mission is to provide protection for the town of Rose Creek, New Mexico. In his ambitious bid to save the jeopardized Rose Creek he must assembled a group of skilled gunmen able to stand up to the diabolical powers-that-be that look to foster the on-going havoc that prevails.

Specifically, Rose Creek is under the dastardly control of the diabolical Bartholomew Bogue (Peter Sarsgaard) that rules the town with an iron fist. The opening scene demonstrates how nefarious Bogue is at heart because he has no qualms about seizing land from its vulnerable owners or quieting down his critics with intimidating force. Basically, Bogue and his hideous henchmen are not to be reckoned with at all--unless you are willing to match wicked-minded wits with the raw and rough Chisolm and his gun-wielding renegades.

Rose Creek resident Emma Cullen (Haley Bennett, "Music in Lyrics", "The Girl on the Train") steps up to the plate in her effort to confront the nasty Bogue the only best way she knows how--hiring the capable and crafty collection of the Seven to contain this intimidating menace.

Joining Chisolm in his bloody quest to rescue Rose Creek from Bogue's disturbing clutches are explosives expert gambler Josh Farraday (Chris Pratt), and conflicted sharpshooter Goodnight Robicheaux (Ethan Hawke reuniting with his "Training Day" director and co-star Fuqua and Washington). The rest of the tag-a-longs include the outlandishly bearded Jack Horne (Vincent D'Onofrio from TV's "Law & Order: Criminal Intent"), Billy Rocks (Byung-hun Lee), Vasquez (Manuel Garcia-Rulfo) and Red Harvest (Martin Seinsmeier). Together, the anti-heroes known as the Magnificent Seven hope to meet the expectations of Emma's (and the town's) cause and eradicate the villainous Bogue by any means necessary.

**The Magnificent Seven** certainly does not have any pretensions about posing as a conscious-minded, revisionist western as it definitely does not have the prolific pedigree such as Clint Eastwood's _Unforgiven_ for instance. Nevertheless, the film does have a devilish impishness as its main function is to echo an exaggerated rustic feel to its throwback acknowledgement when westerns of yesteryear were just plain frivolous and furious without any particular rhyme or reason.

Sure, the characters have really no inside depth beyond their taste for roughshod recklessness and wild tumbleweed theatrics. This is not necessarily a bad thing to consider in Fuqua's **The Magnificent Seven** because the name of the game is serving up an escapist need for its giddy-up rush for the senses. Indeed, Washington and company will not make anybody forget the aforementioned Brynner and his squad from nearly six decades ago. Still, this particular _Seven_ has its own kind of favorable punch to savor.

The notable names in _Seven_ do rise to the occasion within the context of this otherwise basic story of the wannabe borderline good guys versus the bombastic bad guys. Washington's Chisolm is solidly smooth as charismatic as the leader of the pack. Pratt's Farraday is a charming hoot as the roguish gambling cad. Hawke's Goodnight does a decent job portraying the talented gun handler simply trying to get his groove back due to his shaken confidence from a prior incident (yes, the catchy movie moniker of Goodnight Robicheaux is a keeper to say the least). And D'Onofrio's amusing Horne is deliciously irreverent. The always adventurous Sarsgaard comes to life as the vile wonder whose presence inspires the Seven to tap into vengeance mode.

At the end of the roundup it is quite clear that **The Magnificent Seven** wants to lasso its penchant for resembling a showy Hollywood western even if it is at the expense of lifting its rowdy roots from the likes of its highly regarded predecessors from golden cinema's treasured past.

**The Magnificent Seven** (2016)

Sony Pictures

2 hrs. 12 mins.

Starring: Denzel Washington, Chris Pratt, Ethan Hawke, Peter Sarsgaard, Haley Bennett, Vincent D'Onofrio, Byung-hun Lee, Maunel Garcia Rulfo, Martin Sensmeier

Directed by: Antoine Fuqua

MPAA Rating: PG-13

Genre: Western/Drama/Action and Adventure

Critic's rating: ** 1/2 stars (out of 4 stars)

(c) **Frank Ochieng** 2016
In 1879, degenerate industrialist Bartholomew Bogue (Peter Sarsgaard) blockades the mining town of Rose Creek, and butchers a gathering of local people drove by Matthew Cullen (Matt Bomer) when they endeavor to confront him. Matthew's better half, Emma Cullen (Haley Bennett), and her companion, Teddy Q (Luke Grimes), ride to the closest town looking for somebody who can help them and happen upon abundance seeker Sam Chisolm (Denzel Washington), who at first decays their proposition until he learns of Bogue's contribution.

Chisolm embarks to enlist a gathering of gunslingers who can help him, beginning with card shark Josh Faraday (Chris Pratt).Watch and download "The Megneficent Seven" here _**movies watch free**_ They are later joined by sharpshooter Goodnight Robicheaux (Ethan Hawke), blade employing professional killer Billy Rocks (Byung-hun Lee), gifted tracker Jack Horne, Comanche warrior Red Harvest and famous Mexican criminal Vasquez (Manuel Garcia-Rulfo).

Touching base in Rose Creek, the seven take part in a gunfight with Bogue's implementer McCann (Cam Gigandet) and his men and push them away with a notice to allow Rose Creek to sit unbothered. Construing that Bogue and his strengths will return in seven days, the seven and Cullen train the sportspeople to guard their home and become attached to them. Watch and download "The Megneficent Seven" here **movies watch free** Robicheaux, frequented by the abhorrences of the Civil War and dreading the unavoidable executing he will be a piece of, forsakes the gathering and is supplanted by Cullen.

Bogue touches base with his strengths and assaults the city, however the desperados are trapped by the townspeople, prompting a shootout amid which Robicheaux rejoins the gathering, McCann is murdered by Vasquez, and Horne is executed by Bogue's Comanche professional killer Denali (Jonathan Joss), who is later slaughtered by Red Harvest. Watch and download "The Megneficent Seven" here _movies watch free_. Bogue then divulges his mystery weapon, a Gatling firearm, with which he executes various innocents. Acknowledging they're outgunned, the seven push the townspeople away and mount their last stand.

Robicheaux and Rocks are killed by a second round of gunfire as Faraday penances himself to demolish the Gatling firearm and whatever is left of Bogue's men, riding up to them in a last charge and afterward exploding a stick of explosive right beside the weapon. Bogue escapes into town, where he is faced by Chisolm, who incapacitates and wounds Bogue. Watch and download "The Megneficent Seven" here movies watch free. As Chisolm is choking Bogue, he uncovers that Bogue and his men assaulted and killed his mom and sister amid an attack quite a long while prior, in which he himself survived being hanged. Bogue is then lethally shot by Cullen while going after a shrouded weapon in his boot.

In the fallout, Faraday, Robicheaux, Rocks and Horne are covered around the local area and respected by the general population of Rose Creek as saints, while Chisolm, Vasquez and Red Harvest ride off, with Cullen commenting that their gallantry made them legends. Watch and download "The Megneficent Seven" here _movies watch free_.
**The new seven, all unique and diversified!**

Basically, people watch it for either those actors and the director or for an entertertainment. But we all know the story, how it begins and how it ends, since it was the remake of the 1960 film. Actually, it was a successful remake, but not as magnificent as the original. Maybe the youngsters might like this one better.

The director's favourite, Denzel Washington in one of the main characters. Not much change in the theme, except the screenplay was little altered, especially diversity in the film characters and their developments. Because nowadays that's a big issue in Hollywood cinema. So it was led by Denzel and possibly there will be a sequel like the 'Ocean's' trilogy.

The people from a small mining town decides to hire men with guns to fight the villainous businessman who slaughtered their loved ones. The unusual seven men come together and form a team with a plan to defend the town. So what comes next is the battle between the good and the bad that lasts for the whole final act.

The setting was completely refreshing, but slightly disappointing action sequences. All the seven characters were unique and awesome, but the film lacked the great battle scene that defines each one of them. Surely I favour it just for once watch that told from the todays imagination of the 1870s era. Feels like it should have been better, but in the end it is a satisfying film.

_6.5/10_
I seek righteousness. But I'll take revenge.

Directed by Antoine Fuqua and written by Nic Pizzolatto and Richard Wenk. Starring Denzel Washington, Chris Pratt, Ethan Hawke, Vincent D'Onofrio, Byung-hun Lee, Manuel Garcia-Rulfo, Martin Sensmeier, Haley Bennett and Peter Sarsgard. Music is by Simon Franglen (also working from a James Horner template) and cinematography by Mauro Fiore.

Seven gunmen band together to aid the town of Rose Creek whose inhabitants are being driven out by ruthless capitalist Bartholomew Bogue.

We are now in an age of film making where "tagged classics" are no longer sacrosanct. Any number of these "tagged classics" have been and will become viable for remake - reboot - reimaging for newer audiences. It's here, it happens and really there's nothing we can do about it but moan amongst ourselves. John Sturges' 1960 The Magnificent Seven (itself a remake of Kurosawa pic Yojimbo) is a much loved film, and not just in Western lovers circles, it's a film that non Western fans are known to enjoy - and rightly so, it deserves its place as a "tagged classic" and still enthrals over 50 years since its release. So the big studio big wigs and Antoine Fuqua were taking a major gamble remaking a classic remake with their own remake!

Undeniably the shadows loom large over the 2016 version, so much weight of expectation, in fact to some it was a stinker of a film even before it was released! Well, as those who have seen it will attest, both the fans and the dissenters, it hasn't raised the bar for the "Seven" formula, but, and this is very key here, the makers wasn't setting out to make a film that down the line would be perceived as a "tagged classic", and this is evident in the ream of extras available on the Blu-ray releases. They achieved what they set out to do, to make a blunderbuss Oater for the modern era to sample, and they have done it with much love, much cool and lashings of technical greatness. Add in a cast clearly enjoying themselves and not letting anyone down, and it's a tasty plate of beans.

Fuqua updates things by having his seven as a row of differing ethnicities, which works a treat, and crucially he and his writers are respectful of those characterisations, even if a bit more fleshing out wouldn't have gone amiss. Yet nothing is at a cost to honouring the great Westerns of old. Beautiful landscapes envelope the players, the musical score bouncing around man and nature with homaged sweetness. There's closeups, silhouetted slices of panache, superb stunt work (man and beast), glorious set design, and then there's the action. The fight sequences are excellently constructed, a feast for the eyes and ears, death and slaughter unfurled in brutal but hunger appeasing strokes. There's comic relief about the place, and while much of the dialogue wouldn't have the great poets of yore troubled, there is deepness to be found. Intelligence, too, the addition of PTSD to one of the main players is a notable piece of worth, while how wonderful to find a Western lady character of great substance (Bennett excellent), so good in fact she could have been one of the seven!

It's a bare bones story, with a pointless motive revelation tagged on for the finale, while some anachronisms will irritate those bothered by such. But if you are able to judge it on its own terms, as a Western entertainment for this era, and to accept it isn't trying to outdo the source of its inspiration, then a good time can readily be had. 8/10
Ditches all the cerebral factors in favour of dumb fun, but hey, it works.

Final rating:★★★ - I personally recommend you give it a go.
This is indeed a very good remake of an old classic. As always I am a bit worried when they make a remake of old classics that I liked. This remake is well worth watching though. Despite having a few minor gripes I went for 5 out of 5 stars on this one.

Most of you are probably familiar with the story of The Magnificent Seven. Gunslinger gets hired to protect a village from the evil industrialist, he picks 6 buddies to help him, trains the villagers, digs in and sits down and waits for the bad guys to arrive. A simple and well suited story for a bit of Western entertainment. I guess I should mention as well that the original Western is actually not the “real” original. That honor befalls Shichinin no samurai, or Seven Samurai in English, which is a Samurai movie by Akira Kurosawa and with Toshirô Mifune in the lead role. That is the movie from which the plot originates.

Anyway, history lesson is over, back to this movie. The movie starts of by introducing the main characters. The bad industrialist is a nasty piece of thug and quickly demonstrates that, although by no means being a blood splatter movie, it is definitely more cruel than what I remember from the original. Next in line is the movies hero played by Denzel Washington and I have to say that he plays the role very well. I liked him as the calm, fairly silent, but oh so deadly gunslinger from the first frame to the last.

The other characters fit quite well into their roles as well. I cannot make up my mind about Jack Horne though. I did like the character but at the same time I felt that he was a wee bit to comical at times. I also liked Goodnight Robicheaux quite a lot but the writer really went a bit over the top as far as I am concerned when he actually left.

Of course the entire movie plays out as a build up to the final big fight and it is a big fight, that has to be said. However there are plenty of things happening during this build up. Both things involving chemically propelled slugs flying around and things slightly less noisy.

Sam Chisolm has to pick up his buddies of course, each one being an opportunity for some cool movie story telling. Then we have the training of the villagers which, as expected, becomes a wee bit comical at times. Oh, and I almost forget that there is a nice little shootout when Chisolm and his buddies introduces themselves to Bogue’s thugs in the village. Said thugs includes the local Sheriff. To no ones surprise I believe. So much for law and order. Time for a new management.

So, fast forward to the end and the big fight. It is big, it is well done and it involves plenty of things that go boom. It is plenty of action but it is also the part of the movie where I have the biggest gripe. Okay folks there are going to be a mild spoiler now. With that out of the way, let’s go to the Gatling gun. It is always cool to see a Gatling gun let loose. However can we keep it a bit more realistic please? They fire thousands of bullets without reloading (they make a fuss about reloading later in the movie). Also they position the gun out in the open where it would have been relatively easy to shoot the men operating it. An idea that they finally get much later and manage to goof up. The final solution to taking out the gun is dramatic but quite convoluted. This is the part of the movie that made me go a bit what the fuck!

Apart from that I really enjoyed this movie. A good remake of an old classic.
My only objection with this version is the use of the Gatling gun. Though I know it's only a movie and it creates more excitement, the gun never fired that many rounds per load. That said, I still enjoyed the movie.

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Titulierung	Oldboy 2013
Dauer	178 Konzept
Erlösung	2013-11-14
Beschaffenheit	MP4 1440p DVD
Buchgattung	Drama, Thriller, Mystery, Action
Sprache	English
castname	Cioran B. Pedro, Niara M. Lydie, Mailhot T. Mcbride

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Game Boy – Wikipedia ~ Game Boy Special Edition 1995 wurde der ursprüngliche Game Boy unter der Bezeichnung Special Edition neu aufgelegt Er war zwar technisch mit dem Game Boy Classic identisch aber in zunächst sechs unterschiedlichen Gehäusefarben rot gelb grün schwarz weiß transparent später auch in blau erhältlich und wurde mit einer Transportbox ausgeliefert in die das Gerät vier

Boy Gobert – Wikipedia ~ Boy Gobert war der Sohn des Hamburger Kultursenators Ascan Klée kam nach einigen Theaterengagements unter anderem bei seinem Schauspiellehrer Helmuth Gmelin am Theater im Zimmer 1954 auch zum Film wo er vor allem auf das Rollenfach von Dandys Snobs und Bonvivants festgelegt war „In über 50 Filmen der Nierentischzeit juxte Gobert dann näselnd blasiert durch das Land des

Game Boy Advance – Wikipedia ~ Game Boy Advance Der Game Boy Advance GBA wurde von Nintendo 2001 als Nachfolger des sehr erfolgreichen Game Boy Color auf den europäischen Markt gebracht Gegenüber dem klassischen Game Boy bietet die HandheldKonsole Technik auf dem Stand eines verbesserten Super Nintendos ein größeres Bild eine veränderte Form Quer statt Hochformat und volle Abwärtskompatibilität zu GameBoy

Bubble Boy – Wikipedia ~ Handlung Der 17jährige Jimmy Livingston leidet unter einem Immundefekt weswegen er sein Leben in einem Raum umgeben von einer sterilen Plastikhülle verbringen stark religiöse Mutter kontrolliert sein Leben Als Kind freundet sich Jimmy mit der neuen Nachbarin Chloe an Chloe sagt eines Tages sie würde bald an den Niagarafällen Mark heiraten

Money Boy – Wikipedia ~ Money Boy 1981 in Wien zwischenzeitlich Why SL Know Plug YSL Know Plug Why SL Beezy bürgerlich Sebastian Meisinger ist ein österreichischer wurde vor allem durch den Song Dreh den Swag auf bekannt

Little Boy – Wikipedia ~ Little Boy war nach dem einfachen aber sehr zuverlässigen „Kanonenprinzip“ aufgebaut Ein Versagen der Konstruktion galt als sehr unwahrscheinlich so dass auf einen Test verzichtet wurde Die erste jemals durchgeführte Kernwaffenexplosion der am 16

Turkana Boy – Wikipedia ~ Turkana Boy oder Nariokotome Boy bezeichnet das Fossil eines männlichen Individuums der Gattung Homo dessen außergewöhnlich vollständig erhalten gebliebenes Skelett im August 1984 in Kenia am NariokotomeFluss rund 5 km westlich des TurkanaSees entdeckt wurde

Boy A – Wikipedia ~ Boy A ist ein britischer Film aus dem Jahr 2007 Er handelt von einem jungen Mann der als Kind einen Mord beging und nun aus der Haft entlassen wird um mit anderer Identität ein neues Leben zu beginnen

Golden Boy Manga – Wikipedia ~ Golden Boy Eigenschreibweise in Versalien ist ein Manga von Tatsuya Egawa der ab 1992 in Japan veröffentlicht Werk ist ins Genre Etchi einzuordnen und wurde als Anime adaptiert

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Titulierung	Captain Fantastic 2016
Geltungsdauer	123 kurzer Entwurf
Befreiung,Entbindung	2016-07-02
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While Viggo's character is most certainly the protagonist, he's also not portrayed as being 100% in the right. Which really is the best way to tackle the subject matter at hand.

_Final rating:★★★½ - I strongly recommend you make the time._
**Surviving isn't just a good education, but needs the physical training.**

This is from a supporting actor turned a director who is just one film old before this. So he wrote and directed this beautiful film. One of the best films of the years that should be in must see list. It was just like the film 'Alabama Moon', only the initial plot that extended for over the hundred minutes. The first thing is the cast, it was the best combination. Lots of future stars are here. It was more like a road movie, except in the opening few minutes.

I did not like the entire film, I found a couple of things uncomfortable. Like the killing a deer in the opening scene and the end part. The conclusion was good, I thought it was the best solution for such a story, not for the theme. But then the final shot gave me an impression that they had got compromised. After all these years hard work, I felt they had given up. That did not stop me from enjoying it and recommending it to the others. Still, it is a very unique film that tried its best to avoid the usual cliché.

This is the story of a father of six kids, raising them by his own outside the society in the wilderness. But the children are not left behind on the knowledge of the world, especially the philosophies theirs favourite topic. They are bright, as well as tough and can survive in any condition. One day when they get a message that their mother died, the journey begins to attend the funeral and during their way all the adventures are what we're going to witness.

Due to the copyright issue the birthday song was altered. Surprisingly, the film was not based on any book. So my utmost appreciation goes to the creator of this wonderful product. Surely it will be a cult classic. It has lots of great dialogue, and bold revelations in a simple way about the facts of the world. Especially like related to the sex and other grown up stuffs clarifying the little kids' doubts.

At some point I thought it was okay for the kids to watch with their parents, but it did not get better on that perspective. I mean having lots of main characters as children, the film is not good for their watch. Though the adults should not miss it, even though you are a religious person or any other kind. So highly recommended by me.

_8/10_

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